Ch 11 - The Practice of Linear Structure Flashcards

(50 cards)

1
Q

answer print

A

print from a conformed negative with a mixed soundtrack

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2
Q

bins

A

electronic files that hold groups of media clips in an organized fashion for use in nonlinear editing

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3
Q

bus

A

row of buttons on a switcher used for live editing during a television production

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4
Q

capturing

A

acquisition of sound and image information

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5
Q

chromakey

A

visual effect that electronically cuts a hole in one image and replaces it with another, selecting the part of an image that contains a certain color to create a hole

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6
Q

clips

A

pieces of visual media material used in the nonlinear video editing process

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7
Q

codec

A

compressor/decompressor; mathematical model that determines exactly how audio or video decompression should take place

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8
Q

compositing

A

part of production that works with layers of the image, replacing part of the image with another (green screen or other matting techniques, as well as adding lighting effects or translucent layers)

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9
Q

conforming

A

process of cutting and splicing a film negative from which an answer print can be made

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10
Q

counter

A

device that counts the rotation of heads or the passage of tape or film through the machine

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11
Q

crossfade

A

audio transition, in which one source gradually gets softer while another becomes louder, that can be used to soften an abrupt change or signal a change in time or place

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12
Q

cut

A

instantaneous and complete transition from one source to another

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13
Q

digital intermediates

A

the result of importing a piece of digital media into a software application, manipulating it, and exporting it again

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14
Q

digitize

A

to convert an analog audio and/or video signal to a digital format

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15
Q

dissolve

A

visual transition in which one source gradually disappears by becoming transparent while another appears by becoming opaque; can be used to soften an abrupt change or signal a change in time or place

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16
Q

edge number

A

markings on film that identify the location of individual frames, as well as manufacturer product information (also called key numbers or footage numbers)

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17
Q

edit decision list (EDL)

A

a final list of shots used in the video editing process, identified by time code

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18
Q

edit plan

A

written list of decisions as to which logged shots of video or film footage are going to be used in an edited cut and in what order they will appear

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19
Q

fade

A

dissolve to or from black (or any solid color) or a gradual change in audio volume to or from silence

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20
Q

file management

A

organization of files associated with a media project software application, including an understanding of the difference between media files and project files, and practicing consistent file backup procedures

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21
Q

fine cut

A

final version of an edited film, ready for release

22
Q

HDMI

A

high definition media interface; standard for transmitting uncompressed digital video and audio signals

23
Q

ingesting

A

bringing files into a nonlinear editing system

24
Q

interframe

A

type of video compression in which several frames are read and then averaged to determine what material is not needed

25
intraframe
a type of video compression that takes place within each frame
26
key
electronically cuts a hole in one image and replaces it with another
27
live mixing
concept of mixing down and reproducing or broadcasting (and/or recording) a multichannel audio source during its original creation
28
live switching
concept of editing "on the fly" during a television production of any live performance or event
29
log
written record of footage, including the order in which each shot appears and its location on the tape or film reel
30
luminance key
visual effect that electronically cuts a hole in one image and replaces it with another, selecting the part of an image that falls below a certain brightness level to create a hole
31
mag stock
audio tape with sprocket holes that match that of film stock
32
nonlinear editing (NLE)
system in which sound and/or image is digitized and edited with random access capabilities and the ability to insert and delete material
33
offline editing
first stage of the video editing process, with more emphasis placed on structure and content than image quality
34
online editing
final stage of the video editing process, with an emphasis on image and sound quality, effects, and transitions
35
pointer
type of file within a nonlinear editing project (such as a clip or bin) that serves as a reference to the location of an actual media file
36
rough cut
first edit of a film, generally consisting of synch sound and straight cuts
37
running time
elapsed time of a piece of exposed film or recorded tape
38
segue
audio transition that involves a rapid level drop of the original source and a quick fade-in of the second source
39
signal flow
path taken by a signal
40
split screen
partially completed wipe, most often used to divide the screen and show two separate locations simultaneously at full opacity
41
superimposition
partially completed dissolve, appearing as a ghosted image of two different sources, both filling the whole screen
42
telecine
combination of film projector and video camera
43
timecode
electronic signal that provides a discrete numerical reference for each frame of video
44
timeline
graphical representation of the "linear" edited sequence being constructed within a nonlinear editing program
45
transcoding
converting one type of digital file into another
46
transcription
written log of a subject's spoken words
47
transitions
ways of getting from one piece of visual or aural material to another
48
USB
universal serial bus; a widely used connection for transferring digital files from one device to another
49
wipe
visual transition that starts in one portion of the frame and replaces one image with another in a variety of directions
50
workprint
straight print of a camera negative used to complete a rough cut