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Bronte > Bronte > Flashcards

Bronte Flashcards

1
Q

What is the first Victorian theme?

A

Gender, sexuality, domestic ideology

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2
Q

What is the second Victorian theme?

A

Poverty, unrest, social criticism

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3
Q

What is the third Victorian theme?

A

Doubt, self-reflection, Romanticism

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4
Q

What is the fourth Victorian theme?

A

Art, aesthetics, critique of Victorian values

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5
Q

What is the fifth Victorian theme?

A

Progress, science, colonial expansion

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6
Q

Who was Sarah Stickney Ellis?

A

She wrote Female Conduct Guides: home managers for the advancement of husbands and sons

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7
Q

Denis de Rougement’s Theory

A

passion must entail obstructions (pleasure is forbidden, pain, yearning, never obtaining)

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8
Q

Niklas Luhmann’s Book

A

Love as Passion

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9
Q

Medieval Courtly Love

A

the idealization of love because of beauty

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10
Q

Amour

A

the passion of the 17th-18th century French aristocracy, sexuality, illicit love affairs

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11
Q

Romantic love

A

marrying due to desire and affection

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12
Q

19th Century English Marriage

A

to secure establishment for females, to have families as a duty to God and country

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13
Q

Passion

A

Inherently opposed to reason
Overrides thoughts, self-control
Irrational, wrong, dangerous, can’t help yourself
Not just risk, inevitable, unavoidable, unendurable pain, sorrow, death (ex. Romeo and Juliet, “parting is such sweet sorrow”)

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14
Q

Lord Byron

A

Handsome, charming, and sexually unconventional
Abandoned by dad, volatile mom, molested by nursemaid
Inherits title, loves Greece, celebrity, marries, meets up with Shelleys
Dies @ 36, one of the first focal points of modern journalism

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15
Q

Addiction

A

Alcohol safer than untreated water
Cholera epidemics common
Boil drinks (tea) or drink alcohol
Opium, opiates, and laudanum are common treatments for both kids and adults
Recreational drug use also flourished

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16
Q

Confession of an English Opium-Eater

A

(1821) autobiography of laudanum addiction

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17
Q

Dangerous Drugs Act of 1920

A

banned opium

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18
Q

Coverture

A

upon marriage, a wife’s legal status, property, and existence were subsumed by that of her husband’s
Once married, everything she had or will have is his alone, with no legal recourse in case of infidelity, abuse, neglect

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19
Q

“Madwoman in the Attic”

A

Gilbert and Gubar - highly influential
Thesis: confinement of female characters to “angel” and “monster” stemmed from male writer’s tendency to categorize women
Argument: must kill off both monster and angel because neither is accurate

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20
Q

Brontes’ House

A

Haworth Parsonage

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21
Q

Brontë Sisters Portrait

A

Books, dark colors, fold/creases on painting, discovered years after their death (1914), painted by brother Branwell (edited self out), positioned himself in center, replacement looks like a light beam
Charlotte (18) Emily (16) Anne (14)

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22
Q

Juvenilia

A

Work made during artist/author’s youth
12 toy soldiers → fantasy world “Glass Town federation”
Charlotte and Branwell - Angria, continued to write in minute script
Emily and Anne - Gondal (very important to Emily)
Combined fact and fiction, based on historical figures
Presided over their stories as genii
Wrote from childhood into their 20s

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23
Q

Poetry

A

Charlotte discovers Emily’s poetry
Anne and Charlotte have also been writing
Poems by Currer, Ellis, and Acton Bell (1846) - hid names with Christian, masculine names
Sisters spend evenings in their sitting room discussing writings (after poetry is published)

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24
Q

Charlotte’s poetry

A

200+ poems about Glasstown or Angria, some biographical, experimented
Her wish to be “forever known” as a poet
Developing ability to express feelings, how she was influenced by other writers

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25
Q

Anne’s poetry

A

59 surviving poems, often writes in common meter
Subject matter varies: Gondal, religious, William Weightman, natural world, “exile” as governess, homesickness

26
Q

Emily’s poetry

A

found most favor, one of the great English Poets
Furious Charlotte read them, finally agrees to publish
Edited out Gondal references, 200 poems, nature poet, intense, purposeful, emptiness

