Courtney Pine - Back in the Day Flashcards

(50 cards)

1
Q

Who is Courtney Pine?

A

Modern British Jazz musician

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

When was ‘Back in the Day’ released?

A

Album was released 2000

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What styles are used in this album?

A

Modern styles fused with american modern jazz

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What influences are in this album?

A

Reggae influences - from Jamaican parents

Hip hop influences - rap and turntable

American jazz influences- Miles Davis, John Coltrane and Sonny Rollins

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Give 3 points for context for Lady Day and John Coltrane (LDAJC)

A
  • Cover of Gil Scott-Heron.
  • Pays tribute to 20th-century jazz performers Billie holiday and Coltrane.
  • Blues and soul-influenced.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Give 3 points for context on Inner State of Mind (ISOM)

A
  • Original composition
  • Jazz and hip-hop (rap, sampling, turntable)
  • Tributes to ‘Summertime’ and ‘So What’
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Give 3 points on context for Love and Affection (LAA)

A
  • Cover of 1970’s Caribbean-British Joan Armatrading’s song (common thing to do with jazz music)
  • This version is more pop
  • Aspects of rock and R&B
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Who sings in LDAJC?

A

Blues/soul singer Lyden David Hall

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What instrument has a solo in LDAJC?

A

There is a jazz saxophone solo

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Name 3 techniques used in the jazz saxophone solo in LDAJC.

A
  • Glissandi
  • Note bending
  • Chromatic runs
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Name 2 extended techniques used in the jazz saxophone solo in LDAJC.

A
  • Multiphonics
  • Slap tonguing
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What technique is used in the guitar in the chorus of LDAJC?

A

Wah-wah pedal in choruses.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Who sings in ISOM?

A

Jazz singer Eska Mtunwezi

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What type of sax does Courtney Pine play in ISOM?

A

Soprano sax

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Who sings the backing vocals in LAA?

A

London Community Gospel Choir

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

How is the guitar utilised in LAA.

A
  • Guitar is distorted
  • played with tremolo
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

What 2 instruments does pine play in LAA and why?

A
  • Tenor saxophone
  • Bass clarinet
  • He is a multi-instrumentalist
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

What is used in the backings along with the London Community Gospel choir?

A

Synth strings

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Give an overall summary of the structure of LDJAC.

A

Intro
Verse
Chorus
verse
chorus
extended sax solo
verse
chorus
extended outro/coda

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

3 points of what happens in the intro of LDAJC (bars 1-4)

A

Turn table effects

leads to fast rock tempo

vocal melisma uses blue note (flattened fifth)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

4 points of what happens in the 1st verse of LDAJC (bars 5-20)

A
  • 8 bars on tonic C7(#9) for vocalist and rhythm section.
  • Short sax fills

-blues subdominant for 4 bars then back to tonic for 8

  • keyboard vibrato as set like Hammond organ
22
Q

2 points of what happens in the 1st chorus of LDAJC (bars 21-36)

A
  • Faster harmonic rhythm to dominant (but Gm) and subdominant
  • faster harmonic rhythm with chromatic 7th chords descent
23
Q

3 points of what happens in 2nd verse and chorus of LDAJC

A
  • end with a second time bar which is a link to the sax solo
  • additional backing vocals mostly in 5ths
  • saxophone slow lip vibrato
24
Q

5 points on the extended sax-solo LDAJC

A
  • Improvised
  • pitch bend
  • High tessitura
  • slides
  • ends with long rapid descending chromatic scale
25
What are the harmonic progressions in the extended sax solo LDAJC?
C7(#9) - Eb7 - Ab7 - G+7, DS
26
what happens after the extended sax solo LDAJC?
The verse and chorus are repeated and then to coda
27
4 points that happen in extended outro/coda LDAJC
- Improvised vocals - low tessitura sax counterpoint - ostinato three sequence - Mutliphonics and slap tonguing
28
what chord is there a paused on at bar 129 of the extended outro/coda LDAJC
Bbm7(add4)
29
What is the metre of LDAJC
- 4/4 - except for 2/4 bar 122
30
What is the tempo of LDAJC and what creates momentum?
160 bpm and fast drums groove filtered give high frequency for momentum.
31
List 4 types of rhythms used in LDAJC?
- Syncopation - Dotted rhythms - Triplets - Sextuplets
32
What are the rhythms used in LDAJC fairly typical of?
- Jazz
33
What is the texture in LDAJC?
- Mainly melody dominated homophony - some counter-point between sax and voice - stop time
34
What harmonic device is used in the choruses of LDAJC?
Wah-wah pedal
35
What is played in contrary motion to guitar in bar 75 LDAJC
descending chromatic bassline - contrary motion with guitar
36
Give a summary of the structure of ISOM
Instrumental introduction Vocals Rap Vocals Rap Vocals Instrumental outro
37
6 points for instrumental introduction bars 1-9 in ISOM
- Starts acapella 2-4 part harmony of four crotchet rising idea THEN MDH - sax improvised syncopation - distorted guitar sample - rock drum beat - dorian mode on C and blues notes - Occasional slide up to notes
38
What ornementation is used in the instrumental introduction of ISOM
Grace notes
39
3 points about 1st vocal section bars 10-21 ISOM
- Summertime theme but no real change to subdominant - fuller harmony in bar 18 with C7(#9) - Cm-F with extensions
40
2 points about 1st rap section bars 22-35 ISOM
- Chords from beginning to accompany rap - sax improvisation
41
5 points about 2nd returning vocal section bars 36-53 ISOM
- Sumertime theme varied - turntables - crotchet rising figure interrupts at bar 44 - bar 46-47 blue notes and multitracked backing vocals - Vocal solo dissolves into jazz scat singing at bar 52
42
4 points about 2nd returning rap section bar 54-71 ISOM
- improvised flute bars and improvised sax - rap over Cm7-F-Cm7-Dm7 now - Occasional vocal phrases Homorhythmic tutti instrumental link at bar 70 (parallel movement but intervals vary)
43
6 points about 3rd vocal section bars 72-93 ISOM
- Summertime varied - more scatting - some turntables - long rising glissando - sax pitch bend (rhapsody in blue) -crotchet vocal phrase from beginning
44
4 points of instrumental outro bars 94-end ISOM
- Long sax improvisation (scalic) - 'na na' free vocal improvisation - pentatonic guitar riffs - long high sax trill on 9th at end (reverb)
45
What is the tempo of ISOM?
114bpm
46
What is the metre of ISOM?
4/4 throughout
47
What is the metre of ISOM?
4/4 throughout
48
How is rhythm used in ISOM make 4 points.
- Crotchet title hook - syncopation -homorhythm - variation of sax rhythms (quintuplets, sextuplets and semibreves)
49
Describe the melody in ISOM
- melody is conjunct and disjunct - intervals in summertime idea vary each time
50
Make two points about the texture of ISOM
- Starts acapella in 2-4 part harmony then becomes melody dominated homophony - Some polyphony - e.g. vocals and guitar in outro, lead and backing vocals