Critics Flashcards

(45 cards)

1
Q

Barton - The storm contains no hint.

A

The storm contains no hint of the marvellous or extraordinary

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2
Q

Barton - The normal Social Responses.

A

The normal social responses have been dislocated

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3
Q

Coleridge - A Lively ____________ of the ______

A

A lively commencement of the story

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4
Q

Coleridge - Never puts habitual scorn in the ________ of other than ____ ___

A

Never puts habitual scorn in the mouths of other than bad men

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5
Q

Todd - Trinculo and Stephano’s role

A

Trinculo’s role is combining with Stephano in providing comic relief

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6
Q

Todd - Ariel’s successes

A

Prospero takes pleasure in Ariel’s successes

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7
Q

Todd - Destiny

A

Prospero controls the destiny of the other characters

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8
Q

Todd - Body, not mind

A

Only Caliban’s body is enslaved

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9
Q

Todd - Miranda’s outward beauty

A

Miranda’s outward beauty is a reflection of her inner merit

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10
Q

Todd - Purified and repentent

A

Alonso emerges from the experience as purified and repentent

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11
Q

Todd - Based on folly

A

Stephano’s murder plot is based on folly rather than evil

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12
Q

Riga - Beneficent kindly figure

A

Prospero can be viewed as a beneficent kindly figure

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13
Q

Kozinsky - Tyrant

A

Prospero is a selfish and vengeful tyrant

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14
Q

Westlund - Deeply subjective

A

Prospero is a deeply subjective character

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15
Q

O’Toole - Caliban’s language

A

Caliban’s language is that of a slave who binds himself to his master

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16
Q

Mason - Traditional power models

A

Shakespeare is indicating alternatives to traditional power models

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17
Q

Beck - The perfect plan

A

Prospero is an all knowing character with the perfect plan in place

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18
Q

Jaimeson - Two sides

A

Ariel and Caliban represent two sides of Prospero’s personality

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19
Q

Tanner - Venom

A

All the venom on Prospero’s island is secreted by men

20
Q

Tanner - Miranda’s pity

A

Miranda’s pity must be innate as there is no-one to teach it to her

21
Q

Tanner - The real monsters

A

The real monsters of the island are Sebastian and Antonio

22
Q

Adams - Comic and incompetent

A

Stephano and Trinculo are comic and incompetent

23
Q

Garbar - Reality

A

A place where reality is transformed

24
Q

Chaudhury - His Desired End

A

Caliban appeals to Stephano to achieve his desired end

25
Delvin - Master
Caliban is master of the situation
26
Haddon - Funny monster
Stephano is the real monster
27
Moseley - Discord (mod)
[With reference to the masque celebration] - Despite this harmony, there is still discord on the island
28
Moseley - Juxtaposition
The purity of the masque juxtaposed with the impure conspiracy to seize power
29
Moseley - Far more repulsive are we
Stephano and Trinculo are far more repulsive than Caliban
30
Moseley - Saying the unsayable
A masque is a means of saying the unsayable
31
Moseley - A good marriage
Prospero presents the idea of a good marriage
32
Moseley - Pronounce his blessing
It is an elaborate way to pronounce his blessing on the couple
33
Moseley - Education
An example of how the play concerns itself with education
34
Andrew Green - Major source of power
Prospero is the major source of power within the Tempest
35
Andrew Green - Composer of the events
He [Prospero] can be seen as the composer of the events of the play
36
Andrew Green - Magical arts
They find themselves helpless in the face of his magical arts
37
Andrew Green - Thunderously orchestrated
The mighty storm is thus a thunderously orchestrated work of art
38
Andrew Green - A sadistic quality
At times the music and sounds Prospero invokes takes on a sadistic quality
39
Andrew Green - Power-Struggle
Ugly nature of power-struggle within politics
40
Andrew Green - Mystery and Confusion
The strange power of music to control adds to the sense of mystery and confusion
41
Andrew Green - Strange Melancholy
Prospero remains a figure of strange melancholy
42
Bradshaw - Psychic journey
The tempest is his [Prospero’s] story, his psychic journey of self-transformation
43
Mcdonald - All kinds power, P, P & C
to listen to the Tempests language is to become deeply skeptical about the operation of all kinds of power - poetic, political and critical too
44
Sir Peter Hall - Most blasphemous play. Playing God and performing witchcraft.
The most blasphemous play that Shakespeare ever wrote… Is about a man on an island who is allowed to play God and who doesn’t just dabble in witchcraft, but actually performs it
45
De Grazia - Sorceress and Magician are driven by the same passion.
Not only are their histories similar and their powers interchangeable but both sorceress and magician are driven by the same passion - anger