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ESTILL EXAM > Bradlee > Flashcards

Bradlee Flashcards

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1
Q

NAME THE 9 STRUCTURES FOUND INSIDE THE LARYNX

A

TRACHEA, HYOID BONE, CRICOID CARTILAGE, THYROID CARTILAGE, AREPIGLOTIS SPINCHTER, FALSE VOCAL FOLDS, TRUE VOCAL FOLDS, ARETENOIDS, EPIGLOTIS

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2
Q

ARE THE TRUE VOCAL FOLDS FOUND BELOW ARE ABOVE THE FALSE VOCAL FOLDS

A

BELOW

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3
Q

WHAT IS THE SPACE BETWEEN THE TRUE VOCAL FOLDS

A

GLOTTIS

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4
Q

WHAT IS THE GLOTTIS

A

SPACE BETWEEN THE TRUE VOCAL FOLDS

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5
Q

WHAT TWO STRUCTURES ARE ABLE TO BE VERTICLE AND TILT

A

CRICOID AND THYROID CARTILAGE

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6
Q

WHAT DO THE THYROID AND CRICOID REGULATE

A

THE LENGTH OF TRUE VOCAL FOLDS

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7
Q

DEFINITION OF PITCH

A

PERCEPTION OF VIBRATORY FREQUENCIES AND CHANGES IN AIR PRESSURE THAT CREATES SOUND WAVES

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8
Q

NAME AND DESCRIBE THE THREE ONSETS AND OFFSETS

A

GLOTTAL: THE TRUE VOCAL FOLDS CLOSE BEFORE EXHALATION BEGINS
ASPIRATE: EXHALATION BEGINS BEFORE THE TRUE CAN CLOSE, CAN BE ABRUPT OR GRADUAL.
SMOOTH: EXHALATION AND TRUE VOCAL FOLD MOVEMENT OCCURS SIMILATANEUOSULY

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9
Q

NAME THE THREE CONDITIONS OF THE FALSE VOCAL FOLDS

A

MID CONSTRICTED AND RETRACTED

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10
Q

DEFINE EFFORT

A

WHERE THE MUSCLES ARE WORKING AND HOW HARD THEY ARE WORKING RATED OUT OF TEN. IT IS THE IMPACT OF ENERGY INTO THE VOICE PRODUCTION SYSTEM.

