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Literature > Dictionary of Literary Terms - Unit 1? > Flashcards

Dictionary of Literary Terms - Unit 1? Flashcards

1
Q

Hypotaxis

A

Where the details of the plot are portrayed sequentially and explicitally.

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2
Q

Parataxis

A

Where only some details are portrayed, connections are not explicit.

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3
Q

Quatrain

A

4-lined stanza.

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4
Q

Enjambment

A

Where a line continues onto the next.

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5
Q

Repetition (example)

A

Again, again.

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6
Q

Personification

A

Where non-humans, are given human attributes (physical, emotional).

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7
Q

Rhyme (example)

A

Weather, together.

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8
Q

Internal Rhyme

A

Rhyme unbroken by a line.

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9
Q

Alliteration

A

Where separate words begin with the same sound.

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10
Q

Simile

A

Comparison including ‘I’ and ‘as’

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11
Q

1st Person

A

‘I’

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12
Q

2nd Person

A

‘You’

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13
Q

3rd Person

A

‘He’ ‘She’ ‘They’

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14
Q

Textual Self-reference

A

The text references textual stuff.

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15
Q

Hyperbole

A

Exaggerate Expression.

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16
Q

Chiasmus

A

Rearranging of words to become exact opposites.
eg. see the leaves, leaves the sea.

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17
Q

Polysemy

A

Words/phrases with multiple meanings.

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18
Q

Ekphrastic Poetry

A

Vivid description of an artwork.

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19
Q

Free Indirect Style

A

The phrase/passage could be read as belonging to the narrator or a charcter.

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20
Q

Metatextuality

A

Where the author/narrator reveals themselves and their actions/interactions. ie. Fourth wall break.

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21
Q

Intertextuality

A

Where a text references or inferences another text.

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22
Q

Indirect speech/dialogue

A

“Hi”
“Hi!”

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23
Q

Direct speech/dialogue

A

“Hi”, said Joe

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24
Q

Interior Focalisation

A

Where a character’s thoughts are represented in the text. “I’m hungry”, thought Alvoli.

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25
Q

Metre

A

How many syllables per line?

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26
Q

Tone

A

How is it read?

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27
Q

Consonance

A

Consonant sounds in alliteration “bees knees.”

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28
Q

Assonance

A

Where separate words have (at any point) with same sound “bees knees.”

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29
Q

Anaphora

A

Starts with the same word/phrase:
No more, I wept,
No more, she stood.

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30
Q

Epistrophe

A

Ends with the same word/phrase:
I wept, no more
She stood, no more.

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31
Q

Aposiopesis

A

Where speech or thought is cut off, often with a -

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32
Q

Iamb

A

Da dum.

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33
Q

Trochee

A

Dum da.

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34
Q

Epistolary Form

A

A story/book comprised of letters.

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35
Q

Limited Omniscience

A

The narrator/storyteller doesn’t know everything about/in the story.

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36
Q

Stream of Conscience

A

Thoughts fall onto the page.

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37
Q

Aphorism

A

A statement of some general principle expressed memorably by condensing to a few words.
eg. ‘Give a man a mask and he will tell you the truth.’

38
Q

Epigram

A

A short poem with a witty turn of thought, or a wittily condensed expression of prose.
eg. Preface for ‘The Painting of Dorian Grey.’

39
Q

Apophasis

A

The declaration you will not define something, then proceed to define it.
eg. I will not define apophasis.

40
Q

Bildungsroman

A

A coming of age story.

41
Q

Ellipses

A

…

42
Q

Gothic

A

Morbid. Overtly dark themes or settings. Usually with a hint of death.

43
Q

Hypen vs Dash

A

Hyphen brings 2 things together, and dashes separate them.

44
Q

Italics

A

Slanty writing. Emphatic writing.

45
Q

Sibilance

A

Repeated ‘s’ sound.
eg. she sold seashells by the seashore.

46
Q

Mimesis

A

To show.

47
Q

Diegesis

A

To tell.

48
Q

High Romanticism - Period

A

1790 - 1850

49
Q

High Romanticism - Movement

A

People
- Wordsworth (The Solitary Reaper)
- Coleridge
- Keats

Definition
- ‘Spontaneous overflow of powerful feeling’ - William Wordsworth
- Away from Enlightenment obsession with reason

Ideals
- Love
- Hope
- Beauty

50
Q

High Romanticism - Style

A
  • Natural analysis
  • Metaphor
  • Hyperbole
  • Odes
  • Sonnet
  • Lyrical ballads
51
Q

Gothic Romanticism - Period

A
  • 1810-1830,
  • 1880-1940
52
Q

Gothic Romanticism - Movement

A

People
- R.L. Stevenson
- Stoker
- Mary Shelly
- Edgar Allan Poe (The Raven)

Definition
- ‘Spontaneous overflow of powerful feeling’ - William Wordsworth
- Away from Enlightenment obsession with reason

Ideals
- Love
- Hope
- Beauty

53
Q

Gothic Romanticism - Style

A
  • Novel
  • Epistolary
  • Grotesque
  • Medievalism
54
Q

The Fantastic/Uncanny - Period

A

1810-1900

55
Q

The Fantastic/Uncanny - Movement

A

People
- ETA Hoffman (Sandman)
- Gogol? (possible, depending on how you interpret ‘The Overcoat’)

Critic
- Sigmund Freud

Definition
- Incredible events can be explained as the products of the narrator’s or protagonist’s dream, hallucination, or delusion.

