Cinema History Flashcards

(74 cards)

1
Q

What was the state of German cinema prior to World War I?

A

German cinema was less developed compared to cinemas in France, Italy, England, and the United States. It was primarily a “cinema of attractions” with many pornographic films and little narrative integration.

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2
Q

When and why did theater professionals begin to take cinema seriously?

A

Around 1910, in response to the success of the French film d’art movement, directors, actors, and writers from the theater started to take a serious interest in cinema.

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3
Q

What was the Autorenfilm?

A

The Autorenfilm (meaning “famous author’s film”) was the German version of film d’art, with the first example produced in 1912 by Max Mack, adapting a stage play by Paul Lindau.

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4
Q

What significant film broke away from stage conventions before World War I?

A

Der Student von Prag” (The Student of Prague) from 1913, directed by Stellan Rye, was the first prewar German film to break with stage conventions.

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5
Q

How does “Der Student von Prag” relate to German Expressionist cinema?

A

The film prefigured German Expressionist cinema by presenting a psychological horror story with supernatural elements. It was even remade in 1926 in an Expressionist style.

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6
Q

When and why was UFA established?

A

UFA was established by government decree in 1917, primarily to improve the quantity and quality of German film production and counter anti-German propaganda films.

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7
Q

Who was responsible for creating UFA?

A

General Erich Ludendorff, commander-in-chief of the German army, ordered the merger of main German production companies into a single unit.

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8
Q

What happened to UFA after World War I?

A

When the war ended, the government sold its shares to Deutsche Bank and corporations like Krupp and I.G. Farben, transforming UFA into a private company.

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9
Q

How did Germany’s defeat impact its cultural and artistic landscape?

A

The defeat led to a rejection of the past, establishment of the Weimar Republic, increased respect for Marxism, prominence of Expressionism, and abolition of military censorship.

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10
Q

What type of films did UFA initially produce after the war?

A

UFA’s first peacetime productions were lavish costume dramas (Kostümfilme), designed to compete with Italian spectacles.

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11
Q

What made Ernst Lubitsch’s historical films innovative?

A

Lubitsch introduced dynamic crowd scenes, brilliant artificial lighting, innovative camera angles, and rapid cutting. He was also known for painstakingly accurate period details.

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12
Q

Name some of Lubitsch’s notable historical films.

A

His notable films include “Die Augen der Mumie Ma”, “Carmen”, “Madame DuBarry”, “Anna Boleyn”, “Das Weib des Pharao”, and “Sumurun”.

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13
Q

Who wrote the scenario for “Das Kabinett des Dr. Caligari”?

A

The scenario was written by Czech poet Hans Janowitz and Austrian artist Carl Mayer.

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14
Q

What made the visual design of “Caligari” unique?

A

The film used highly stylized Expressionist sets designed by Hermann Warm, Walter Röhrig, and Walter Reimann, featuring exaggerated dimensions, impossible angles, and a visual representation of psychological state.

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15
Q

Why was the film’s set design partly a practical decision?

A

Due to post-war economic recession, electric power was rationed. Painting light and shadow directly onto scenery was cheaper and more convenient than electrical lighting effects.

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16
Q

How successful was the German film industry internationally after World War I?

A

For a brief period in the 1920s, German cinema was the only industry successfully competing with Hollywood in foreign markets.

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17
Q

What cultural shifts made artists more receptive to cinema?

A

The establishment of the Weimar Republic, abolition of military censorship, and a new enthusiasm for progressive and experimental art made artists view cinema as a new means of mass communication.

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18
Q

How did the influx of theater professionals impact early German cinema?

A

While elevating cinema’s social status, it also temporarily retarded the development of true cinematic narrative by binding it to stage conventions.

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19
Q

How did German cinema evolve from 1910 to 1920?

A

It transformed from a largely underdeveloped “cinema of attractions” to a globally significant industry, marked by innovative techniques, Expressionist aesthetics, and high-quality production.

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20
Q

How did political and economic contexts shape the development of German cinema during this period?

A

Government support through UFA, the cultural aftermath of World War I, economic challenges, and a spirit of artistic experimentation all played crucial roles in rapidly transforming German cinema from a minor to a world-leading industry.

