CLAT Step 5 - Spark Creativity Flashcards

1
Q

Goal of Step 5: Spark Creativity

A

Our goal is to help you design an activity that will result in new artistry in a genre which, when performed in a community event, will likely produce particular kinds of effects in those who experience it and thereby provide a chance for the community to move toward a kingdom goal.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Process of designing a sparking activity

A
  1. Think about what a sparking activity is.
  2. Identify opportunities to capitalize on and barriers to overcome.
  3. Decide on the type of activity.
  4. Design a new activity or modify an existing one.
  5. Perform the activity.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q
  1. Think about what a sparking activity is - 4 main points
A
  • A sparking activity is “anything anybody does that results in the creation of a new artistry.” (192)
    • can be simple/complex, large/small, one-time, one goal/multiple stages, multiple goals, etc.
  • 6 Elements of a sparking activity to include in CAP:
    1. Title and summary
    2. Participants
    3. Check CAP for any info about the community or genre needed for the activity to succeed & fill in any gaps
    4. Resources needed
    5. Tasks to perform to complete the activity
    6. Big-picture analysis: 1) CLAT steps included in the activity; 2) CLAT steps already done outside the activity; 3) future plans for doing any missing CLAT steps
  • Prepare to Draw on Familiar Methods of Composition from the Community
  • Think carefully about the Meristem (artists need to be the most skilled, with a positive community reputation)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Meristem

A

Think Carefully about the Meristem, the growth point in a plant comparable to the artist(s) who will produce new creative works; so they must be nourished, protected

  • the community should find someone with good artistic skills (respected)
  • but also respected socially (character, reputation)
  • Considerations about commissioning a non-Christian: Neeley (1997), Wedekind (1975)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q
  1. Identify Opportunities to Maximize and Barriers to Overcome
A

Discuss opportunities, barriers (using PMEC Force Field Analysis tool), and then ask:

  • What might help us spark a rich flowering of new works in this genre? How could we draw on these opportunities when designing a sparking activity?
  • What might stop us from achieving this flowering? How could we overcome these barriers when designing a sparking activity?

Put results in the CAP

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q
  1. Decide on Type of Sparking Activity (list of 7):
A
  1. commissioning
  2. workshops
  3. showcase events (festivals, concerts, etc.)
  4. mentoring
  5. apprenticeship
  6. publications
  7. creators’ clubs
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Commissioning (def)

A

Commissioning: to charge an artist or group of artists with the task of creating a new instance of an artistic genre for an agreed-upon purpose.

  • consider commissioning in almost all circumstances
  • often the most direct way to spark creativity because it requires as few as two people in dialogue
  • consider compensation, how much influence the artist has in the end
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Workshops (def)

A

Short events that gather people together to make progress on a given task (arts workshop is basically the CLAT cycle in abbreviated form)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Workshops - 5 things to remember

A
  • Pray for long-term impact
  • People to invite:
    • community leaders/gatekeepers
    • artistic experts
    • content experts
  • Outcomes (among others): written descriptions of community genres; at least one new local artistic work or recording; written plans for sustained creativity in response to community needs
  • Methodologies: use high engagement, participatory approaches like Learning that Lasts
  • Elements: promote group cohesion, establish theological grounding, encourage spiritual transformation & inspiration, do 7 CLAT steps
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Showcase Events (def & 1 source)

A

Festivals/contests that highlight creativity in local artistic genres (look for existing events, or introduce new ones)

  • e.g., Barz (2003) using kwaya contests, Tanzania, to highlight creativity
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Showcase Events 5-phase process

A
  1. Imagine/plan (ask lots of questions about what types of arts, what kind of budget, competition elements, recording/ documentation….)
  2. Promote/network
  3. Compose/prepare: will artists have time and resources to create and practice their performance?
  4. Run the event
  5. Evaluate/plan: relate to 7 CLAT steps and discuss possibility of future events
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Mentoring (def)

A

Transmitting artistic tradition through long-term relationships and reciprocal learning!

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Apprenticeship (def)

A

Experts transfer their skills to other community members; successfully draws on familiar educational forms, sustainable schedules, and adequate time to reach a level of competency

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Publications

A

Increases long-term success of ideas/artistry:

  • consider: target audience; editors; system for distribution; system for ongoing publication; feedback tools for improvement
    • e.g., Hodges (2007)—created an advisory panel and publication around Nada Dasar, the “central tone of melody and harmony,” like Jesus Christ. It was a forum to discuss musical issues in the church
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Creators’ Clubs (source)

A

King (1999): coined term new song fellowship, akin to sub-Saharan African groups that practice each week to improve songs of certain genres—these compose new Scripture songs

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Creators’ Clubs - 3 things to consider

A
  • Meeting places and times
  • Group goals and expectations for members
  • If a Christian group, essential to integrate spiritual formation
17
Q
  1. Design a new/modify an existing activity (organized according to kingdom goals) – 3 Big Picture analysis
A

