Classical Hollywood Flashcards

(1930-1990)

1
Q

Casablanca

A

Michael Curtiz (1942)
Studio: Warner Brothers
starring Humphrey Bograt, Ingrid Bergman

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2
Q

social (Casablanca)

A

set and filmed during WW1 = tensions between countries
bogart (playing Rick) reflects what america was like in WW1 being a strong headed logical man.
Affairs were frowned upon (hayscode) ‘nice’ unmarried women werent suppose to sleep with their boyfriends.

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3
Q

Cultural (Casablanca)

A

stylistic qualities of ‘film noir’ in cinematography.
chiaroscuro lighting; having shadows silhouettes and high key lighting.
Use of ‘seedy urban landscape’ portraying the world gone wrong also owes its use to film noir

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3
Q

The big 5
and mini 3

A

Big 5: Paramount, Warner Brothers, Metro-Goldwyn-Mayer, Fox Film, RKO
Mini 3: Universal, Columbia, United Artist

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3
Q

Institution (Casablanca)

A

film was never intended to be a classic
made as part of a ‘conveyor belt’ of studio releases with popular lead actors.
released to coincide with the allied invasion of North Africa and the capture of Casablanca
nominated for 8 academy awards- Won 3
both mainstream romantic drama and a pieice of political propaganda

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3
Q

Political (Casablanca)

A

film recognises the power sharing role of the vichy goverment annd the nazis of the former french colony

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4
Q

Hays Code

A

Self imposed industry set of guidelines for all motion pictures that were released between 1934 and 1968.
Prohibited: profanity, nudity, graphic or realistic violence, and sexual persuasion or rape.
When a couple kissed on film it couldn’t be longer than a few seconds

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5
Q

Vertically Intergrated

A

Pre-production > production (shooting film) >post production > Distribution (marketing of film) > Exhibition (cinemas)

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6
Q

Classical Hollywood must haves:

A

> linear story telling
Romantic story line/subplot
continuity editing (puts things in a understandable sequence)
dialogue key / music to set mood
characters motivation is centre plot
mise-en-scene = creates verisimltude
presentations of gender exprectations

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7
Q

include:
>hays code
>needed to boost moral
>classical hollywood conventions
>double standards (enforced by hays code)

A
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8
Q

key point: 1

A

changed peoples perspective of America in the war as Rick represented America and he was strong so America had to be strong too

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9
Q

key point: 2

A

Rick was Hollywoods first rebel hero, being a liberating figure. He was the prototype for a new kind of America

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10
Q

Key scene: Ilsa (gun scene)

A

> willing to step out of character
non diegetic film score, minor key= tensions, returns to their motif song= intimate moment
close up of ilsa, lighting highlighting her glisening tear.
shot reverse shot

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11
Q

Key scene: Rick (his first scene)

A

> medium shot at eye level
shows chess board > playing by-himself showing his intelligent and strategic but also isolationist

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12
Q

expressionistic lighting

A

> Curtiz use of lighting by using deep dark areas of shadow to build atmosphere
Ilsas tear is highlighted by high key lighting, making it glissen

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13
Q

Cutiz technical competence:

A

> Dolly-shot = being able to move the camera to create smooth horizontal camera movements = beautiful cinematic shots (eg. plane flys over, cutiz uses orginal dolly shotto show plane but adds secondary camera movement by panning from the plane to the people)

> Curtiz also allowed actors to act in close up (eg. Ilsa asks Sam to play ‘As time goes by’ as she reminices about her and Ricks relationship. By using close up we see her emotion making us have a connection with Ilsa; sympathizing with her)

14
Q

Michael Curtiz quote:

A

“I put all the art into my pictures the audience can stand”
>you could pick any scene and use it as a piece of art; cinema was Curtiz art form = meaning in every scene

15
Q

Vertigo

A

Alfred Hitchcock (1958)
studio: Paramount
Starring: James stewart, Kim Novak

16
Q

Social (Vertigo)

A

some scenes / conversations where deemed a little too risqué for 50’s censorship board - talking about bras and love lives, as well was scenes showing underwear where almost cut

17
Q

Cultural (Vertigo)

A
18
Q
A