David, Donatello Flashcards

1
Q

subject?

A

David is shown at a triumphal moment within the Old Testament narrative of his victory over the Philistine, Goliath.

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2
Q

Traditional Representation of David?

A

David was typically depicted as a king. However Donatello chooses to present him as a youthful nude.

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3
Q

Free standing sculpture?

A

First unsupported standing work ofbronzecast during theRenaissance, and the first freestanding nudemalesculpture made since antiquity.

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4
Q

Influence of the Renaissance style?

A

Seen here in the biblical subject matter fused with renewed interest in classical antiquity, seen in Donatello’s use of the contrapposto stance and emphasis on human anatomy.

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5
Q

The Laurel Wreath?

A

The classical symbol of victory crowns his helmet – reinforcing his triumph over Goliath.

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6
Q

Sword?

A

Holds Goliath’s sword – another reference to David’s victory – despite his youth.

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7
Q

David’s hat/helmet?

A

Some art historians have suggested that David’s helmet identifies him as Hermes. However allquattrocentoreferences to the statue identify it as David.

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8
Q

David’s nudity?

A

In Middle Ages, nudity was not used in art except in certain moral contexts, such as the depiction of Adam and Eve. Here, however, Donatello seems to be calling to mind the heroic nudity of antiquity.

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9
Q

His youthfulness?

A

David has overcome Goliath not by physical prowess, but throughGod. The boy’s nakedness also reflects a humanist interest in human anatomy.

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10
Q

Goliath?

A

Heavily armoured giant’s severed head contrasts with David’s youth.

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11
Q

David’s sensuality?

A

David is physically delicate and effeminate – reinforced by his feminine bottom, sensual smirk and the feathers of Goliath’s helmet which rides up his inner thigh.

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12
Q

Renewed interest in the classical past?

A

The remains of Greco-Roman antiquity—coins,gems,sculpture,buildings, and the classics ofGreek and Latin literature, prompted Renaissance artists to return to the classical model. Particularly seen here in Donatello’s use of the contrapposto stance and interest in human anatomy.

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13
Q

Italian Renaissance patronage?

A

The commissioning of works of art and architecture in Florence by leading families such can be seen as an extension/expression of their struggle for political primacy and prestige in the Florentine Republic.

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14
Q

Location?

A

Originally located in the Medici garden, however it was later moved to the Signoria (town hall). The statue became a visual symbol of the Republic of Florence and a reference to the liberties and freedoms of Florence that had been threated by Milan.

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15
Q

Symbol of Florence?

A

In the biblical narrative, David - the underdog – defeats his enemy with God’s help. The Florentine people identified with David because they believed that like him, they had defeated their powerful enemy the Duke of Milan with God’s help.

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16
Q

Florentine victory?

A

The sculpture could represent Florence’s triumph over its rival Milan in the Battle of Anghiari (1440) or its victory during the Lombardy Wars, 1423-1455 (battle of San Romano).

17
Q

Cosimo de Medici? patron

A

Believed to have been commissioned by Cosimo de’Medici for the Palazzo Medici. David, the traditional symbol of Florence, could symbolise the triumphant return of the Florentine family since their expulsion in the 1430s.

18
Q

Bronze casting (lost wax process)?

A

Donatello revived this classical technique. Details added to an original maquette (model). Molten bronze is then poured into a negative mold (usually using the lost wax process). Once the bronze has cooled, finer details can be defined using the chasing process.

19
Q

Properties of Bronze?

A

High tensile strength allows for details in high relief. The reflective quality of the metal animates the surface, creating a sense of depth. Monochrome quality creates unity.

20
Q

Florentine style?

A

The Florentine disegno quality coined by Vasari is evident in the clear contour lines and emphasis on David’s anatomy. See also – symbol of Florence.