Refer often to the Big-picture analysis:

  • CLAT steps included in activity
  • CLAT steps already taken (outside of the event itself)
  • Plans to address missing CLAT steps in the future
18
Q

6 Sparking/Kingdom Goal Categories

A
  • Identity/sustainability
    • valuing identity
    • teaching children
    • using media
  • Shalom
    • healing
    • reconciliation
    • rest/play
  • Justice
    • social justice
    • education
    • literacy
    • economic opportunity
  • Scripture
    • translated
    • oral
  • Church life
    • corporate worship
    • study/remember Scripture
    • Christian rites
    • witness
  • Personal spiritual life
    • prayer/meditation
    • Bible study
    • spiritual formation
    • applying Scripture
19
Q

Identity and Sustainability – def

A

Promote positive cultural identity through 1) cultural celebrations; 2) documenting; 3) publishing

20
Q

Identity and Sustainability - 6 Sparking Activities & 2 sources

A
  1. [valuing identity] encourage them by filling in gaps in CAP from Step 1, Meet the Community
  2. [valuing identity] organize festival
  3. [valuing identity] commission new work in older genre for existing showcase event
  4. [using media] develop multimedia collections of local arts (increases status/visibility, available for future transmission)
    1. Seeger & Chaudhuri (2004)
  5. [using media] publish recordings and research in various form and contexts (website, booklet, academic article)
  6. [teaching children] identify/mend ruptures in transmission from older to younger people
    • Saurman and Saurman (2004)
21
Q

Shalom - (3) Sparking Activities & 5 sources

A
  • [healing] trauma healing workshop
    • Hill, Hill, Bagge, & Miersma (2016)
    • Hill & Hill (2012)
    • traumahealinginstitute.org (2012)
  • [healing] commission local artists to address community health problems
    • Barz (2006)
    • [[Watters & Hill (2012)]]
  • [rest/play] special event to play traditional games [reconciliation] “alternatives to violence” workshop
22
Q

Justice – (7) Sparking Activities & 3 sources

A
  • [social justice] hold workshops that allow marginalized people to be heard—look for genres with identity/power, [[cf. again]]
  • [education/literacy] commission an alphabet song
  • [education/literacy] commission local visual art for books/literacy materials
  • [education/literacy] promote literacy through local arts presentations
  • [education/literacy] integrate local arts into methods for teaching reading
    • [[Saurman (1993)—music combined with lyrics is the most effective verbal tool for accurately retaining/recalling information]]
  • [education/literacy] turn orature into literature
    • [[Wendell (1982)—4 levels of materials, based on closeness of cultural background/experiences]]
  • [education] integrate arts into educational curricula
    • Saurman (2010): find ways to integrate traditional knowledge and materials into various subjects (e.g., cultural studies, reading, writing, science, math)
23
Q

Scripture - Sparking Activities (def & 2 activities)

A
  • use of arts in translation can:
    • (1) increase understanding types of texts (songs, stories, poems, proverbs)
    • (2) help in producing oral translations/versions of the Bible
  • Scripture translation workshop
  • Commission an oral narrative performance of Scripture
24
Q

Church Life - (9) Sparking Activities & 2 sources

A
  • hold a corporate worship workshop
    • Krabill (2013)—use especially “foundations” section
  • help preachers and teachers incorporate more local arts into what they do (bring special attention to art forms with significant verbal content)
  • hold an artistic genre workshop—largely ignores Steps 1, 2, & 7, and just doing it all together on the spot, as a group, condensed CLAT process
  • hold a song (or other genre) composition workshop on worldview themes—specifically addressing the ways the Bible is challenging current cultural views
  • organize an all arts celebration, showcasing gifts of artists within the Christian community (don’t forget full group, audience participation activities such as improvised dramas with spect-actors, sing-alongs, dancing, and traditional dress)
  • study the Bible in more than one form as a group—print Scripture, song, poetry, drama, recordings
    • Hill & Hill (2010)
  • improve a current church ceremony, ritual, or practice
  • hold a contest for new ways to memorize Scripture
    • Hill & Hill (2010)
  • commission arts for community events—Scriptural content performed at a familiar community event [thinking of Brian’s example of commissioning songs from the parable of the house built on the rock for his house dedication]
25
Q

Personal Spiritual Life - (3) Sparking Activities & 2 sources

A
  • encourage Christians to commune with God through multiple arts (arts prayer walk/retreat)
  • mentor someone in integrating long church traditions of arts into their relationship with God
    • Calhoun (2007)
    • Tickle (2007)
  • commission a verbal art form of resolve that will help people apply Scriptural truths to their lives (e.g., African-American “I Am Determined to Walk with Jesus”)
26
Q
  1. Perform the activity and describe the results
A

Do what you planned. Hold your plans lightly. Listen to God. Learn from mistakes. Enjoy the process. Describe what happened in the Community Arts Profile. Enough said.