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21
Q

Who is considered the first aesthetic theorist of film before Eisenstein?

A

Louis Delluc

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22
Q

What artistic movements were central to Paris’s cultural scene after World War I?

A

Cubism, surrealism, dadaism, and futurism

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23
Q

What was Louis Delluc’s primary mission for French cinema?

A

Founding a truly French national cinema that would be authentically cinematic

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24
Q

Name the four key filmmakers of the French “impressionist” school.

A

Germaine Dulac, Jean Epstein, Marcel L’Herbier, and Abel Gance

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25
What significant technical innovation did Abel Gance introduce in Napoléon?
Polyvision, a widescreen process that expanded the frame to three times its normal width
26
Who was Germaine Dulac, and why was she significant?
One of cinema's first female artists, an important figure in avant-garde and documentary cinema
27
Describe the key characteristics of the French "first avant-garde" cinema.
Focused on expressing inner states, using subjective camera techniques, experimenting with form, rejecting traditional narrative, and exploring psychological and atmospheric elements
28
How did the introduction of sound impact French experimental cinema?
Sound increased production costs dramatically, effectively ending the era of French avant-garde experimental filmmaking
29
Analyze how the social and artistic movements of post-World War I Paris influenced the development of experimental cinema.
The avant-garde movements like cubism, surrealism, and dadaism encouraged artists to challenge traditional representations, experiment with form and perception, and explore unconscious experiences, which directly translated into innovative film techniques and storytelling approaches
30
Why is this period of French cinema considered important in film history?
It represented a radical experimental phase that pushed the boundaries of filmmaking, introduced innovative techniques, and influenced future generations of filmmakers worldwide
31
How did the French avant-garde cinema challenge traditional filmmaking conventions?
By rejecting theatrical approaches, experimenting with camera techniques, exploring subjective experiences, breaking narrative structures, and using film as a medium for artistic and psychological expression
32
How did French filmmakers of this period view the potential of cinema?
As a medium to embody dream states, express modernist conceptions of time and space, and explore psychological and artistic experimentation
33
Describe the innovative camera techniques used by Abel Gance in Napoléon
Strapped camera to a galloping horse, enclosed camera in a waterproof box and threw it from a cliff, mounted camera on a pendulum, and even placed a camera inside a football to simulate different perspectives
34
What made La passion de Jeanne d'Arc a unique film?
Shot largely in extreme close-ups against stark white backgrounds, used actual trial records, actors forbidden to wear makeup, and aimed to create psychological realism
35
Explain the significance of Un chien andalou in the context of avant-garde cinema.
A surrealist film by Luis Buñuel and Salvador Dalí that represented avant-garde cinema at its most mature and Freudian, using shocking, seemingly incoherent images to create a stream of unconscious experiences
36
What was the status of the cinema industry by 1908?
Cinema had become a full-scale industry with 10,000 nickelodeons and 100 film exchanges in the U.S., supplied by about 20 manufacturers producing 1-2 one-reel films per director per week.
37
How were early films made and distributed?
Films were often shot outdoors in a single day with budgets of $200-$500, using natural backgrounds. They were distributed globally and consumed quickly due to the novelty of the medium.
38
What were some technological and production constraints of early cinema?
Mercury-vapor lamps enabled indoor studios by 1903, but most films were one reel (10–16 minutes) and produced assembly-line style, limiting creativity.
39
What was the Motion Picture Patents Company (MPPC)?
Formed in 1908, the MPPC ("Trust") was a trade association led by Edison and Biograph, pooling patents to control production, distribution, and exhibition through licensing and royalties.
40
How did the MPPC impact the film industry?
The MPPC standardized production, increased distribution efficiency, and maintained technical quality but restricted creativity and suppressed longer feature films.
41
Why did the MPPC face resistance?
Independent filmmakers and exhibitors resisted the MPPC’s monopolistic practices, forming organizations like the Independent Film Protective Association (1909) and Motion Picture Distributing and Sales Company (1910).
