Chapter 3 Flashcards

(57 cards)

1
Q

After WWII ended Americans were listening to the radio nearly

A

4.5 hours a day

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2
Q

_________ continued to be a crucial source of information and entertainment during WWII.

A

Radio

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3
Q

Radio continued to be a crucial source of information and entertainment during _________.

A

WWII

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4
Q

The rise of _____ shortly after the war spelled the end of radio as the primary mass media medium.

A

TV

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5
Q

The advent of TV after WWII meant radio shifted from being America’s central source of entertainment and big-ticket advertising to a more locally focused, _____________ medium.

A

music dominated

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6
Q

Why music?

A

CHEAP!!!!!

Networks moved their talent from radio to TV

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7
Q

By ______ 60% of all cars manufactured had radios

A

1953

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8
Q

By 1953 ____of all cars manufactured had radios

A

60%

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9
Q

People wanted _________ programming as they drove in the postwar economy

A

entertaining

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10
Q

the illicit business practice of endorsing a product or service on radio or television for personal gain, without the consent of the network or stations.

A

Plugola

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11
Q

the illicit practice of bribing someone to use their influence or position to promote a particular product or interest.

A

Payola

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12
Q

____________ were courted by record companies, sought out by musicians and idolized by teens.

A

Major market DJs

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13
Q

_______and_______ scandals of the late 50s early 60s.

Booze, Broads and Bribes!

A

Plugola and Payola

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14
Q

Created less individuality, more corporately controlled playlists.

A

Plugola Payola Scandals

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15
Q

Top 40 was developed and marketed to stations across the country after the _________

A

Plugola Payola Scandals

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16
Q

In the late 1960s ____ began gaining traction

A

FM

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17
Q

FM began to gain traction in the

A

late 60’s

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18
Q

Had been around for 30 years prior but never gained momentum till late 60’s

A

FM radio

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19
Q

_____ dominated by homogenized playlists, people started going to FM for something different.

A

AM radio

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20
Q

DJs were paid much less on ___ but they had the freedom to play deep cuts.

A

FM

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21
Q

The _____ format swept the nation.

A

AOR

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22
Q

___________ allowed the spread of syndicated formats.

A

Satellite transmission

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23
Q

Stations could be run without any music or DJs, just a “board op” listening for cues

A

Satellite transmission

24
Q

Major markets could have between _______

A

30-50 stations

25
Talk Radio was born in the
late 70's
26
Satellite enabled 1-800 numbers were set up so all could ___________________
participate in the conversation.
27
_______________ could command that same feeling with their audience that “recurring characters” in the 1930s & 40s had.
Talk radio hosts
28
What Talk radio hosts very attractive to advertisers?
they could command that same feeling with their audience that “recurring characters” in the 1930s & 40s had.
29
Guests and features often tested the limits of free speech, indecency, and obscenity.
Shock Jocks
30
Racked up millions in fines but audiences continued to grow, shows continued to be syndicated, and advertisers continued to support.
Shock Jocks
31
The ________________ brought further homogenization to the radio industry.
Telecommunications Act of 1996
32
Telecommunications Act of ____
1996
33
Caps were lifted on
the number of stations across the country a company could own. (Telecommunications Act of 1996)
34
Companies were allowed to buy up to ___ stations in a single market after the Telecommunication Act of 1996
8
35
This allowed the rapid growth of companies like Clear Channel (iHeartMedia) and Emmis, CBS, etc.
Telecommunications Act of 1996
36
____ will never go away but it is facing more competition than ever
Radio
37
Not hampered by FCC regulations
Satellite Radio
38
“Whatever, Whenever, Where ever” | Pandora and Spotify allow user generated content
Internet radio
39
Radio’s answer to competition
HD Radio | Next Radio
40
In _____ the FCC designated space on the FM band/spectrum for non-profit public service stations
1942
41
public stations
87.5 FM to 91.9 FM
42
92.1 FM to 107.9 FM
commercial stations
43
87.5 FM to 91.9 FM
public stations
44
commercial stations
92.1 FM to 107.9 FM
45
designated space on the FM band/spectrum for non-profit public service stations
87. 5 FM to 91.9 FM (public) | 92. 1 FM to 107.9 FM (commercial)
46
Contrary to commercial radio, non-commercial radio’s primary
mandate is to serve the public.
47
mandate is to serve the public.
non-commercial radio
48
The model for public radio evolved from the ____________, founded by pacifists in Berkeley, CA in 1949.
Pacifica Network
49
The model for public radio evolved from the Pacifica Network, founded by pacifists in Berkeley, CA in _____
1949
50
Charged with providing the public with educational and enriching programming
Public radio
51
Primary formats: Jazz, Classical, News/Talk
Public radio
52
Provides underrepresented populations a voice and alternative formats a chance to be heard.
Public radio
53
NPR was formed in 1970
has evolved into a powerful news and cultural agency.
54
has evolved into a powerful news and cultural agency.
NPR was formed in 1970
55
NPR was formed in ___
1970
56
Attacked often by many because of perceptions of them
Public radio
57
Perception: Elitist Liberal/leftish Favoring of minorities and women
Public radio