Chapter 1A Musical Space Flashcards

(32 cards)

1
Q

Enharmonic

A

C# and Db which are the same note but written in different ways.

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2
Q

Octave sign

A

8va or 8vb, which means “8va” octave above. “8vb” means octave below.

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3
Q

Register

A

Pitch placement. For example C3 to C5 is a “middle” register. C6 to C8 is a “high” register.

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4
Q

Pitch Class

A

All pitches with the same letter name. E1, E2, E3, E4, E5, E6 are in the pitch class E.

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5
Q

Chromatic System

A

The entire collection of the 12 possible pitch classes.

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6
Q

Diatonic Scale

A

Based on the ordered succession of the seven different letter names, is the foundation fo Western Music.

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7
Q

Tonality

A

When all the pitches are hierarchically arrange din a diatonic scale and one pitch is stronger adn more stable then the others.

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8
Q

Scale degree numbers and names

A

I.-Tonic
II.-Supertonic
III. Mediant
IV. Subdominant, because it is a fifth below the tonic.
V. Dominant
VI. Submediant, it is a third below the tonic
VII> Leading tone

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9
Q

Major Scale

A

W-W-H-W-W-W-H

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10
Q

Mode

A

Defines whether somethign is major or minor.

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11
Q

Circle of fifths (draw in random order not starting from C to help with the remembering each different one)

A

(Draw it) fundamental idea is that each key lies a fifth above the preceding key or a fifth below.

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12
Q

Three kinds of minor scales

A

Natural, harmonic, melodic

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13
Q

Natural minor scale steps

A

W-H-W-W-H-W-W

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14
Q

Harmonics Minor Scale

A

RAises the 7th a half step so it is a leading tone.

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15
Q

Melodic minor scale

A

THe 6th and the 7th are raised a half step when ascending. When descending the 6th and 7th are lowered a whole step.

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16
Q

Relative Major and Minor Keys

A

These are major and minor keys with the same key signatures. The relative major key of a minor key lies three half steps above the onic of teh minor key.

17
Q

Parallel major and parallel minor

A

Keys that share the same tonic, but not the same key signature.

18
Q

Dyad

A

Pair of pitches

19
Q

Contour

A

The direction of the interval, basically if we have an interval that is a major third is it an “ascending interval” or “descending interval”

20
Q

Simple intervals vs compound intervals

A

Simple are intervals less then an octave, compound are intervals more then an octave.

21
Q

Quality of interval

A

Whether an interval is perfect, major, minor, dismissed augmented

22
Q

INverted interval

A

When you take the lower pitch of the two notes in an interval and move it up an octave. Can also work vice versa.

23
Q

D major accidentals

24
Q

A major scale accidentals

25
E Major accidentals
F, C, G, D
26
B major accidentals
F, C, G, D, A,
27
Ab major scale accidentals
B, E, A, D
28
Db major accidentals
B, E, A, D, G
29
Gb major
B E A D G C
30
Generic interval
Just the number between the interval, whether something is 2nd 3rd 4th 5th etc.
31
Specific interval
A combination of the generic interval and the quality of the interval.
32
Difference in scale degrees between major and natural minor
3, 6, and 7