56
Q

The Fantastic/Uncanny - Style

A

Gothic with a psychological focus

57
Q

Realism - Period

A

1850-1914

58
Q

Realism - Movement

A

Definition
- Away from the idealism of romanticism.
- Towards presentation of others, especially common experience.

People
- Moby Dick
- Tolstoy (The Death of Ivan Ilyich)
- Charles Dickens

59
Q

Realism - Style

A
  • Prose
  • Description
  • Expressive
  • Experience as a time
60
Q

Bush Realism - Period

A

1850-1914

61
Q

Bush Realism - Movement

A

Definition
- Away from the idealism of romanticism.
- Towards presentation of others, especially common experience.

People
- Henry Lawson (The Drover’s Wife)

62
Q

Bush Realism - Style

A
  • Prose
  • Description
  • Expressive
  • Experience as a time
63
Q

Social Realism - Period

A

1890-1914

64
Q

Social Realism - Movement

A

Definition
- Presentation of lives, especially common experiences in social, political or economic circumstances.

People
- Charlotte Perkins Gilman (The Yellow Wallpaper)

65
Q

Social Realism - Style

A

Aims to display the short comings of society in order to compel improvement.

66
Q

Naturalism - Period

A

1870-1914

67
Q

Naturalism - Movement

A

People
- Emile Zola
- Jack London (To Build a Fire)
- Charles Darwin

Definition
- A style and theory of representation based on the accurate depiction of detail.

68
Q

Naturalism - Style

A

Scientific process; determinism as opposed to romanticism, objectivity.

69
Q

Aestheticism - Period

A

1880-1900

70
Q

Aestheticism - Movement

A

People
- Oscar Wilde (Preface, The Picture of Dorian Grey)
- Dante Rosetti
- Whistler

Critic
- Wilde
- William Morris

Description
- Art should be made because art is beautiful
- No other reason is required.

71
Q

Aestheticism - Style

A

Peacocks and a mix of Western and Eastern Styles

71
Q

Aestheticism - Style

A

Peacocks and a mix of Western and Eastern art forms.

72
Q

Impressionism - Period

A

1870-1914

73
Q

Literary Impressionism - Period

A

1880-1920

74
Q

Impressionism - Movement

A

Definition
- Saves painting especially after the invention of photography.

People
- Monnet
- Van Gough (post impressionism)

75
Q

Literary Impressionism - Movement

A

Definition
- A concentration on the perceptions of characters and authors rather than external descriptions.

76
Q

Impressionism - Style

A
  • Sense of movement
77
Q

Literary Impressionism - Style

A

In Prose
- Limited omniscience
- Free indirect style
- Interior focalisation
- Defamiliarisation
- Symbolism

In Poetry
- Physiologies
- Emotional
- Intertextuality
- Experiential
- Fervent
- Short
- Direct

78
Q

Hope is the Thing with Feathers - Emily Dickinson

A
  • 1861 (Period)
  • Transcendentalism (doubt this is going to come up as the ism, don’t worry about remembering it too much)
  • Metaphor and Symbolism (Style)
79
Q

The Solitary Reaper - William Wordsworth

A
  • 1807 (Period)
  • High Romanticism (Movement)
  • Hyperbole and alliteration (Style)
80
Q

The Raven - Edgar Allan Poe

A
  • 1845 (Period)
  • Gothic Romanticism (Movement)
  • Alliteration, internal rhyme, repetition, and onomatopoeia (Style)
81
Q

The Sandman - ETA Hoffman

A
  • 1816 (Period)
  • The Fantastic/Uncanny (Movement)
  • Strongly narrated and generally rewriting mythology, fairytale and literature and devising fantasy worlds (Style)
82
Q

The Overcoat - Nikolai Gogol

A
  • 1842 (Period)
  • Realism or Romanticism (Movement)
  • Conspiratorial, familiar, conversational (Style)
83
Q

The Drover’s Wife - Henry Lawson

A
  • 1892 (Period)
  • Bush Realism (Movement)
  • Determined, contemplative, threatening, lonely, barren, melancholic, suspenseful (Style)
84
Q

The Yellow Wallpaper - Charlotte Perkins Gilman

A
  • 1892 (Period)
  • Social Realism (Movement)
  • Imagery, metaphor, simile, personification, repetition, and connotative diction. (Style)
85
Q

To Build a Fire - Jack London

A
  • 1908 (Period)
  • Naturalism (Movement)
  • Third-Person Omniscient POV (Style)
86
Q

Preface, The Picture of Dorian Grey - Oscar Wilde

A
  • 1890 (Period)
  • Aestheticism (Movement)
  • Metaphor, simile, personification, symbol, exaggeration and parallelism (Style)
87
Q

The Flowers of Evil - Charles Baudelaire

A
  • 1857 (Period)
  • Impressionism (Movement)
  • Symbolism, contrast, and foreshadowing. (Style)
88
Q

The Bet - Anton Checkov

A
  • 1889 (Period)
  • Impressionism (Movement)
  • Concise two-part story structure, ample metaphors and similes, and frequent foreshadowing. (Style)
89
Q

Street Haunting - Virginia Woolf

A
  • 1927 (Period)
  • Impressionism + Art Writing (Movement)
  • People watching, escapism, individuality, urban anonymity (Style)
90
Q

Allegory

A
  • Sustained metaphor
  • ‘the story behind the story’
  • Literal
  • Overt meaning

Literature (1 decks)

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