Conflict And Power Poetry βš”οΈπŸŒŠ Flashcards

1
Q

Two vast and

A

trunkless legs of stone

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2
Q

Wrinkled lip, and

A

sneer of cold command

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3
Q

β€˜My name is Ozymandias,

A

king of kings:
Look on my works, ye Mighty, and despair!’

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4
Q

Nothing

A

beside remains.

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5
Q

Round the decay

A

Of that colossal wreck, boundless and bare

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6
Q

The lone and

A

level sands stretch far away.

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7
Q

I wander

A

Through each chartered street

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8
Q

Near where

A

The charted Thames does flow

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9
Q

And mark in every face I meet

A

Marks of weakness, marks of woe.

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10
Q

In every cry of every man,

A

In every infants cry’s of fear,
In every voice, in every ban,

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11
Q

The mind-

A

forged manacles I hear

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12
Q

Every blackening

A

church appalls

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13
Q

Runs in

A

blood down palace walls

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14
Q

How the youthful harlot’s curse

A

Blasts the new-born infants tear

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15
Q

And blights with

A

plagues the marriage hearse.

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16
Q

One summer evening

A

(led by her)

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17
Q

Straight, I

A

unloosed her chain

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18
Q

troubled

A

pleasure

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19
Q

Semantic field of light

A

glittering, moon, melted, sparkling light

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20
Q

The horizon’s

A

utmost boundary

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21
Q

Went heaving through the

A

water like a swan

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22
Q

The horizon’s bound,

A

a huge peak, black and huge

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23
Q

As if with voluntary

A

power instinct, upreared its head.

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24
Q

trembling

A

oars

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25
Q

And measured motion like

A

a living thing,
Strode after me.

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26
Q

And through the silent

A

water stole my way

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27
Q

A dim and undetermined sense

A

Of unknown modes of being

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28
Q

Call it

A

Solitude
Or blank desertion.

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29
Q

No…….
No…….
No…….

A

No familiar shapes
Remained, no pleasant images of trees,
Of sea or sky, no colours of green fields;

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30
Q

Last line of The Prelude

A

moved slowly through the mind
By day, and were a trouble to my dreams.

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31
Q

What rhythm is The Prelude written in?

A

Unrhymed Iambic Pentameter
Blank verse

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32
Q

What is the first line of My Last Duchess?

A

That my last Duchess painted on the wall,

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33
Q

Will’t please you

A

sit and look at her?

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34
Q

(since none puts by

A

The curtain I have drawn for you, but I)

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35
Q

that spot

A

Of joy into the Duchess’ cheek

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36
Q

She had a heart - how shall I say? -

A

too soon made glad,
Too easily impressed

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37
Q

She liked whate’er
She looked on,

A

and her looks went everywhere.

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38
Q

as if she ranked
My gift of

A

a nine-hundred year old name
With anybody’s gift.

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39
Q

E’en then would be some stooping; and

A

I choose
Never to stoop.

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40
Q

This grew; I gave commands;

A

Then all smiles stopped together.

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41
Q

Though his fair daughter’s self, as I avowed
At starting,

A

is my object.

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42
Q

Together down,

A

sir.

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43
Q

Notice Neptune, though,

A

Taming a sea-horse, thought a rarity,

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44
Q

What is the last line of My Last Duchess?

A

Which Claus Of Innsbruck cast in bronze for me!

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45
Q

Half a league, half a league,

A

Half a league onward

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46
Q

Some one had

A

blunder’d

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47
Q

Theirs…
Theirs…
Theirs…

A

Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die

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48
Q

Canon…
Canon…
Canon…

A

Canon to right of them,
Canon to left of them,
Canon is front of them

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49
Q

Storm’d at

A

with shot and shell

50
Q

Into the jaws of Death,

A

Into the mouth of hell

51
Q

Refrain in COTLB?

A

Rode the six hundred.

52
Q

Flash’d all their sabres bare,

A

Flash’d as they turn’d in air

53
Q

All the

A

world wonder’d

54
Q

Anadiplosis in COLTB

A

Then they rode back, but not
Not the six hundred.

55
Q

While horse and

A

hero fell

56
Q

When can their

A

glory fade?

57
Q

Honour the

A

Light Brigade,
Noble six hundred!

58
Q

What meter is COTLB written in?

