Boccaccio Test #3 Part 3 Flashcards

(8 cards)

1
Q

6th DAY: a witty retort gets you out of trouble.

TENTH STORY: Brother Cipolla hoodwinks his congregation while outsmarting two pranksters.

A
  • Themes: Language used for manipulation and for getting out of trouble.
  • Gullibility of the faithful.
  • Superstition and idolatry encouraged by the church.
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2
Q

7th DAY: Women play tricks on their husbands.

FIRST STORY: Monna Tessa and the ghost. (Donkey skull. Alternate ending.)

A
  • Theme: Instability of language, openness to misinterpretation.
  • This instability is also reflected by Emilia’s insistence that her tale is really a piece of gossip.
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3
Q

TENTH STORY: Two men in love with the same woman.

A
  • Themes: The two friends want solid proof that church teachings are true. (Proof is what the scientific revolution will be based upon. We are no longer in the Middle Ages.)
  • Opportunism: another “revelation” from the afterlife used as a means to an end (see Nastagio’s story).
  • We are in no position to make assumptions about the afterlife
  • Tingoccio’s ghost says Sins of the flesh don’t seem to mean much in the afterlife
  • Recurring theme: divine things are beyond our reach, and we can’t presume to know about them
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4
Q

10th DAY: Deeds of generosity.

TENTH STORY: Patient Griselda (Narrator: Dioneo, who tells a story of misogynistic cruelty.)

A
  • Theme: Storytellers (women especially) must now prepare to get back to reality.
  • They will be returning to patriarchal oppression, to social and gender conflict.
  • Allegorical reading: God is (gratuitously) testing humans (with the plague).
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5
Q

Dante’s Notion of Language

A
  • For Dante (and the Medieval person) language is a gift God bestowed
    upon humans so that they could spread His truth.
  • When humans misuse this gift (by lying, deceiving, etc.), they are
    perverting language’s primary function, which is to convey God’s truth.
  • Conveying God’s truth is precisely what Dante is attempting to do in
    the Divine Comedy.
  • If Dante did not believe that language was created
    to convey God’s truth, his great poem would have no meaning.
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6
Q

Boccaccio’s Reassessment of Language

A
  • In Boccaccio, language is a man-made tool that can be used for good
    or ill depending on the speaker’s intentions.
  • Its primary function is not to convey God’s truth, but rather to negotiate human desire.
  • Whenever we use language, we are either making our desire known to others, or reacting to their own desire. In either case, we use language to persuade others.
  • For Boccaccio, language is a human institution, and as such it can only
    convey human (not divine) truths.
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7
Q

3 overarching themes that Boccaccio will explore
throughout the 100 stories of his Decameron

A
  • The function and power of LANGUAGE
  • The extent of WOMEN’S AGENCY in Medieval society.
  • The nature of HUMAN DESIRE (Deconstruction of Courtly Love)
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8
Q

Comparing Dante and Boccaccio

A
  • In Dante’s Inferno, every episode is conceived as a morality tale
    designed to teach us right from wrong.
  • In Nastagio’s story, Boccaccio creates his own infernal scene to make a social commentary: too often morality tales are tools that men use to reinforce their power over women.
  • Boccaccio borrows elements from Dante’s Inferno not to reflect on
    right and wrong, but rather to explore gender relations in his
    society.
  • Boccaccio’s constant preoccupation with gender dynamics is part
    of what makes the Decameron an astonishingly modern work.
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