27
Q

Oxford Movement

A

Anglican academics at oxford frustrated with Church of England

28
Q

High Anglicanism

A

movement towards Roman Catholic roots and resistance to religious modernization

29
Q

Tractarian Movement

A

leading anglican figures to publish tracts criticizing the church

30
Q

Governess

A

Teach children in private household
Still lady in society
Inferior, isolated in domestic and public relations

31
Q

Gothic Tradition

A

“All the extravagances of an irregular fancy”
Literature: middle ages, catholic countries, gloomy castles, dungeons, subterraneous passages, sliding panels, innocent heroine, cruel villain, ghosts, disappearances, supernatural
Evokes gloom, chilling terror, mystery, horror
Mood → atmosphere, feeling

Dolls, doppelgangers, stuffed animals, prosthetics, robots, zombies, corpses, etc.

32
Q

The Victorian Age

A

Queen Victoria (1837-1901)
9 children, family seen as model for society

33
Q

The Women Question

A

19th century debate over women’s proper place and characteristics

34
Q

“Angel in the House”

A

Coventry Patmore argues virtue of fleshless desire, beauty - saint, eliminates physical, sexual, eulogizes first wife, problematic pedestal of high standards, best seller, harmful idealization of women

35
Q

Separate Spheres

A

women - private sphere, men - public sphere

36
Q

Victorian Ideal

A

wife/mother devoted to children (male), submissive to husband

37
Q

Female novel reading

A

transgression (1) women impressionable (2) disrupted reproductive health

38
Q

Bildungsroman

A

German coming of age story

39
Q

Diectic

A

word/phrase meaning grammatically, contextually important (first line of Jane Eyre)

40
Q

In media res

A

in the middle of things (start)

41
Q

Romance (Genre)

A

love story focused on heroine, ending happily

42
Q

Hapax Legomenon

A

“something said only once”: genuinely unique all other historical occurrences are lost (ex. Wuthering: windy, blustering, indicating bad weather)

43
Q

Frame Narrative

A

larger story contains smaller ones

44
Q

Common Meter

A

metrical pattern, ballad

45
Q

Fop

A

perjorative terms for 17th century men concerned with aesthetic and pleasure

46
Q

Foppish

A

disinterested, bored, cavalier, vain, foolish

47
Q

Dandyism

A

late Victorian new aestheticized mode of dress and lifetsyle

48
Q

The Uncanny

A

Sigmund Freud 1919 essay defines as a psychological feeling when something familiar is made unfamiliar (creepy return of what is repressed)

49
Q

The Sublime

A

feelings from grand landscapes, combo of fear and terror, admiration and awe, sense of wonder

50
Q

Doppelganger

A

“double-goer”, double or evil twin, both complementing and antithetical manifestation, dark omen

51
Q

1812

A

Patrick and Maria marry

52
Q

1842

A

William Weightman dies

53
Q

1845

A

Patrick dismissed in disgrace

54
Q

1846

A

Poems published

55
Q

1847

A

Jane Eyre, Wuthering Heights, Agnes Grey published

56
Q

1848

A

Tenant of Wildfell Hall published

57
Q

1848-9

A

Branwell, Emily, and Anne die

58
Q

1853

A

Villette published

59
Q

Brontes in age order

A

Maria, Elizabeth, Charlotte, Patrick, Emily, Anne

60
Q

Poems by Charlotte

A

“The Teacher’s Monologue” (pp. 6-8)
“Passion” (pp. 8-10)
“Preference” (pp. 10-12)
“Parting” (pp. 12-13)
“On the Death of Emily Jane Brontë” (p. 15)
“On the Death of Anne Brontë” (pp. 15-16)

61
Q

Poems by Emily

A

“Faith and Despondency” (pp. 17-18)
“Stars” (pp. 19-20)
“The Philosopher” (pp. 20-21)
“Remembrance” (p. 22)
“The Prisoner: A Fragment” (pp. 27-28)
“Hope” (p. 29)
“Plead for Me” (pp. 34-35)
“Death” (pp. 37-38)
“Stanzas to —–” (pp. 38-39)
“Stanzas” (p. 39)
“The Night-Wind” (pp. 42-43)
“No Coward Soul Is Mine” (pp. 43-44)

62
Q

Poems by Anne

A

“A Reminiscence” (p. 45)
“If This Be All” (p. 48)
“Memory” (pp. 49-50)
“Past Days” (pp. 50-51)
“Lines Composed in a Wood on a Windy Day” (p. 51)
“The Bluebell” (pp. 55-57)

Bronte (2 decks)

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