CRITICS TEMPEST Flashcards

1
Q

Devlin - what are A and C to P

A

“servant” “necessary slave”

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2
Q

Hebron- In controling Caliban, P is

A

controlling his darker impulses

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3
Q

Hunt- caliban is better than everyone

A

“natural superiority”

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4
Q

Strachey

A

“Every man overvaluing his own worth, would be a commander”

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5
Q

Clarke- S& T A&T want brits abroad wanting power

A

“travellers…eager for power”

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6
Q

Ratnam- not a fan of magic P

A

“vengeful magician”

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7
Q

Clarke- audiences like spectacle

A

audiences “delight in the beauty of stage contrivances”

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8
Q

Hebron Prospero is not a perfect magician, but human

A

“troubled soul” not a “benign sage”

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9
Q

Dee-

A

“harmony”= kee in magic

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10
Q

Rolph - M and F

A

“fall in love swiftly and completely”

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11
Q

Brunner- unlike tragedy

A

“disruption without tragic conclusion”

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12
Q

Bowen- End

A

“unresolved” and “urgent”

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13
Q

Orgel- repentance

A

repentance is “largely unachieved”

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14
Q

Pane- Caliban at End

A

life will be “untroubled”

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15
Q

Soloman- Forgiveness

A

in his forgiveness, P is “christ-like”

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16
Q

Clarke- Ariel (non-corporeal)

A

“to be regarded as immaterial”

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17
Q

Devlin (colonial) depicts

A

depicts “the native” in a “state of dependance”

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18
Q

Hunt- P wants to fix stuff

A

aims to “create harmony from anarchy”

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19
Q

Ledingham P= driving force

A

“prospero is not effected by the narrative, he is the narrative”

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20
Q

Riches - what caused his past troubles?

A

“Vanity… underlines his past misfortunes”

21
Q

Hunt - Antonio( immoral)

A

“corrupt”

22
Q

Clarke- evil/ familiy

A

“ultimate evil is always represented in the betrayal of the bonds of nature”

23
Q

Masek - women

A

“women’s status depended upon that of her family”

24
Q

Dollimore, A+ P relationship

A

“avuncular”

25
Lindley- Ariel (imagination)
"embodiment of imaginative power"
26
O'tooll- Ariel
"sympathetic"
27
Hebron
"Prospero is recognisable as a Renaissance Mage"
28
McEvoy- Ariel (hummanity)
"Ariel's humanity is greater than his master's"
29
Bruner- Caribbean
Reason caliban is drawn on by Caribbean is because they are both "disenfranchises, dispossessed"
30
Lindley- Island= Ariel's
"Caliban himself is a colonist on an island which origionally belonged to Ariel"
31
McFarlane- P= utopia
"godlike" figure who presides over a golden world
32
Varughese- utopia= impossible
"As long as human's remain unique in their state of mind, utopia is a mere fantasy"
33
Moseley
"persistently draws attention to itself as a play"
34
Coleridge
Pospero is "shakespeare himself"
35
Williams - unities
unities bring "realism"
36
Moseley- Masque to bless
way to "pronounce his blessing"
37
Hunt- reason/ emotion
Prospero "exercises his reason over passions"
38
Hunt- Masque
"extends through the whole of the tempest"
39
Hunt- Caliban too far gone
"beyond regeneration"
40
Browning - S/ T- vulgur
"vulgar products of civilisation"
41
Hargest- S/T
"not particularly funny"
42
Mended S/T
"parodying"
43
Clarke M+P
lack of "natural affinity"
44
Leiniger- M= colonial
"allegory for 'softer' colonialism"
45
Hunt- P must control
"must be an attentive puppeteer to succeed"
46
Clarke- caliban= evil
"natural malignity"
47
Arnold- Antonio did right
"astute"
48
James I
"monarchy is the supremest thing upon earth"