Context Flashcards
(23 cards)
1
Q
What was Williams’ childhood like ?
A
- Parents had unhappy marriage
- Father alcoholic
- Mother resented drunken ways
- Father was working class salesman
- Mother was a Southern Belle born to higher class & well read = father didn’t reflect well on social status she had to maintain
2
Q
How was Williams treated as a child ?
A
- Bedridden for 2 years
- Grew reserved & vulnerable after being bullied at school
- Grew close to sister who was institutionalised for MH
- Gay = homosexuality at time was illness (Stanley = repressed sexual desires)
3
Q
When is play set ?
A
Atmospheric aftermath of Civil War ending in 1965 with Northern states’ victory
4
Q
Civil War ?
A
- Fought between Northern & Southern states
- On issue of abolishment of salvery
- Racism continued long after
- South alienated from rest of America
5
Q
How did New Orleans become champion of diversity ?
A
- Accepted Southern states
- Became melting pot of culture with large influx of immigrants from Europe & Africa
- Spurred shift to industrial economy
6
Q
Where does Williams set play ?
A
- Deep South
- See Mississippi & old ways of intolerance towards difference
- Other represented through Dubois heritage
- New Orleans through Elysian Fields, showcases liberal South
7
Q
Socio-economic status in the play ?
A
- Shift from old money into modernity & diversity
- Blanche = stuck in past
- America in 20th century = centred around American Dream
- American Dream through Stanley
- WW2 enabled American heroism
8
Q
Gender roles
A
- Critiques limitations that post WW society imposed on itself
- Championing of masculinity & values around family & home
- Woman = domestic roles
- During WW2, women in national workforce rose from 27% to 37%
- Pushed back to domestic roles after WW2
9
Q
A
10
Q
Gender roles in play
A
- Stella & Stanley portray accepted gender roles
- Blanche showcases masculine energy in sexuality & arrogance
- Mitch & Allan Grey portray feminine energy & emotions
- Societal gender norms negatively impact all main characters towards death or moral or mental destruction
11
Q
Race
A
- 1940s America not free of racial prejudice & discrimination
- New Orleans becomes pocket distinguished from rest in warmth & welcoming attitude towards New American Dream of equality
12
Q
Race in play
A
- Blanche arrives with traditional notions of superiority
- Kowalski - Dubois conflict reflects racism from European immigrants
- ‘polack’, ‘swine’, ‘healthy Polack, without a nerve in your body’
- Prejudice based on class rather than race, particularly in post Harlem Renaissance era where segregation still prevalent but being contested
13
Q
Religion & morality
A
- Founded on Puritan & Christian principles
- Not explicit in play, prejudice against homosexuality prevalent
- Biblical principle that wife must submit to husband
- Blanche struggles with moral standards on society
- Double standards around sexuality
- Blanche labelled = feeling ostracised while Stanley escapes with abuse & rape
14
Q
Rape scene
A
- Through feminist lens = asserting masculine power & authority by using past decisions against her
- Women seen as victims of oppressive patriarchy
- Justified through Blanche’s nature = flirty & exhibitionism
- Marxist lens = reigning champion of working classes & defeating old aristocratic ways
15
Q
Sexuality
A
- Blanche’s past seen as unacceptable due to being woman
16
Q
Patriarchy
A
- Chips away at Blanche’s sanity
- Felt need to find husband to be accepted by society
17
Q
Class
A
- Bourgeois threat to Stanley’s life
- Considers baby as representation of Kowalski future & not Dubois = patriarch
18
Q
Production history
A
- Became popular because of taboo themes of class tensions, female sexuality, homosexuality & male domination which coexisted with social dilemmas at the time
- Williams explores social tensions & psychological subdivisions of class structures & gender roles through class of characters
- Viewed as exposing moral decay of Old Southern view with New Southern views
- Stanley symbolised world of masculinity & fierce individualism
19
Q
When was the first Broadway staged of Streetcar & what happened ?
A
- December 3rd 1947
- Ended with short & surprised silence before thunder of applause for 30m
20
Q
What happened surrounding the movie ?
A
- Controversy over rape scene
- Williams stood ground to refuse to remove it
21
Q
Theatre production
A
- No interval
- Couldn’t sustain dramatic tension for 3 acts of conventional length
- Language & dialogue important in depicting differences in class upbringing
- Used mixed approach of expressionism in portrayal of reality in abstract form
- Uses stage directions = rape, open to interpretation
- Uses props as symbols = alcohol, bath
- Polka reflects Blanche’s guilt induced mental deterioration = plays role in characterisation & transports audience seamlessly into delusions & back to reality
22
Q
Film
A
- Remained the same
- Hollywood Production Code & National Legion of Decency played key role in censorship, cutting out segments they deemed inappropriate for viewing
- 2 versions of film = 1951 saw maximum censorship while 1993 saw more original script & filming
23
Q
What topics were controversial to keep in film ?
A
- Conversations about homosexuality
- Blanche’s drunkness or flirtations
- Verbal abuse towards Stanley
- Stella & Stanley’s intimate conversations
- ‘intimacies with strangers’ = changed to ‘meetings’
- damned’ = changed to ‘punished’