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11
Q

WHAT IS THE VALUE OF EFFORT

A

MAKES HIGH INTENSITY SINGING EASY AND ALSO HELPS TO AVOID LARYNGEAL CONSTRICTION

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12
Q

NAME THREE RELAXATION MANEUVERS

A

ROLL TONGUE ROUND TEETH, HEAD NECK ROLLING, FACIAL MASSAGE, CHEWING

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13
Q

DEFINE RECOIL

A

THE SENSATION OF BREATH RUSHING INTO THE BODY WITHOUT ACTIVELY HAVING TO BREATHE

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14
Q

NAME THE STATES OF AES

A

WIDE OR NARROW

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15
Q

NAME THE STATES OF THYROID/CRICOID

A

VERTICLE OR TILT

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16
Q

NAME THE STATES OF FALSE VOCAL FOLDS

A

MID, CONSTRICTED, RETRACTED

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17
Q

NAME THE STATES OF BODY COVER

A

SLACK, THICK, STIFF AND THIN

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18
Q

NAME THE POSITIONS OF THE LARYNX

A

HIGH, MID LOW

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19
Q

NAME THE POSITIONS OF THE VELUM

A

HIGH, MID, LOW

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20
Q

NAME THE POSITIONS OF THE TONGUE

A

HIGH, MID, LOW

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21
Q

NAME THE POSITIONS JAW

A

FORWARD, MID, BACK, DROPPED

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22
Q

NAME THE POSITIONS OF THE LIPS

A

PORTRUDED, MID, SPREAD

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23
Q

NAME THE STATES OF ANCHORING

A

RELAX OR AHCNOR

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24
Q

NAME THE FIVE PARTS OF THE TONGUE

A

BODY, TIP, BLADE, DORSUM, ROOT

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25
BENEFIT OF AES NARROWING
MAKES THE VOICE LOUDER AND ADDS BRIGHTNESS
26
WHAT CAN THE LIPS DO TO LENGTHEN THE VOCAL TRACT
PROTRUDED LIPS
27
WHAT CAN THE LIPS DO TO SHORTEN THE VOCAL TRACT
SPREAD LIPS
28
BENEFITS OF ANCHORING
PROVIDES GREATER STABILITY AND CONSISTENCY TO THE VOICE IN PERFORMANCE
29
IN TORSO WHAT MUSCLES ARE ENGAGED
TORSO AND LATS
30
THE LONGER THE TRUE VOCAL FOLDS REMAIN CLOSED THE ____ ____ THE SOUND?
INTENSE
31
THE SHORTER THE TRUE VOCAL FOLDS REMAIN CLOSED THE ____ ____ THE SOUND?
LESS INTENSE
32
ANOTHER NAME FOR THE VELUM
SOFT PALETTE
33
NAME THE STATES OF THE VELUM AND WHAT CONDITIONS IT GIVES TO THE VOICE
LOW: NASAL MID: NASALISED HIGH: ORAL
34
NAME THE DOORWAY TO THE VELUM
PHARYNGEAL PORT
35
WHAT IS CLAVICULAR BREATHING
A SHORT INTAKE OF BREATH USED IN BELTING
36
DEFINE THE BERNOULLIS PRINCIPLE
VIBRATIONS OCCUR WHEN THE TRUE VOCAL FOLDS ARE SUCKED TOGETHER BY THE STREAM OF BREATH
37
WHAT STRUCTURE RELATE TO POWER SOURCE AND FILTER
POWER: LUNGS, SOURCE: TRUE VOCAL FOLDS AND FILTER: VOCAL TRACT
38
WHAT CAN THE LUNGS, TRUE VOCAL FOLDS AND VOCAL TRACT BE KNOWN AS
POWER, SOURCE AND FILTER
39
WHAT IS THE FUNCTION OF ARTICULATORS. GIVE TWO EXAMPLES
TO SHAPE VOWELS AND CONSONANTS AND TO IMPROVE CLARITY, LIPS AND TONGUE
40
DEFINE ATTRACTOR STATE
POSITION OF STABILTIY IN THE VOICE
41
CLAVICULAR BREATHING IS USED IN WHAT VOICE QUALITY
BELT
42
VOICE USE IN A DYNAMIC SYSTEM DISCUSS THIS USING AN EXAMPLE
VOICE IS PRODUCED BY COMPLEX STRUCTURES THAT ARE ALL LINKED AND LOWERING OR RAISING ONE WILL CAUSE AND AFFECT ANOTHER.
43
NAME THE INTRINSIC PHARYNGEAL CARTILAGE CLOSES TO DEFLECT FOOD AND WATER DOWN THE OESOPHAGUS
EPIGLOTIS
44
WHAT IS THE EPIGLOTIS
IS THE INTRINSIC PHARYNGEAL CARTILAGE CLOSES TO DEFLECT FOOD AND WATER DOWN THE OESOPHAGUS
45
WHAT IS THE GLOTTIS
SPACE BETWEEN THE TRUE VOCAL FOLDS
46
NAME AN EXERCISE TO MAINTAIN THE RETRACTION OF FALSE VOCAL FOLDS
SILENT LAUGHING
47
IN GENERAL TERMS TRUE VOCAL ARE BLANK AND BLANK AT HIGH PITCHES AND BLANK AND BLACK AT LOW PITCHES
LONG AND THIN VS SHORT AND THICK
48
WHAT CAN A SIREN BE USED TO DETERMINE
VOCAL HEALTH AND RANGE
49
DEFINE MIRINING
SIRENING WHILST MOUTHING THE WORDS
50
IN TWNAG WHAT IS NARROWED
ARRYEPPIGLOTTIS SPINCHTER
51
WHAT STRUCTURE HAS ITS ROOTS AT THE FRONT OF THE THROAT AND WHAT THREE CONDITIONS CAN IT BE PLACED IN
TONGUE, HIGH MID LOW
52
DESCRIBE THE TERM ANCHORING IN RELATION TO SINGING TECHNIQUE
LARGER MUSCLES BEING ENGAGED TO SUPPORT THE SMALLER MUSCLES IN THE LARYNX
53
NAME THE TWO COMPULSORY ANCHORING FIGURES AND THEIR CONDITIONS
HEAD AND NECK AND TORSO, ANCHOR VS RELAX
54
WHAT AND WHERE ARE THE STERNOCLYDOMASTOIDS
MUSCLES THAT ARE USED IN HEAD AND NECK ANCHORING LOCATED BEHIND SKULL THAT RUN TO THE NECK UNDERNEATH THE EARS AND CONNECT TO THE CHEST.
55
NAME THE SIX ESTILL VOICE QUALITIES
TWANG, BELT, SOB, SPEECH, FALSETTO, OPERA
56
WHAT IS VOLUME LINKED
AIR PRESSURE OF BREATH (THICKER FOLDS EQUALS LOUD WHILST THINNER EQUALS QUIETER)
57
WHAT IS THE SUBGLOTTIS
AIR PRESSURE BEFORE THE TRUE VOCAL FOLDS
58
WHAT DO SUPRAHYOID MUSCLES DO
RAISE THE LARYNX
59
WHAT DO INFRAHYOID MUSCLES DO
LOWER THE LARYNX
60
WHAT AND WEAR ARE THE STERNOCLYDOMASTOIDS
MUSCLES THAT HELP AND SUPORT HEAD AND NECK ANCHORING. LOCATED BEHIND THE SKULL, THAT RUN TO THE NECK, UNDERNEATH THE EARS AND CONNECT TO THE CHEST.
61
WHAT ARE THE MUCLES USED IN TORSE ANCHORING
PECTORALIS MAJOR QUADRATUS LUMBORUM LATISSMUS DORSI
62
ANOTHER NAME FOR THE VELUM
SOFT PALETTE

ESTILL EXAM (1 decks)

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