CAMERA ANGLE

Question 1

Is when your subject is at eye-level.

Answer 1

EYE SHOT LEVEL

Question 2

can result in a neutral perspective (not superior or inferior).

Answer 2

EYE SHOT LEVEL

Question 3

This mimics how we see people in real life — our eye line connecting with theirs, and it can break down boundaries

Answer 3

EYE SHOT LEVEL

Question 4

Are actually much less standard than one might initially think, because directors often prefer to place the camera at shoulder level to attain a much more cinematic look.

Answer 4

EYE SHOT LEVEL

Question 5

directors often prefer to place the camera at [] LEVEL to attain a much more cinematic look.

Answer 5

shoulder level

Question 6

Frames the subject from below their eyeline.

Answer 6

LOW ANGLE LEVEL

Question 7

These camera shots most often emphasize power dynamics between characters

Answer 7

LOW ANGLE LEVEL

Question 8

A lOW ANGLE SHOT on one character is often paired with a high angle shot on the other character.

Answer 8

A lOW ANGLE SHOT on one character is often paired with a high angle shot on the other character.

Question 9

are a perfect camera angle for signaling superiority or to elicit feelings of fear and dread.

Answer 9

LOW ANGLE LEVEL

Question 10

the camera points down at your subject.

Answer 10

HIGH ANGLE LEVEL

Question 11

It usually creates a feeling of inferiority, or “looking down” on your subject.

Answer 11

HIGH ANGLE LEVEL

Question 12

Is a versatile shot that can be used in many situations.

Answer 12

HIGH ANGLE LEVEL

Question 13

The most common usage is to make a character seem vulnerable and powerless but there are always exceptions to the rule.

Answer 13

HIGH ANGLE LEVEL

Question 14

This is when your camera height is about as low as your subject’s knees.

Answer 14

KNEE LEVEL

Question 15

They can emphasize a character’s superiority if paired with a low angle

Answer 15

KNEE LEVEL

Question 16

It’s not as extreme as a ground level shot but it gets the same feeling across.

Answer 16

KNEE LEVEL

Question 17

These are ideal when you want to focus on characters walking.

Answer 17

KNEE LEVEL

Question 18

Is when your camera’s height is on ground level with your subject.

Answer 18

GROUND LEVEL

Question 19

This camera angle is used a lot to feature a character walking without revealing their face, but it can help to make the viewer more active and use the actor’s performance to build an idea. ‘

Answer 19

GROUND LEVEL

Question 20

Is a camera angle that is as high as your subject’s shoulders.

Answer 20

SHOULDER LEVEL

Question 21

Are actually much more standard than an eye level shot, which can make your actor seem shorter than reality.

Answer 21

SHOULDER LEVEL

Question 22

Because the camera is aligned with the shoulder, it allows the actor’s head to reach the top of the frame (reducing head room).

Answer 22

SHOULDER LEVEL

Question 23

It also places the actor’s eye-line slightly above the camera, and, in turn, the illusion of a slightly lower angle.

Answer 23

SHOULDER LEVEL

Question 24

The camera is slanted to one side.

Answer 24

DUTCH ANGLE OR DUTCH TILT SHOT

Question 25

With the horizon lines tilted in this way, you can create a sense of disorientation, a de-stabilized mental state, or increase the tension.

Answer 25

DUTCH ANGLE OR DUTCH TILT SHOT

Question 26

Think of the [] as “emphasis” for any tense or subjective moment.

Answer 26

Dutch angle

Question 27

It’s a great way to amplify whatever emotion, mental state, or suspense you’re bringing to the scene.

Answer 27

Dutch angle

Question 28

Is from above, looking down on your subject.

Answer 28

OVERHEAD OR BIRD’S EYE VIEW

Question 29

These are typically shot from 90 degrees above — anything less might be considered a high angle shot instead.

Answer 29

OVERHEAD OR BIRD’S EYE VIEW

Question 30

doesn’t need to be super high, but it can be.

Answer 30

OVERHEAD OR BIRD’S EYE VIEW

Question 31

are great for providing perspective on a scene — but not just any perspective. It’s often used as either a “neutral” or sometimes “divine” point of view.

Answer 31

OVERHEAD OR BIRD’S EYE VIEW

Question 32

Whether taken from a helicopter or drone

Answer 32

AERIAL SHOT

Question 33

Is captured from way up high.

Answer 33

AERIAL SHOT

Question 34

It establishes a large expanse of scenery.

Answer 34

AERIAL SHOT

Question 35

can convey a sense of scale and geography through a high or elevated vantage point.

Answer 35

AERIAL SHOT

Question 36

Additionally, BIRDS-EYE-VIEW OR GOD’S-EYE-VIEW is another terminology used to describe this shot.

Answer 36

AERIAL SHOT

Question 37

Sometimes considered a POINT-OF-VIEW SHOT,

Answer 37

AERIAL SHOT

Question 38

they can convey an omniscient perspective.

Answer 38

AERIAL SHOT