DB Race, Capitalism and Global Imperialism Flashcards

(44 cards)

1
Q

What did Du Bois mean when he said “the problem of the twentieth century color line”?

A

Du Bois extended Frederick Douglass’s phrase to describe not just U.S. segregation but a global structure of racial domination, linking domestic and international politics. (To the Nations of the World, 1900)

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2
Q

How did Du Bois describe the global colour line in “The World and Africa” (1947)?

A

He called it “a protean and flexible system of economic exploitation, structured by racism,” operating through war, capital, debt, labour, and international markets.

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3
Q

What is “democratic despotism” according to Du Bois?

A

In The African Roots of War (1915), Du Bois described democratic states practising imperial oppression abroad while maintaining liberal ideals at home.

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4
Q

What did Du Bois say about Nazi atrocities and European civilisation?

A

“There was no Nazi atrocity of concentration camps… which the Christian civilization of Europe had not long been practicing against colored folk in the name of the Superior Race.” (1946)

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5
Q

business b-tec term

What economic role did Africa play in European wars?

A

Colonies offset class tensions in Europe by supplying wealth: “The Color Line began to pay dividends.”

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6
Q

How did Du Bois link capitalism to racism in Of the Culture of White Folk (1917)?

A

He argued “white labor is particeps criminis with white capital,” highlighting the complicity of white workers in racialised imperial exploitation.

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7
Q

How did Du Bois explain the causes of WW1 and WW2?

A

He viewed them as European rivalries for global empire; Germany acted because it lacked colonies and wanted to compete with Britain and France.

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8
Q

How did Du Bois criticise international institutions post-WW2?

A

In his 1945 memo to Roy Wilkins, he condemned the UN and Bretton Woods for ignoring that their leading members were still colonial empires exploiting “voiceless subjects.”

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9
Q

How did Du Bois criticise international institutions post-WW2?

A

Du Bois argued that even “independent” Black states like Haiti, Liberia, and Ethiopia remained dominated through debt and foreign capital.

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10
Q

How did Du Bois’s views on colonial elites evolve?

A

Initially hopeful, he later recognised the complicity of local bourgeoisie in imperial capitalism, especially during the Cold War.

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11
Q

What shift does Worlds of Color (1925) reveal in Du Bois’s thinking?

A

He reimagines the colour line as a site of potential solidarity: “that which has historically divided… [but] will eventually link darker peoples… in a global alliance that belts the world.”

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12
Q

What did Du Bois admire during his 1926 visit to the Soviet Union?

A

He saw an experiment in a new understanding of economic value, where the worker—not the capitalist—was central.

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12
Q

What did Du Bois learn from his 1920s travels to Africa?

A

In Liberia and Senegal, he discovered “a Great Truth… that efficiency and happiness do not go together in modern culture.”

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13
Q

What did Du Bois say about U.S. imperialism in his 1953 speech to the World Peace Council?

A

He said the U.S. “forgets that she was once a colony” and now imposes domination on Asia and Africa, unleashing a domestic “Reign of Terror” through anticommunism.

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14
Q

What did Du Bois mean by calling empire a “political and analytical cartography”?

A

He argued empire preceded and exceeded the nation-state, and refused to separate the domestic from the international.

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15
Q

How did Du Bois trace the origins of racial capitalism?

A

He argued that slavery “played a major role in the establishment of capitalism in England and Europe.” (Prospect of a World without Race Conflict, 1944)

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16
Q

What did Du Bois mean by saying “labor was kept cheap and helpless because the white world despises ‘darkies’”?

A

He described how racial ideology justified the suppression of wages and exploitation of colonised labour. (Of the Culture of White Folk, p. 41)

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17
Q

In what two ways does Du Bois conceptualize whiteness in relation to white workers?

A

Specifically, Du Bois conceptualizes whiteness as a privileged position of social standing that has:

1) afforded white workers a public and psychological wage compensating them for their low economic wages; and

2) formed the basis of a cross-class, political alliance uniting white workers and capitalists against black workers (black slaves included).

18
Q

What broader function does whiteness serve and how do white people maintain it?

A

He maintains that whiteness has historically functioned as a mechanism of power for recruiting white workers to police and reinforce the economic exploitation of black workers.

19
Q

What is the focus of “The Souls of White Folk” in Du Bois’s analysis?

A

“The Souls of White Folk” can be read as Du Bois’s central contribution to the moral psychology of white supremacy; white supremacism as a morally vicious character trait—including, e.g., the dispositions passionately to hate black folk; to slander and murder black folk; and to believe that white folk are inherently better than black folk.

19
Q

How does Du Bois explain the failure of Reconstruction?

A

Du Bois explains the “splendid failure” of Reconstruction and the genesis of the American racial order through his analysis of the cross-class political alliance of white workers and capitalists.

19
Q

What does Du Bois emphasize in “The White World” chapter of Dusk of Dawn (1940)?

A

Du Bois complicates this earlier psychological portrait of the white supremacist, stressing the deeply ingrained persistence of her or his racist behaviour.

Du Bois argues, for example, that “the present attitude and action of the white world…is a matter of conditioned reflexes…subconscious trains of reasoning” (Du Bois, 1940, 87).

20
Q

How does Du Bois analyze whiteness across his middle-period work (1920–1940)?

