Designing Anthropological interventions Flashcards

1
Q

What Bronislaw Malinowski’s goal in ethnography?

A

“to grasp the native’s point of view, to realise his vision of his world”

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2
Q

What are parallax perspectives as described by Faye Ginsburg?

A

Different perspectives that overlap

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3
Q

What is the ‘third eye’ described by Fatimah Tobing Rony (1996)?

A

Experience of seeing oneself as an object

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4
Q

What is the “second eye”?

A

“peculiar sensation […] of always looking at one’s self through the eyes of others”

-> being the object of world view

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5
Q

What does the work of Worth and Adair (1997) ‘Through Navajo Eyes’ consist of?

A
  • Teaching people to use cameras
  • Observe what narratives they would build, which perspectives
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6
Q

What did Worth and Adair (1997) observe in their ethnography ‘Through Navajo Eyes’?

A

“Navajo filmic language”, common patterns of filming and storytelling

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7
Q

What characterises the “Navajo filmic language” observed by Worth and Adair (1997)?

A
  • Walking as narrative device, not lived reality
  • Lack of close ups, avoid eye contact
  • Family relations as subject matter
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8
Q

What does Salvage Anthropology refer to?

A
  • Salvaging cultures as if they’re frozen in time
  • Not considering an evolutionary perspective
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9
Q

What is the place of multimodality in the divide of art and science?

A

Multimodality embraces the entailments of art and anthropology

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10
Q

What is the role of the Sensory Ethnography Lab (SEL) at Harvard?

A

Promotes innovative combinations of aesthetics and ethnography

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11
Q

What did the Visual Anthropology Review of the film Leviathan by Lucian Taylor show?

A

Reviewer’s analyses all can back to one scene of the film: the only scene with conventional framing

-> We’re not always ready for experimental visuals and storytelling

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