Caca Milis Flashcards
Tá sí mífhoighneach lena máthair ag tús an scannáin agus is léir go bhfuil sí tuirseach di. Feicimid gur duine mífhoighneach í ar an traein nuair atá Pól ag caint gan stad. Cailleann sí a foighne agus íocann Pól bocht lena shaol.
She is impatient with her mother at the beginning of the film and is clearly tired of her. We see that she is an impatient person on the train when Paul is talking non-stop. She loses her patience and poor Paul pays with his life.
Tá sí cruálach le Pól nuair a insíonn sí bréaga dó faoin radharc taobh amuigh d’fhuinneog agus faoin péist sa cháca. Tá sí
tuirseach de Pól agus teastaíonn uaithi é a ghortú.
She is cruel to Paul when she tells him lies about the view outside her window and the worm in the cake. She is
tired of Paul and she wants to hurt him.
Níl sí sásta cupán caife a fháil dó agus ní chabhraíonn sí leis an siúcra a chur ina chupán. Éiríonn Pól trína chéile
mar thoradh agus is cuma léi.
She is not willing to get him a cup of coffee and does not help him put the sugar in his cup. Paul gets upset
as a result and she doesn’t care.
Nuair atá Pól ag ithe a cháca agus ag déanamh torann uafásach lena chaife, cuireann sé déistin ar Catherine. Tá fuath agus gráin Catherine le feiceáil ina súile. Deireann sí go bhfuil péist ina cháca agus éiríonn Pól trína chéile agus as anáil.
When Paul is eating his cake and making a terrible noise with his coffee, he tells Catherine. Catherine’s hatred and hatred is visible in her eyes. She says there’s a worm in her cake and Paul gets upset and out of breath.
Tá Catherine freagrach as bás Pól. Bogann sí an t-análóir as aice Pól. Féachann sí ar Phól ag fáil bháis ar bhealach
pianmhar
Catherine is responsible for Paul’s death. She moves the inhaler away from Paul. She watches Paul die in a way
painful
Baineann sí pléisúr as Pól a chrá agus fiú as é a chur chun báis freisin. Ní thaispeánann sí aon aiféala nó trua do Phól.
She takes pleasure in torturing Paul and even putting him to death as well. She shows no remorse or pity for Paul.
Tá áthas ar suí in aice le Catherine toisc go mbeidh comhluadar agus cabhair aige ar an turas.
Sitting next to Catherine is a joy because he will have company and help on the journey.
Labhraíonn Pól gan stad gan staonadh. Ní féidir leis fanacht ciúin nó socair. Ní thuigeann sé go bhfuil sé ag
cur isteach ar Catherine
Paul talks endlessly. He can’t stay quiet or calm. He does not realize that he is disturbing Catherine
Tá Pól dall. Tá sé ag brath ar a bhata siúil chun dul timpeall. Ní fheiceann sé go bhfuil sé ag cur isteach ar Catherine. Níl a shláinte go maith freisin. Tá
asma air agus braitheann sé ar a análóir
Paul is blind. He relies on his walking stick to get around. He does not see that he is disturbing Catherine. His health is also not good. Yes
he has asthma and is dependent on his inhaler
Tá Pól ag brath ar chineáltas daoine eile chun dul tríd an saol. Tá sé spleách ar a
bhata siúil agus a análóir
Paul relies on the kindness of others to get through life. It is dependent on a
walking stick and inhaler
Cuireann sé muinín i ndaoine agus i stráinséirí. Tá iontaibh aige as Catherine.
He trusts people and strangers. He trusts Catherine.
Tá áthas ar Pól agus tá sceitimíní air chun dul ar thuras. Tá sé lán de chaint ar an traein.
Paul is happy and excited to go on a trip. It’s full of talk on the train.
Baintear úsáid an-éifeachtach sa scannán as seatanna teanna. Baintear úsáid as seatanna teanna chun teannas a léiriú.
The film makes very effective use of hot shots. Tight shots are used to show tension.
Faighimid cúpla seat teann de bhéal Pól agus é smeartha le caife agus le císte
We get a few tight shots of Paul’s mouth smeared with coffee and cake
Díríonn an ceamara isteach ar bhéal Pól chun an seat teann a chruthú
The camera focuses in on Paul’s mouth to create the tight shot
Cuireann na seatanna sin go mór leis an tuiscint a fhaigheann an lucht féachana ar dhéistin Catherine.
These shots greatly enhance the audience’s understanding of Catherine’s determination.
Faighimid cúpla seat teann d’aghaidh Catherine agus í ag spochadh as Pól go cruálach.
We get a few tight shots of Catherine’s face as she cruelly teases Paul.
