Definitions Flashcards

(44 cards)

1
Q

epic/heroic poem

A

a long narrative
poem on a serious subject, told in a formal and elevated style, and centered on a heroic or quasi-divine figure on whose actions depends the fate of a tribe, a nation, or […]the human
race.”

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2
Q

Chivalric Romance

A

-a narrative form which developed in 12th century France
-spread to the literatures of other countries
-Its standard plot is that of a quest undertaken by a single knight in order to gain a lady’s favor;
-central interest are courtly love, together with tournaments fought and dragons and monsters slain for the damsel’s sake;
-it stresses the chivalric ideals of courage, loyalty, honor, mercifulness to an opponent, and exquisite and elaborate manners

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3
Q

history plays

A
  • deal with Wars of the Roses
  • e.g. Richard II, Henry IV, Henry V, Henry VI, Richard III
  • nationhood, Englishness
  • good rule
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4
Q

Print

A

-founded by Gutenberg, brought to England by William Caxton
-“media revolution”->modernisation of the world, made literature more accessible, increased literacy
-bc books were still expensive -> pamphlets became popular (single leaflets, cheaply produced, affordable to anyone, featured ballads etc.)

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5
Q

The Reformation

A
  • In England: Henry VIII established the Anglican church(Church of England)
  • Puritanism
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6
Q

Tragedy

A
  • representations of serious and important actions that lead to a disastrous conclusion for the protagonist
  • Aristotle, Poetics
  • tragic fall of a character, caused either by misjudgement or by character flaw
  • catastrophe
  • pity and fear; effect of catharsis
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7
Q

Comedy

A
  • materials are selected and arranged mainly to interest, involve and amuse the audience
  • characters engage pleasurable attention rather than profound concern
  • focus on social life
  • dialogue
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8
Q

prose fiction

A
  • print: William Caxton
  • emergence of the professional writer, e.g. Robert Greene
  • market for print
  • change in the literary system
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9
Q

euphuism

A

a conspicuously formal and elaborate
prose style which had a vogue in the 1580s

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10
Q

genres of early-modern prose fiction

A
  • romance
  • comic tales / fabliaux
  • cony-catching pamphlets
  • picaresque narratives
  • the novella: short prose narratives
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11
Q

Grand Tour

A

bildungsreise, trip through Europe
finishing education of upper-class men
Italy and France

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12
Q

lyric

A

any fairly short poem, consisting of the utterance by a single speaker, who expresses a state of mind or a process of perception, thought, and feeling more delicate to the ear than prose is […] and withal tunable and melodious, as a kind of Music, and therefore may be termed a musical speech or utterance

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13
Q

Elizabethan vocal music

A

*madrigal
*song

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14
Q

romance

A

-influence of ancient Greek romance
-pastoral elements

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15
Q

comic tales / fabliaux

A

collected in jest books

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16
Q

picaresque narratives

A

“in the strict sense, a novel with a picaroon (Spanish, picaró: a
rogue or scoundrel) as its hero or heroine, usually recounting his
or her escapades in a first-person narrative marked by its episodic structure and realistic low-life descriptions. The picaroon is often a quick-witted servant who takes up with a succession of employers.”

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17
Q

the novella

A

-short prose narratives
-“little new thing”, imported from Italy

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18
Q

sonnet

A

a lyric poem consisting of a single stanza of fourteen iambic pentameter lines linked by an intricate rhyme scheme

19
Q

Italian/Petrarchan sonnet

A

octave rhyming abbaabba, followed by sestet rhyming cdecde or some variant; volta/turn between octet and sestet

20
Q

English sonnet / Shakespearean sonnet

A

three quatrains and concluding
couplet: abab cdcd efef gg

21
Q

metaphysical poetry

A

figures of speech which establish a striking
parallel –usually an elaborate parallel –between two very dissimilar things or situations
-criticised by Dr. Johnson in 18th c.
-display of wit

22
Q

English Civil Wars

A

1642-1651
Royalists vs Parliamentarians / Cavaliers vs Roundheads

23
Q

drama and theatre – new features

A
  • stage with scenery
  • female actors (such as Nell Gwynne)
  • comedies in prose
24
Q

Restoration drama

A
  • heroic drama
  • comedy of manners
25
comedy of manners
“The Restoration form [of the comedy of manners] deals with the relations and intrigues of men and women living in a sophisticated upper-class society, and relies for comic effect in large part on the wit and sparkle of the dialogue – often in the form of repartee – a witty conversational give-and-take which constitutes a kind of verbal fencing match –and, to a lesser degree, on the violations of social conventions and decorum by would-be wits, jealous husbands, conniving rivals, and foppish dandies.”
26
Augustan age
mid 18th century
27
societal changes in the 18th century
wealth through trade; growing importance of middle classes beginning of the industrial revolution
28
famous literary clubs
coffee house and Kit Kat club
29
neoclassicism
“the literary principle according to which the writing and criticism of poetry and drama were to be guided by rules and precedents derived from the best ancient Greek and Roman authors. […] Accordingly, the approved genres of classical literature - epic, tragedy, comedy, elegy, oder, epistle, eclogue, epigram, fable and satire - were adopted as the favoured forms in this period.”
30
Neoclassical poetry
heroic couplet poetic diction
31
satire
“Satire can be described as the literary art of diminishing or derogating a subject by making it ridiculous and evoking toward it attitudes of amusement, contempt, scorn, or indignation. It differs from the comic in that comedy evokes laughter mainly as an end in itself, while satire ‘derides’; that is, it uses laughter as a weapon, and against a butt that exists outside the work itself."
32
The 18th-century novel
Ian Watt, The Rise of the Novel (1957) realist novel “circumstantial realism”
33
sentiment, sentimental novel or novel of sensibility
moral philosophy: human beings are innately benevolent, have sympathy toward others intense responsiveness to beauty and the sublime
34
drama and theatre 18th century
* opera: Handel, Italian opera, e.g. Xerxes (1738) * John Gay, “The Beggar’s Opera” (1728) * word theatre: famous actors like David Garrick and Sarah Siddons
35
when was stage censorship (licensing) reintroduced
1737
36
social protest and social reform
* American Revolution (1776), French Revolution (1789) * Thomas Paine, The Rights of Man (1791/2) * William Godwin, Enquiry Concerning Political Justice (1783) * Mary Wollstonecraft, A Vindication of the Rights of Woman (1792)
37
abolition movement in Britain
“From first to last, slavery was a system characterized by brutality. Moreover, it was a system that had far-reaching ramifications for three continents […] for Africa, for which massive loss of population, with attendant violence and upheaval, caused incalculable and long-term damage. […] it was a major ingredient in the transformation of the West. Slavery was the means by which the West emerged to a position of unrivalled economic and political dominance.”
38
new regard for and of nature
landscape garden Lancelot ‘Capability’ Brown
39
the sublime
“a quality of awesome grandeur in art and nature, which some 18th-century writers distinguished from the merely beautiful.”
40
the gothic
“Frightening or horrifying stories of various kinds have been told in all ages, but the literary tradition confusingly designated as ‘Gothic’ is a distinct modern development in which the characteristic theme is the stranglehold of the past upon the present, or the encroachment of the ‘dark’ ages of oppression upon the ‘enlightened’ modern era. In Gothic romances and tales this theme is embodied typically in enclosed and haunted settings such as castles, crypts, convents, or gloomy mansions, in images of ruin or decay, and in episodes of imprisonment, cruelty, and persecution.”
41
American Revolution
1776
42
French Revolution
1789
43
abolition of the Atlantic slave trade
1807
44
end of slavery in the British Empire
1833