A

Trochaic Tetrameter
- imitates horses gallop

59
Q

Our brains ache, in

A

the merciless iced east winds that knive
us…

60
Q

Worried by silence,

A

senteries whisper, curious, nervous

61
Q

What is the refrain in Exposure?

A

But nothing happens

62
Q

Like twitching

A

agonies of men among its brambles.

63
Q

What are

A

we doing here?

64
Q

Dawn massing in the east

A

her melancholy army

65
Q

Sudden successive

A

flights of bullets streak the silence.

66
Q

Pale flakes with

A

fingering stealth come feeling for our faces

67
Q

Is it that we

A

are dying?

68
Q

Slowly our

A

ghosts drag home

69
Q

For hours the

A

innocent mice rejoice

70
Q

We turn back

A

to our dying.

71
Q

For love of

A

God seems dying.

72
Q

Pause of half-

A

know faces. All their eyes are ice.

73
Q

First line of Storm on the Island?

A

We are prepared: we build our houses squat,

74
Q

Blast:

A

you know what I mean

75
Q

Can raise a

A

tragic chorus in a gale

76
Q

So that you can listen to the thing

A

you fear
Forgetting that is pummels your house too.

77
Q

You might think that the sea is company,

A

Exploding comfortably

78
Q

spits like

A

a tame cat
Turned savage.

79
Q

Strafes

A

invisibly.

80
Q

Space is also

A

a salvo.

81
Q

We are bombarded by

A

the empty air.

82
Q

What is the last line of Storm on the Island?

A

Strange, it is a huge nothing that we fear.

83
Q

What is the first line of bayonet charge?

A

Suddenly he awoke and was running - raw

84
Q

What is a symbol of safety in bayonet charge?

A

A green hedge

85
Q

Bullets smacking

A

the belly out of the air

86
Q

He lugged a rifle

A

numb as a smashed arm

87
Q

The patriotic tear that

A

had brimmed in my eye

88
Q

Sweating like molten

A

iron from the centre of his chest

89
Q

In what cold

A

clockwork of the stars and nations / Was he the hand pointing that second?

90
Q

his foot hung like

A

Statuary in mid-stride

91
Q

Threw up a

A

yellow hair that rolled like a flame

92
Q

King, honour,

A

human dignity etcetera

93
Q

Dropped like luxuries

A

in a yelling alarm

94
Q

To get out of that blue

A

crackling air

95
Q

What is the last line of Bayonet Charge?

A

His terrors touchy dynamite.

96
Q

What is the first line of Remains?

A

On another occasion, we get sent out

97
Q

probably armed,

A

possibly not

98
Q

Well myself and

A

somebody else and somebody else

99
Q

He’s there on the ground,

A

sort of inside out

100
Q

One of my mates goes by and

A

tosses his guts back into his body.

101
Q

End of story,

A

except not really.

102
Q

His _______ ________ stays on the street.

A

blood-shadow

103
Q

And the drinks and the

A

drugs won’t flush him out

104
Q

not left for dead in some distant,

A

sun-stunned, sand-smothered land or six-feet under in desert sand.

105
Q

What is the last line of Remains?

A

his bloody life in my bloody hands

106
Q

What is the first line of Poppies?

A

Three days before Armistice Sunday

107
Q

_______ of red paper, disrupting a _______ of yellow bias ________ around your blazer.

A

spasms, distrusting, binding

108
Q

Sellotape _________ around my hand

A

bandaged

109
Q

_________ the _______ of my face

A

steeled, softening

110
Q

All my words __________ , _________ turned into _______

A

flattened, rolled, felt

111
Q

the world overflowing

A

like a treasure chest

112
Q

A split second and you were away, ___________

A

intoxicated

113
Q

After you’d gone I went into your bedroom,

A

released a songbird from its cage

114
Q

skirting by the

A

church walls

115
Q

making _____, ______, _______

A

tucks, darts, pleats

116
Q

leaned against it like

A

a wishbone

117
Q

What is the last line of poppies?

A

I listened, hoping to hear your playground voice catching on the wind.

118
Q

What is the first line of war photographer?

A

In his darkroom he is finally alone
with spools of suffering set out in ordered rows.

119
Q

All flesh

A

is grass.

120
Q

Belfast. ________. _____ _____.

A

Beirut. Phnom Penh.

121
Q

ordinary _______

A

pain