Ch 2-5 Vocab Flashcards

(41 cards)

1
Q

the sequence of incidents or events through which an author constructs a story; skilled authors are careful to present the sequence in a significant order

A

Plot

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2
Q

arranging the plot elements

A

structure

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3
Q

a clash of actions, ideas, desires, or wills

A

conflict

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4
Q

the central character of the conflict, whether sympathetic or unsympathetic as a person

A

protagonist

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5
Q

any force arranged against the protagonist, whether persons, things, conventions of society, or the protagonist’s own character traits is the

A

antagonist

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6
Q

the quality in a story that makes readers ask “What’s going to happen next?”

A

suspense

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7
Q

an unusual set of circumstances for which the reader craves an explanation

A

mystery

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8
Q

a position in which he or she must choose between two courses of action, both undesirable

A

dilemma

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9
Q

closely connected with the element of suspense in fiction is the elements of

A

surprise

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10
Q

one that features a sudden, unexpected turn or twist

A

surprise

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11
Q

one that features a sudden, unexpected turn or twist

A

surprise ending

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12
Q

the protagonist must solve her problems defeat and adversary, win her man, “live a…”

A

happy ending

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13
Q

first of many situations in real life do have unpleasant outcomes; therefore if fiction is to reflect and illuminate life, it must acknowledge human defeats as well as triumphs.

or forcing us to ponder the complexities of life

A

Unhappy ending

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14
Q

some problems are never solved and some battles never permanently won. A story, therefore, may have an _____________ ______, one in which no definitive conclusion is reached.

A

indeterminate ending

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15
Q

essential to a good plot, all literary elements in the story successfully work together to achieve its central purpose with it being the idea or theme.

A

Artistic unity

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16
Q

an author who includes a turn in the plot that is unjustified by the situation or the characters is indulging in

A

plot manipulation

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17
Q

The readers feel manipulated if the plot relies too heavily on chance or on coincidence to provide a resolution to a story. Latin for god from a machine

A

deus ex machina

18
Q

the occurrence of an event that has no apparent cause in previous events or in predisposition of character

19
Q

the chance occurrence of 2 events that may have a peculiar correspondence

20
Q

the plot thickens, tensions grow

A

rising action

21
Q

the peak of the conflict

22
Q

the aftermath of the climax, where things resolved

A

falling action

23
Q

who the person is, how the character is revealed and their personality

A

characterization

24
Q

tell us straight out, by exposition or analysis, what the characters are like, or they have another character in the story describe them

A

direct presentation

25
the author shows us the characters through their actions; we determine what they are like by what they say or do.
indirect presentation
26
the exaggeration of the character
dramatized
27
reason for acting
motivations
28
one or two predominant traits; can be summed up in one or two sentences
flat characters
29
complex and many-sided; they have the three-dimensional quality of real people
round characters
30
special kind of flat character, stereotyped figures who have recurred so often in fiction that we recognize them at once.
stock character
31
remains essentially the same person of the beginnings of the story to the end
static character
32
undergoes some distinct change of character, personality, or outlook
developing (or dynamic) character
33
a moment of spiritual insight into life or into the character's own circumstances
epiphany
34
its controlling idea or its central insight
theme
35
who tells the story, and, therefore, of how it gets told-has assumed special importance
point of view
36
the story is told in the third person by a narrator whose knowledge and prerogatives are unlimited
omniscient point of view
37
the story is told in the third person, but from the viewpoint of one character in the story
third-person limited point of view
38
presents the apparently random thought going through a character's head within a certain period of time, mingling memory and present experiences, and employing transitional links that are psychological rather than strictly logical
stream of consciousness
39
the author disappears into one of the characters, who tells the story in the first person
first-person point of view
40
the narrator disappears into a kind of roving sound camera
objective point of view
41
It cannot comment, interpret, or enter a character's mind. With this POV, readers are placed in the position of spectators at a movie or play
dramatic point of view