Con Arts Flashcards

(55 cards)

1
Q

PRINCIPLES OF ART

A

Proportion
Variety
Harmony
Rhythm
Balance
Movement
Dominance/emphasis

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2
Q

Harmony

A

is the visually satisfying effect of combining similar, related elements.
emphasizing specific elements of art to connect the whole work of art.

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3
Q

Balance

A

A feeling of equality in weight, attention, or attraction of the various visual elements within the pictorial field as a means of accomplishing organic unity.

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4
Q

Types of balance

A

Symmetry
Approximately symmetry
Radial symmetry
Asymmetry

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5
Q

Symmetry

A

A form of balance achieved by the use of identical balance compositional units on either side of a vertical axis within the picture plane.

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6
Q

Approximate Symmetry

A

A form of balance achieved by the use of similarly balanced compositional units on either side of a vertical axis within the picture plane.

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7
Q

Radial Symmetry:

A

A form of balance than is even, radiating out from a central points to all four quadrants of the shape’s constraining plane.

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8
Q

Asymmetry

A

A form of balance attained when the visual units on balance either side of a vertical axis are not identical but are placed in positions within the picture plane so as to create a “felt” equilibrium of the total form concept.

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9
Q

Proportion

A

is the comparison of dimensions or distribution of forms. It is the relationship in scale between one element and another, or between a whole object and one of its parts. Differing proportions within a composition can relate to different kinds of balance or symmetry, and can help establish visual weight

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10
Q

Dominance/Emphasis

A

The principle of visual organization that suggests that certain elements should assume more importance than others in the same composition. It contributes to organic unity by emphasizing the fact that there is one main feature and that other elements are subordinate to it.

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11
Q

Variety

A

is the complement to unity and harmony, and is needed to create visual interest. Without unity and harmony, an image is chaotic and “unreadable;”

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12
Q

Movement

A

is the path our eyes follow when we look at a work of art,

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13
Q

Rhythm

A

A continuance, a flow, or a feeling of movement achieved by the repetition of regulated visual information.

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14
Q

Art or “Sining”

A

is defined as the different manners of expressing human skills and imagination in the creation of aesthetic conditions, objects and presentations.

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15
Q

Arts in history

A

Prehistoric. , Civilization. Continetal. , Medical. ,Renaissance
Baroque. Neoclassic. , Romantic
, Modern

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16
Q

The Manunggul Jar

A

a secondary burial jar excavated from a Neolithic burial site in the Manunggul cave of the Tabon Caves at Lipuun Point in Palawan, Philippines. It dates from 890–710 B.C

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17
Q

The making of the Philippine Flag

A

Marcela Marino de Agoncillo, Lorenza Agoncillo, and Delfina Herbosa de Natividad in Hong Kong

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18
Q

Three traditions in the development of Philippines art:

A
  1. Ethnic Tradition
  2. Spanish Colonial Tradition
  3. American Colonial and Contemporary Traditions.
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19
Q

The Elements of Art

A

The Ingredients for a great Composition

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20
Q

7 elements of arts

A

Line
Value
Texture
Shape
Form
Space
Color

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21
Q

Line

A

A line is a path that a point takes through space.

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22
Q

Types of line

A

Vertical
horizontal

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23
Q

Types of line

A

Vertical
horizontal
Diagonal line

24
Q

Shape

A

is created when a line becomes connected and encloses space

25
Two types of shape
Geometric shapes Organic shapes
26
Geometric shapes
have smooth even edges and are measurable.
27
Organic shapes
have more complicated edges and are usually found in nature. Leaves, flowers, amoeba, etc.
28
Form
is a shape that has become 3- Dimensional (3-D) Form has HEIGHT, WID
29
Value
Value is the lightness or darkness of a color.
30
Color
Color can add interest and reality to artwork.
31
Color Wheel
A long time ago, artists decided that these colors would be more useful to them if they were placed in a wheel fashion.
32
3 primary colors
Red Yellow Blue
33
Texture
is the way the surface of an object actually feels.
34
two types of texture
tactile Implied
35
Tactile (or Real) Texture
is the way the surface of an object actually feels.
36
Implied Texture
is the way the surface of an object looks like it feels.
37
CHOREOGRAPHY
It is an arrangement or design for dance movements usually accompanied by music.
38
MUSICAL INSTRUMENTS
A musical instrument is any tool that produces sound.
39
LITERARY AND MUSICAL COMPOSITION
Literary works are written works meant to be read while Musical Compositions are not written but notated.
40
VISUAL DESIGNS & APPLIED ARTS
It is a composition or layout of any art elements. Its purpose is not only to amuse the audience but also to let them enjoy its function as a product of art.
41
Ramos Orlina's artwork
Arcanum XIX”
42
VISUAL DESIGNS & APPLIED ARTS
the art of giving form to signs in an expressive, harmonious, and skillful manner".
43
The world’s largest indoor arena,
Philippine Arena in Bulacan
44
CINEMA
is an account of a woman living in a “man's world” during those difficult years when Martial Law was declared in the Philippines.
45
CINEMA
A three-person indie filmmaking team—all middle-class, English-speaking, young, and ambitious—has grand plans to make it big in the film world.
46
THEATRICAL PERFORMANCE
This pertains to a public presentation of a dramatic or musical entertainment
47
Painting
is an art made by applying colors to a surface to present an object imagined or real.
48
Mediums of Painting
Water Color Oil Fresco Tempera Pastel Acrylic Charcoal Crayons
49
Watercolor
pigment ground in gum, usually gum Arabic, and applied with brush and water to a painting surface, usually
50
Oil
type of slow-drying paint that consists of particles of pigment suspended in a drying 
51
Fresco
Fresco painting, method of painting water-based pigments on freshly applied plaster,
52
Tempera
Tempera, also known as egg tempera, is a permanent, fast-drying painting medium
53
Acrylic
painting executed in the medium of synthetic acrylic resins. Acrylics dry rapidly, serve as a vehicle for any kind of pigment,
54
Achromatic
Using only black, white and greys to create art
55
Monochromatic
Using ONE color, and various values of that color to create art