42
What role did copyright play in early filmmaking?
A 1908 court ruling made films subject to copyright, leading filmmakers to adapt public-domain classics like Shakespeare, Dickens, and Wagner operas to avoid legal issues.
43
What led to the rise of feature-length films?
European imports like The Crusaders and Dante’s Inferno (1911) and the success of The Loves of Queen Elizabeth (1912) proved the commercial viability of multi-reel films.
44
What was Adolph Zukor's contribution to feature films?
Zukor's success with distributing The Loves of Queen Elizabeth allowed him to found Famous Players, paving the way for feature-length films in the U.S.
45
What caused the decline of the MPPC?
The MPPC's monopolistic practices provoked widespread resistance, leading to the rise of independent companies and feature films, ultimately giving the industry its modern form.
46
How did independent companies challenge the MPPC?
By imitating MPPC practices like licensing and combination, independents captured 40% of the American film market within the Trust's first three years.
47
Why was Quo Vadis? (1913) significant?
It was a nine-reel Italian spectacle with lavish effects, proving feature films' potential and attracting sophisticated audiences in legitimate theaters.
48
What film followed Quo Vadis? and influenced epic filmmaking?
Cabiria (1914), with advanced camera movements, elaborate sets, and narratives.
49
What challenges did feature films face initially?
Distribution systems were geared toward one-reel shorts and charged uniformly per foot, disadvantaging costly features.
50
What changed in distribution by 1914?
New alliances like Paramount tied pricing to negative costs and box-office returns, demonstrating features' profitability.
51
What was the first "dream palace," and why was it significant?
The Strand (1914), a luxurious theater in Manhattan, featured amenities like chandeliers, plush carpets, and orchestras, marking the transition from nickelodeons to grand theaters.
52
How many theaters adapted to feature films by 1916?
Over 21,000 theaters were remodeled or newly built.
53
What was the MPPC's view on promoting actors initially?
They avoided using real names to prevent stars from demanding higher salaries.
54
Who pioneered modern star publicity?
Carl Laemmle promoted Florence Lawrence in 1910, creating the first nationally recognized film star.
55
Why did the film industry move to Hollywood?
Hollywood offered year-round warm weather, diverse scenery, low taxes, cheap labor, and plentiful land for studios.
56
When did D.W. Griffith start filming in California?
In 1910, initially during winters, and later year-round after joining Mutual Film Company.
57
What companies dominated after MPPC’s decline?
Famous Players-Lasky (Paramount), Universal, Fox, and Goldwyn Pictures, among others.
58
How did block booking impact distribution?
It forced theaters to buy groups of films, ensuring steady producer profits but causing exhibitor rebellion.
59
How did World War I benefit Hollywood?
European production shut down, leaving the U.S. to control nearly all global markets by 1918.
60
What percentage of films in Europe were American by 1919?
90%.
61
How did production costs evolve with features?
Costs rose from $500–$1,000 per short to $12,000–$20,000 per feature by 1915, driving demand for national distribution.
62
What role did Wall Street play in Hollywood?
Investment firms like Kuhn, Loeb, and Chase National Bank financed major studios.
63
What studio practice symbolized Hollywood's dominance?
Mergers and acquisitions, such as Famous Players-Lasky’s creation of Paramount and block booking policies.
64
By 1915, what percentage of American film production was in Hollywood?
Over 60%.
65
Who dominated early French cinema?
Georges Méliès, known for fantasy films, until Pathé Frères outcompeted him with industrial-scale production.
66
What was the first film presented with a recorded orchestral score, and when?
Don Juan, premiered on August 6, 1926.
67
What film marked the birth of "talkies," and why?
The Jazz Singer (1927), featuring Al Jolson speaking spontaneously on film.
68
When did Technicolor introduce its improved two-color process?
In 1928.
69
Which films were the first to use Technicolor's new two-color process?
Sequences in Broadway Melody (1929) and the first all-Technicolor sound films, On with the Show and Gold Diggers of Broadway.
70
How many features were under Technicolor contract by 1930?
Thirty-six
71
When did Technicolor perfect its three-color system, and who first used it?
In 1932, first used by Disney in Flowers and Trees (1932) and The Three Little Pigs (1933).
72
How many Technicolor films were in production by 1939–1940?
Twenty-five, including The Wizard of Oz and Gone with the Wind.
73
What was the major improvement in Technicolor introduced in 1941?
Technicolor Monopack, a multilayered film stock based on Eastman Kodachrome.
74