Crime and the Media Flashcards
(29 cards)
Content analysis
A systematic way of cooking and measuring the type of frequency of material as presented through the media.
News
Social construction - ‘news is not discovered but manufactured’.
Tabloid and Broadsheets newspapers
Broadsheets devote around 5% of their content to crime-news.
Tabloids devote around 30% coverage of crime-news.
Homicide offences
Count for 1/3 of all crime-news yet homicide comprises 3% of all crimes across society.
Violent and sexual offences
Over represented in crime-news. Headlines like ‘balaclava rapist’ catch attention but risk disorting the truth about rape.
Risks to victims
Men’s victimisation is higher than women’s and yet the risk is often down-played.
Stranger violence
The prevelance of stranger-violence (especially towards women) is exaggerated.
Representation of crimes
White collar crime is underrepresented. Programme makers focus on street crime the most.
The hypodermic syringe model of media affects
Media representation of crime have an instant, immediate impact in shaping public perceptions of crime.
People who watch TV for over 4 hours a day are said to express greater fear of crime. Moral panic can lead from labelling theory and from media manipulation.
The hypodermic syringe model of media affects - criticisms
Does this approach patronise us in assuming we aren’t as capable of distinguishing facts from fiction?
The hypodermic syringe model of media affects - criticisms - Users and Gratification theory
Audiences aren’t ‘injected’ with media content at all. Instead, the media provides crime content in such a way as to gratify audiences, who essentially control what they are provided with.
Notice how crime drama always brings about a sucessful outcome, unlike in reality where most crimes go undetected, unprosecuted and unsolved.
Pluralist Theory
Argues that media owners are objective, responsible and impartial in the way they facilitate news to audiences. Journalists are people of integrity who would never willingly or knowingly jeapordise their own reputation or the organisation they work for. Audiences are firmly in charge of dictating what media they want to be provided with. Despite wanting to be objective, broad and balanced, the demands of the audience prevents this. To survive in a competitive market, it ends up focusing on some crimes and criminals more than others. As long as a story has news value, it will likely feature in the media:
- novelty (highly unsual)
- violence
- drama (excitement)
- ‘innocent’ and vulnerable victims
Pluralist Theory - example
The history of television broadcasts in the UK help us understand to an extent why crime is represented this way. The BBC was once the only means of accessing TV crime-related news, and state owned, requiring programmes to ‘inform, educate and entertain’ audiences. It makes sense why crime related news and drama productions glorified crime in such ways. Since the 1950s, a de-regulation of the media had taken place, resulting in a growing diversity of channels as well as growing competition between terrestial, cabel and satellite companies.
Pluralist Theory - criticisms - Ben Bagdikian
Increasing media concentration has undermined media pluralism. Giant corporations have consumed and silenced smaller, more local media networks. Despite more TV news channels existing now, they largely broadcast more of the same thing. This undermines attempts to provide audiences with diversity of coverage.
Pluralist Theory - criticisms - Profit and the Infotainment industry
Competition among news providers commerical organisers to prioritise maximising profit rather than communicating news facts. Selection and choice of crime - stories form parts of the need to provide infotainment, but this risks misrepresenting crime.
Pluralist Theory - case application
The murder of Joanna Yeates 2010. Her landlord was suspected of the crime, Christopher Jeffries, despite being released by police was completely villified by the media because of his appearance. ‘The unspoken assumption that no one could look that odd and be innocent’ - The Guardian. Jeffries launched legal action against 6 newspapers.
Marxism, Crime and the Media
‘The ruling ideas are the ideas ofthe ruling class’. The media is owned by the powerful people who run powerful organisations. They have a vested interest in Capitalism and the messages it transmitts is in it’s interests, making them the primary definer of news. This comes at the determint of those who lack power and can only consume the news. Marxists believe the news is transmitting Capitalist ideology because it is a threat to Captalism. They demoise the poor as criminals, and create a cultural hegemony to prevent challenges to the system. White collar criminals go unnoticed, the sharp intuition of audiences is dulled. Media acts as the ‘new opium of the people’.
Jean Baudrillard - The media, crime and hyper-reality
Takes a postmodernist position in arguing that society has become increasingly media saturated. The rise of ‘new media’ is linked to ways in which it can be difficult to separate fact from fiction. Fake news is referring to how easy it can be to create ‘news’ and ‘news stories’ despite lacking tangible evidence to support it. The difficulty in distinguishing truth from fiction leads to a hyper reality. Media representations of crime can be interpreted in this context.
Jean Baudrillard - The media, crime and hyper-reality - case
BBC news article: Line of duty: ‘My favourite thing is reading the wild fan theories’
Line of duty: police drama, crime show thing
The commodification of crime
Whereas relative deprivation is a concept used to explain what might motivate crime to acquire what they desire, others argue crime is a desirable lifestyle. A commodity to embrace and consume, the desire to commit crime can become a part of someone’s identity.
The commodification of crime - Happy Slapping
Craze that swept the country in 2005 - film whilst slapping a stranger over the head without warning. It was relatively harmless, but some decided to take it further and further to achieve maximum social status. In March 2008, this trend got taken too far and someone died a result of being beaten to death. The bystander effect was shown firsthand as the girl filming got convicted for aiding and abetting manslaughter.
Fenwick and Hayward - the media encouraging crime
Their research highlights how crime is ‘packaged and marketised’ to younger people through crime, especially as something cool and fashionable. Gangster rap and hip hop combines images of street hustler criminality with images of consumerist success. As such, the criminal lifestyle can be associated as a means to achieve luxury items and material. Fashion industries can use advertising to trade on images of the forbidden. Designer clothing section 60 is named after the act giving police powers to stop and search.
Jock Young - Can the media feul crime?
The media exposes people to the lives of others. People get to see what they are missing out on. This can feul relative deprivation and become a motivator for criminal behaviour.
Jock Young - criticisms
Relative deprivation is something anybody and arguably everyone can experience. Why do some people respond in criminal ways whilst the large majority doesn’t?
Relative deprivation may explain financial crimes, but does not explain violent and crimes without financial gain.