Del Kathryn Barton Flashcards

(17 cards)

1
Q

When was Barton born?

A

1972

still alive

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2
Q

What culture is Barton?

A

Australian

lives/works in sydney

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3
Q

What art movement is Barton part of?

A

contemporary art

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4
Q

What is contemporary art?

A

art made in present time, reflecting lifestyles of modern ages

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5
Q

What subject matters does Barton include?

A

feminine figures
animals
flora
heroism and divine feminine
sexuality and sensuality

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6
Q

What education did Barton receive?

A

College of fine arts at uni of New South Wales - graduated with bachelor in 1993

NSW Uni - later employed as a lecturer

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7
Q

What awards did Barton win?

A

2008 Archibald Prize

2013 Archibald Prize

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8
Q

Historical/cultural context - Personal

A

Grew up on an Angora goat farm

two siblings

eccentric parents “odd, magical, crazy, beautiful childhood”

she lived very freely on the farm

she experienced anxiety attacks that manifested into weird episodes where she hear voices/hallucinate/be light sensitive and it was scary and uncontrollable

drawing became an escape from anxiety, then a vocation

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9
Q

Historical/cultural context - External

A

1970s was time of economic/technological/social/political change

The white Australia policy was revoked

growing support of women and indigenous peoples, and awareness of social issues

sexuality and strength of women was becoming more recognised

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10
Q

Artistic influences/inspirations

A

had a ‘hippy’ childhood where she swam/rode/drew and explored imagination and the flow of life freely

Her love of her children and motherhood

Sally Gabori - strong/creative femininity

Gustave Klimt - decorative, sexual elements

Yayoi Kusama, Indian, aboriginal paintings - patterns

Willian Darger - cartoon-like figures and stylisation

Chris Ofili - painting with elephant dung

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11
Q

What media/materials does Barton work with?

A

synthetic polymer paint

gouache

watercolour

pen

glitter and sequins

embroidery thread

canvas

paper

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12
Q

What techniques does Barton use while painting?

A

her strokes are precise yet loose to create organic lines

she leaves no blank space because she scared of it

stipples patterns

builds layers upon layers and often mixes media together

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13
Q

What is Barton’s studio process like?

A

she uses no sketches, dives straight into a painting by drawing with an architectural pen

can take up to 6 months to finish a piece

builds layers slowly, methodically in a repetitive way

very detailed hairs, dots, shapes, created with small brushes

labour of work got her to get a studio assistant to help with demand

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14
Q

Interpretations of subject matter, meanings and ideas

A

highly personalised symbology

intertwines the characters with each other and the environment - idea of connect between mother and child or connection to nature

adds multiple appendages to represent the human form and female sexuality and self appreciation

the idea of giving and receiving, how everything in nature/relationships balances each other, like the visuals on her paintings

the subject matters involve powerful women doing imaginative things, creating an idea of her deepest wishes and fantasies in life

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15
Q

What themes does Barton like to explore?

A

folklore

space/cosmos

femininity

sexuality

motherhood

nature and connection to it

imagination

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16
Q

How did Barton develop her distinctive style?

A

Her intuition and sensitivity to the world formed her studio process where she let it flow organically

her love of detail and fear of empty space leads her to layer intensely and create extremely elaborate pieces

her inspirations and own imagination are eccentric

17
Q

What elements and principals are seen in her work?

A

movement

light

pattern

colour

texture