Creative Writing Flashcards

(32 cards)

1
Q

Language that departs from what speakers or writers ordinarily use to achieve a special meaning or effect.

A

Figurative Language

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2
Q

two primary categories of figurative language

A

tropes and schemes

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3
Q

Change the usual meaning of words to convey a vivid picture or description. (word meaning)

A

Literary trope

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4
Q

Trope originates from the Greek word “tropein,” which means

A

“to turn, to alter, to change.”

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5
Q

rhetorical term for coyness; a form of irony where a person feigns lack of interest in something they actually desire.

A

Accismus

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6
Q

“How kind, but you need it more than me.”

A

Accismus

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7
Q

exhorting people to do something presumably for their benefit.

A

Adhortatio

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8
Q

“Look up, laugh loud, talk big, keep the color in your cheek and the fire in your eye, adorn your person, maintain your health, your beauty and your animal spirits.” – William Hazlitt

A

Adhortatio

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9
Q

repetition of a word/phrase in a sentence, but each time with a different meaning.

A

Antanaclasis

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10
Q

“If you don’t get it, you don’t get it.” – The Washington Post

A

Antanaclasis

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11
Q

putting a positive spin on something negative/difficult.

A

Antanagoge

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12
Q

Life is hard. But it’s life. It is better than death. At least that’s what I think sitting here in my big comfy chair with my remote control in one hand and a martini in the other and a full pack of Marlboro 27s on the end table waiting to be smoked.

A

Antanagoge

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13
Q

saying the opposite of what is meant in such a way that the true meaning is clear.

A

Antiphrasis

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14
Q

Take your time, we’ve got all day” → meaning “Hurry up, we don’t have all day.”

A

Antiphrasis

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15
Q

using a word in a context that differs from its proper application.

A

Catachresis

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16
Q

I biked a racket, like a horse, in my living room. I stuck it between my legs, with the grip sticking out the back like a tail. Then, I run in place like I’m pedaling a bicycle, it’s a great way to repurpose a tennis racket when you’ve quit playing tennis.

17
Q

direct description of another’s faults; exposing adversary’s vices.

18
Q

“You are lazy, careless, and unlikable. Why should I trust you?”

19
Q

approving/commending a virtue, especially in the hearer.

20
Q

You are all too good to be true. Aunt Sally, your work with delinquents is commendable. Ed, your skill as a surgeon has saved hundreds of lives. And Aunt Edna, what can I say? Your Pulitzer Prize winning book “Shake, Rattle, Roll” has given us insight into the origins, history and social significance of Craps. The chapter “Whose bones do we roll?” could stand alone as a masterpiece in its own right, deserving of widespread recognition.

21
Q

corrective extension to a statement.

22
Q

He is the best warrior in the region – nay, the entire country.

23
Q

dissuasive advice, typically starting with “never” or “do not”.

24
Q

“Never give in, never give in. Never, never, never – in nothing, great or small, large or petty – never give in…”

25
clarifying the meaning of a word/phrase by direct explanation.
Distinctio
26
To make methanol for twenty-five cents a gallon is impossible; by “impossible,” I mean currently beyond our technological capabilities.
Distinctio
27
balancing opposing facts to prevent one-sided arguments; often includes “not only... but also”.
Dirimens Copulatio
28
Not only is it fair to repay your friend with a smoothie, but also friendship requires small acts of kindness.
Dirimens Copulatio
29
derogatory term used instead of a neutral or pleasant one (opposite of euphemism).
Dysphemism
30
“croaked” and “six feet under” for death.
Dysphemism
31
verbal depiction of a person’s body, head to toe (used in forensic and poetic rhetoric).
Effictio
32
He had spiky yellow-gray hair with a red stripe running through it. His big blue eyes were bloodshot. He was skinny, slumped, and dressed in a black t-shirt with a big leering skull on it, torn blue jeans, and dull black boots. He had an empty styrofoam cup in his shaking hand. He pushed it at me as I walked toward him. “Spare change?”
Effictio