danny elfman bvtc structure Flashcards

(18 cards)

1
Q

What is the initial tempo marking in the opening section?

A

♩= 66

The initial tempo sets the pace for the opening of the piece.

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2
Q

Which motif is first introduced in the brass during the opening section?

A

Batman motif

This motif is significant in representing the character of Batman.

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3
Q

What chord does Bruce Wayne stand in front of at bar 7?

A

C♯ major

This chord marks a pivotal moment in the music as Bruce Wayne sees the Bat signal.

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4
Q

What is the tempo marking for the second section?

A

♩= 104

This tempo reflects the comical chaos of the ‘Circus Gang’.

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5
Q

What musical techniques are used in the second section to represent chaos?

A
  • Cross-rhythms
  • Frequent changes in time signatures
  • Syncopation
  • Fragments of ideas

These techniques create a sense of disorder fitting the circus theme.

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6
Q

What is the key change at bar 18?

A

C minor

This unprepared modulation enhances the dynamic contrast in the music.

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7
Q

What motif is introduced at bar 13?

A

Circus motif

This motif is represented by an ‘Om pah’ ostinato played by trombones.

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8
Q

What harmonic element does Elfman use at bar 34?

A

Diminished seventh

This represents the chaos being caused by the gang.

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9
Q

What time signature changes occur in bars 22-25?

A

Changes from 4 to 2 to 3 and back to 4

This reflects the unpredictable nature of the music.

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10
Q

What new musical feature appears in bar 55?

A

Descending four-note phrase

This phrase is played in the left hand of the piano.

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11
Q

What key does the music return to in bars 56-66?

A

B minor

The Batman motif is reintroduced in this section.

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12
Q

What rhythmic feature is present in bar 60?

A

Cross-rhythms with quavers triplets against two semiquavers and quaver

This adds complexity to the rhythmic structure.

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13
Q

In bars 67-end, what key does the music change to?

A

E minor

This key change contributes to the overall tension in the music.

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14
Q

What unique rhythmic concept is employed in bars 67–77?

A

Cross-time signature idea

This creates a feeling of instability despite being written in triple time.

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15
Q

What happens in bar 70 in terms of instrumentation?

A

Low instruments play a diminished seventh descending arpeggio

This adds to the chaotic atmosphere.

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16
Q

What does the music do in bars 89–90?

A

Contains a full orchestral version of the ‘Om-pah’ ostinato

This reinforces the circus motif with various orchestral colors.

17
Q

What dynamic change occurs in bars 91–93?

A

Sudden shift to p (from ff) with a quick crescendo back to forte

This dynamic contrast adds drama to the piece.

18
Q

What is the final note of the piece?

A

Low E

The piece ends on this note with no harmony played.