critics Flashcards

(30 cards)

1
Q

iago
E A G L S O P

A

‘enjoys a god-like sense of power’
honigmann

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2
Q

desdemona
A P C
A F
L O W, H W A H P

A
  • ‘a poor chicken’ ‘a fool’ ‘lack of wit, her weakness and her passivity’ thomas ryder 17th century
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3
Q

iago
N F N U S I T B O H B T

A

honigmann
‘neither felt nor understood spritual impulses that bind ordinary human beings together’

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4
Q

iago
C T H V

A

honigmann
cleverer than his victims

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5
Q

iago
E I S T T, N L T S

A

honigmann
excels in short term tactics, not long term strategy

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6
Q

iago
P C H

A

honigmann
‘play’s chief humorist’

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7
Q

racism
I A P T A A J

A

loomba
irrational and prone to anger and jealousy
black and muslim perception at the time

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8
Q

brabantio
S C B I N P

A

‘such colour-blindness is not possible’
loomba

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9
Q

othello and desdemona relationship
U R

A

‘“unnatural” relationship
loomba

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10
Q

othello
V O R B P B H B A A O M O

A

loomba
‘victim of racial beliefs precisely because he becomes an agent of misogynistic ones’

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11
Q

othello
D B T T W O A I W H T P L

A

leavis
dies belonging to the world of action in which his true part lay

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12
Q

othello
T P

A

leavis
tragically pathetic
after realisation, ‘where shall othello go?’

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13
Q

othello
S N

A

leavis
‘simple nature’

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14
Q

othello
H H O E A

A

leavis
‘his habit of effortless authority’

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15
Q

desdemona
S C D N W. S C R E I S

A

bradley
she can do nothing whatever. she cannot retaliate even in speech

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16
Q

desdemona
S S

A

samuel johnson 18th century
soft simplicity

17
Q

emilia
M-P O R F A

A

jardine
mouth-piece of repressed female anger

18
Q

emilia
M C O T P

A

moral centre of the play
honigmann

19
Q

emilia
C I N H O O

A

neely
complicit in her own oppression
(complicity in Iago/hankercheif

20
Q

cassio
A U F T O

A

an uncorrupted foil to othello
honigmann

21
Q

cassio
E A W C

A

essentially a weak character
auden

22
Q

cassio
C A O T P O V S

A

cassio acts out the prejudices of venetian society
loomba

23
Q

cassio
C P I A C T O W

A

cassio participates in a culture that objectifies women
neely

24
Q

bianca
D M - B G A B H A S A

A

‘doubly marginalised - by gender and by her assumed sexual availability’

25
love A I T W O I A W V
an illusion to which Othello is a willing victim leavis
26
love A L T S T B A S P R T A P
a love that sees the beloved as a prize rather than a partner french
27
jealousy J I T R V I O
jealousy is the real villain in othello honigmann
28
truth and deception I S L I H A T M O T H A H
iago success lies in his ability to make others trust him as honest honigmann
29
truth and deception O D H O O S
othello depends heavily on outwards signs loomba
30
desdemona D O V T
defiance of venetian taboo kieran ryan