context Flashcards
(15 cards)
model intro?
Both This is England (Meadows, 2006) and Trainspotting (Boyle, 1996) explore themes of youth, identity and social exclusion with distinct British contexts. Meadows uses social realism to reflect 1980’s nationalism and working class disillusionment while Boyles stylised approach capture the chaos of addiction in late 80’s Scotland. Through film form and context, both directors engage the audience and challenge dominant ideologies. This essay will compare how these techniques…
When is This Is England set?
Set in 1983 in Thatchers Britain post- falklands war
What does this is england depict?
Rise of nationalism and skinhead culture
What does the film critique
Far- right politics, societal neglect, that National Fronts influence on disillusioned working class people
What was Thatchers government marked by?
high unemployment, social inequality and urban decay- factors that contributed to youth alienation and radicalisation
How does This Is England feel realistic
Meadows draws from his own life experiences, uses non-professional actors and improvised dialogue
What was skinhead culture originally about?
It was rooted in multiculturalism, particularly with music (ska, reggae), all about working class pride
How was skinhead culture radicalised
It was co-opted by nationalist movements
How does the theme of belonging link to 1980’s society
Reflects wider issue of questions surrounding the English identity
When/ where was Trainspotting set?
Set in 1980’s edinburgh
what does trainspotting reflect
the heroin epidemic that hit working class community’s, marginalisation of scottish youth and the sense of disillusionment with british institutions and futures
what was scotland hit hard by
deindustrialisation, unemployment and social decline
what was trainspotting a part of
the “cool britannia” movement and 1990s british cinema resurgence
What do the characters do
they resist conventional life not just through drugs but as a reaction to systematic failures, poverty, lack of opportunity and cultural invisibility