Creativity Flashcards

0
Q

First wave 1950s and 60s

A

personality study of creators

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1
Q

Economy and creativity

A

shorter production cycles
jobs that don’t require creativity moved to other countries
increases wealth and leisure time is increasing demand for creative industries

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2
Q

Second Wave 1970-1980

A

cognitive approach focused on imternal processes that occur when creating

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3
Q

Third Wave 1980-1990

A

sociocultural approach focused on creative societal systems

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4
Q

New Wave - Sawyer

A

creative individual
contexts of creativity
creative domains

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5
Q

Why should we study creativity?

A
identify everyones unique talents
help leaders to respond to challenges
help us to be better problem solvers
help teachers to be more effective
realize health impacts of peak experiences ( flow)
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6
Q

Individualist Definition of Creativity

A

a new combination of mental elements already in possession of the mind (associationism)

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7
Q

sociocultural definition of creativity

A

the generation of a product that is deemed appropriate, useful or valuable by a domain, field, or group.

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8
Q

requisite for creativity

A

novel and appropriate

useful and good

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9
Q

5 types of creativity

A
expressive
productive
inventive
innovative
emergentive
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10
Q

Expressive Creativity

A

quality and originality is not important e.g. drawings of children

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11
Q

pro-c

A

professional expertise in a creative domain, but does not transform

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12
Q

mini-c

A

when children discover something for the first time

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13
Q

big C creativity

A

solutions to extremely difficult problems

significant works of genius

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14
Q

little c creativity

A

includes “first time” activities that people engage in everyday:
improvising ingredients in a recipe
discovering a new traffic route
baby stuffing peas in its nose(!)

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15
Q

productive creativity

A

artistic and scientific products that restrict and control free play
developed techniques for producing finished products

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16
Q

inventive creativity

A

inventors
explorers
discoverers

ingenuity displayed with materials, methods, techniques

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17
Q

emergentive creativity

A

an entirely new principle or assumption around which new schools flourish

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18
Q

Four Ps of Creativity

A

product
person
process
press (pressure)

19
Q

Creativity research emerged after this war

20
Q

creativity emerges in these environments:

A

non-authoritarian
no fear of censure
freedom to express oneself
no concern about evaluation

21
Q

current concept of creativity is how many years old?

A

200 years in the western world

22
Q

the shift from craft to art happens over time

A

e.g. photagraphy- move from technology to art

23
Q

Kratus

A

age and experience play a role in creativity
wanted to know if audiation played a role in creativity

creativity is defined as fixed, replicable sequences of pitches and durations

fluid thoughts and actions of the composer

24
audiation
inner hearing (internalisation)
25
Peter Webster's model of creative thinking supports the notion of
audiation
26
Kratus' research examined the compositional process in this was:
he studied 5 second intervals over a span of 10 minutes
27
Kratus correlations
positive between audiation and the songs cohesiveness
28
Burnard approaches
ethnographic multi or mixed methods design studied the meaning of improvisation and composition in children
29
Burnard
students drew pictures, described musical journey as a river, reflected on the compositional process model for relationship between improv and composition
30
Construct validity
does the test measure what it is supposed to measure?
31
Face validity
is it OBVIOUS that a test measures what it is supposed to measure
32
convergent validity
other related measures are related
33
discriminant validity
measures that should not be related aren't
34
concurrent validity
does the test correlate well with a previously validated measure
35
predictive validity
does the test predict performance in the real world?
36
Consensual assessment technique
when 2 or more judges rate creativity
37
creative personality scale
.
38
RAT
remote associations test | combines 2 distant concepts to determine creativity
39
divergent thinking tests
how many uses can you find for a paper clip? Guilford: divergent thinking involves these abilities: fluency flexibility originality elaboration
40
TTCT
Torrence tests of creative thinking | developed to identify gifted and talented students
41
divergent thinking tests
are not valid measures of real world creativity, but are a component along with critical evaluation, of creativity
42
IQ of 120
is necessary for adult eminence, beyond 120 is not predictive
43
Davidson (1985 study)
longitudinal study of 9 preschool students original song characteristics studied tonal contour mapped melody contours
44
Margaret Barrett (1996study)
studied 137 student compositions form utilized repetition and closure students age 9-10 can compose with meaning (opposing the theory of Swanwick and Tillman)
45
Hickey (2001study)
application of Amabile's consensual assessment technique uses experts global and subjective assessment of creative efforts uses a panel of judges
46
Marsh study (1995)
enthnographic study which addressed Swanick and Tillmans musical development model advocates NOT underestimating children's creative abilities reorgaization, elaboration, condensing or omission of pre-existing musical ideas