A

Considering Du Bois’s middle-period (roughly 1920–1940) oeuvre as a whole, Du Bois analyzes whiteness in multiple registers (material, psychological, spiritual)—thus, not exclusively in the political theoretical and moral psychological terms.

21
Q

What types of “gratifications” does Du Bois argue whiteness affords white citizens?

A

whiteness affords white citizens any number of “gratifictions,” including but not restricted:
1. to racialized self-esteem,
2. the pleasures derived from anti-black violence,
3. and a sense of entitlement lived as a sort of existential faith.

22
How does Du Bois use lyrical imagery in Darkwater to contrast racial violence?
In Darkwater, Du Bois juxtaposes lyrical scenes like “green-gold palms” and “the undulant hills of Montego Bay” with accounts of racial brutality, including the 1919 East St. Louis massacre, where “white strikers on war work killed and mobbed Negro workingmen.”
23
What is the effect of pairing beauty with violence in Darkwater?
This deliberate pairing of sublime natural beauty with horrific racial violence is designed to evoke an emotional response, heightening readers’ awareness of America’s contradictions while affirming the sanctity of Black life.
24
What European literary influence shapes Du Bois’s aesthetic approach in Darkwater?
Influenced by Schiller, Du Bois’s literary tradition channels German Romanticism to reconcile reason and emotion—a harmony essential to cultivating a “beautiful life” free from prejudice.
25
Why does Du Bois maintain accessibility in his writing?
His work remains accessible, even for those with only vocational education, as he believed contrast could make violence viscerally real while demonstrating how beauty sustains resistance.
26
What dual function does beauty serve in Darkwater?
Beauty functions both as a sensory contrast and as a political force—it reveals injustice while affirming the resilience and value of Black life.
27
What paired texts in Darkwater exemplify Du Bois’s politico-literary method on democracy?
A pairing that reveals much about Du Bois’s politico-literary art is that of the essay “Of the Ruling of Men” with a short piece titled “The Call.”
28
What are the opening propositions of “Of the Ruling of Men”?
"The ruling of men is the effort to direct the individual actions of many persons toward some end," and "this end theoretically should be the greatest good of all, but no human group has ever reached this ideal because of ignorance and selfishness," (Darkwater, p. 78)
29
How does Du Bois defend the expansion of the franchise?
“Only the sufferer knows his sufferings and that no state can be strong which excludes from its expressed wisdom the knowledge possessed by mothers, wives, and daughters” (Darkwater, p. 83).
30
What dangers does Du Bois warn against in democratic life?
He warns against the politically deadening effects of uncritical adherence to the views of the majority (Darkwater, p. 89), and asserts that society is diminished when it allows the genius of its members to go untapped (p. 83).
31
What vision of democracy does Du Bois propose in “Of the Ruling of Men”?
A democratic society is one in which all members have both the right and the necessary prerequisites to participate fully in public life.
32
How does Du Bois invert conventional wisdom about democracy and representation?
The willingness to count as ‘men’ the crankiest, humblest and poorest and blackest peoples, must be the real key to the consent of the governed” (Darkwater, p. 88).
32
How does Du Bois revise U.S. history in “Of the Ruling of Men”?
He shows that the excluded have already enacted citizenship: “Lions have no historians... Negroes had no bards... In truth the Negro revolted... by giving point and powerful example to the agitation of the abolitionists and by furnishing 200,000 soldiers...” (Darkwater, p. 79). | CENTRALITY OF BLACK ACTORS IN HISTORY
33
What was Du Bois’s critique of hegemonic historiography?
He critiqued the “Dunning School” for relating events without regarding Black people as human beings, portraying them as inferior or irrelevant despite their central roles.
34
What vision of democratic knowledge does Du Bois propose in Darkwater?
He proposed an alternative source of democratic knowledge: what each citizen suffers is a unique and unshareable experience that imparts distinctive knowledge and perspective.
34
What core historical argument is central to Black Reconstruction?
Du Bois insists that formerly enslaved peoples and their freed Black brothers and sisters fought for and won their freedom, and must be understood as agents of history.
35
What was the moral failure of mainstream histories of slavery and Reconstruction, according to Du Bois?
“Our history tends to discuss American slavery so impartially, that in the end nobody seems to have done wrong and everyday was right... while the South was blameless in becoming its center.” The North would not have won without black soldiers
36
What three issues did Du Bois see as urgent for the salvation of American democracy?
Darkwater highlights three issues: 1. education, 2. the right to vote, and 3. the political and social status of women. - particularly BLACK women
37
What did Du Bois say about the necessity of enfranchising all citizens?
If America is ever to become a government built on the broadest justice to every citizen, then every citizen must be enfranchised.”
38
What did Du Bois argue in “The Damnation of Women”?
“When women ask for the ballot, they are asking, not for a privilege, but for a necessity,” and “it is the five million women of my race who really count.” By the time of Darkwater’s publication, the Nineteenth Amendment had been passed by Congress but not yet fully ratified by the states.
39
What was Du Bois’s international vision for African democracy post-WWI?
He proposed a new “African State” from Germany’s former colonies, led by educated men of Negro blood, as the foundation of “a new peace and a new democracy of all races” in the postwar world.