Drama Flashcards

1
Q

What is theatre for

A

◦To entertain
◦To teach
◦To create the possibility for change in the world.

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2
Q

Define Accent

A

Way of speaking used in a local area or country.

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3
Q

Define Exit

A

To leave the acting area.

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4
Q

Define Articulation

A

Clear pronunciation of words.

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5
Q

Define Audience

A

People watching a drama.

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6
Q

Define Backstage

A

Non-acting area behind the stage.

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7
Q

Define Blackout

A

The acting area is not lit.

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8
Q

Define Body Language

A

Messages given by the position or movement of the body.

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9
Q

Define Cast

A

A collective of actors in a play or movie.

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10
Q

Define Characterisation

A

The process of fully developing a character.

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11
Q

Define Costume

A

Clothes worn by actors for their character.

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11
Q

Define Dialogue

A

A conversation between two or more characters

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12
Q

Define Diction

A

The use of clear speech.

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13
Q

Define Facial expression

A

Look on face which shows emotion.

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14
Q

Define Improvisation

A

Making something up by using whatever is immediately to hand, your own ideas.

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15
Q

Define Monologue

A

A character speaks their thoughts aloud.

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16
Q

Define Mood

A

An atmosphere or feeling.

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17
Q

Define Movement

A

Use of the body as a means of communication

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18
Q

Define Narration

A

Part(s) of the drama are told as a story by a narrator

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19
Q

Define Pause

A

A break in speaking, period of silence.

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20
Q

Define Pace/rhythm/tempo

A

The rate at which the action moves along and the extent to which this changes, such as fast to slow or slow to fast. The drama will be more interesting to watch with changes of pace which can also build up the tension. Pace can refer to the speed changes in movement or with the delivery of lines spoken.

21
Q

Define Performance

A

Presentation of a drama to an audience

22
Q

Define Pitch

A

How high or low the voice is.

23
Q

Define Play

A

Another word for a drama.

24
Q

Define Playwright

A

Person who has written the play

25
Q

Define Plot

A

Storyline of the drama

26
Q

Define Posture

A

Position of the body – how it is held

27
Q

Define Props

A

Short for properties - objects used by an actor.

28
Q

Define Rehearsal

A

Practice or preparation of a drama

29
Q

Define Rhythm

A

Movements which follow a pattern or beat

30
Q

Define Role

A

Part played by an actor / attitude adopted

31
Q

Define Scene

A

Section of a drama, set in one place at one time.

32
Q

Define Script

A

The written words of a drama

33
Q

Define Tone

A

Change of voice to express emotion.

34
Q

Define Volume

A

Loudness or quietness of the voice

35
Q

Why is it so important for actors to be connected to their bodies?

A

It’s the same reason you need to be connected to your voice and your speech. The body is just like a photograph; even in stillness, it can tell a story. Movement ignites the voice, the breath.

36
Q

Why is relaxation important
(Just Read)

A

Relaxation is in the CORE of Acting
Because relaxation is at the core of acting, some method has been devised to make an actor identify where tension is and its causes; there are equally techniques that can be employed to ease this tension.

There is a need to synchronize body, mind, and imagination for an actor to make a character as real as possible, and only when you are in a relaxed state of mind can you pull up such magic.

Relaxation methods and other similar ones are not magic, but you will be able to tap into unwanted tensions in different parts of your body and transform them into useful energy.

37
Q

Why are relaxation techniques important

A

The Goal is to Give You Control
Relaxation techniques, ask you to take a position that you will most likely be in when sleeping becomes necessary, and there you can begin to locate where tensions are very intense. The goal is to give you control and make you a conscious observer in your own reality and equally build a habit of it such that the ability to relax become part of your subconsciousness and eventually becomes something you do with ease even when you are physically and mentally exerted.

38
Q

What type of mood do relaxation techniques put you in?

A

Relaxation puts an actor in a creative mood. Exercises have been designed to do just that, relaxed and concentrated.
Everyone has different gestures, postures, and habits. Not everything has to be the opposite of your natural state, but it is important to realise what your natural state is saying. Body language is so important to our communication.

38
Q

Does movement work have to be strenuous?

A

Movement work doesn’t need to be active or strenuous. In most cases, it is helpful to separate your movement work from fitness work. Any gym activity is about deliberate motions and working against a force to create tension. We are looking to create a relaxed, neutral state.

39
Q

Where are the most common areas of tension

A

Common areas of tension that are holding you back in both your movement and your emotional expression are hips, shoulders, neck, and jaw. Follow this list to cover the major areas:

Hand and forearm
Biceps
Shoulders
Upper back
Neck
Jaw
Upper cheeks and nose
Forehead
Chest
Lower Ribs
Abs
Glutes
Thighs
Knees
Calves
Feet

40
Q

Why is warming up the body important

A

Warming up the body is important because it decreases muscle tension, reduces injury risk and increases the actor’s performance by increasing blood flow to the muscles. The actor’s body will be able to move more quickly, stand for longer periods of time, and recover after the activities/performance. This will also improve breath control which will assist the actor when performing.

41
Q

Name 5 examples of warm-ups

A

Warming-up may include swings, leg bends, circling of arms, jumping-jacks, lunges, squats, walking, jogging, yoga stretches, torso twists, standing bends, knee bends and ankle circling.

42
Q

Why are body checks important and what do they do

A

Body check-ins are important for being ready for performance but also for focus. Being in touch with your body allows you to take control and be prepared for whatever action is required. Your body is your main tool as a performer, and it is VERY important to be in control of it.

43
Q

How do you do a roll down?
(Check Photo)

A

Roll downs are one way of checking in with your body and stretching to release tension to work better as a performer.

Stand with your feet hip-width apart, lengthened spine and shoulders down.

Your arms must hang comfortably at your sides.

Take a deep breath in and draw your tummy muscles towards your spine.

Breathe out and tuck your chin to your chest, letting your shoulders fall forwards and your arms dangle down. Keep your knees slightly bent.

Start to curve your upper back and roll your spine down towards the floor, concentrating on one vertebra at a time.

When you’ve got as far as you can – that might be touching the floor or hands near your knees – tuck your tailbone under and make sure your tummy muscles are still engaged. Take a deep breath in

Breathe out slowly as you roll back up, starting with the lower vertebrae, use your core muscles to re-stack the spine with the head last to come up.

44
Q

What’s The importance of voice

A

It is A tool of effective communication.
The ability to communicate thoughts, feelings, ideas, and facts.

45
Q

What do we use to make sound?

A

We use breath, our larynx (vocal folds) and the organs of articulation (the tip of the tongue, the teeth, the lips, the cheeks) to make sound.

46
Q

Name 5 types of tools of vocal modulation

A

We use tools of modulation (tools to change the sounds) to make them for meaning and create interest.
The tools are:
Pitch
Pace
Pause
Power/Emphasis
Inflection
Tone

47
Q

What does a good voice rely on

A

Good voice relies on the following:
Good, relaxed posture.
Correct breathing and breath control.
Clarity: Projection and articulation
Creating meaning: Pauses, phrasing, emphasis, and pitch, pace and volume.

48
Q

Breath: Why is it important?

A

If the actor is free of tension—centred, breathing freely and deeply, able to support his voice—he will find himself calm, confident, able to concentrate, and connected to what he is saying. His voice will be more resonant and richer in tone, and it will flow more freely and easily. Most importantly, the audience will hear and understand.

49
Q

Just read

A

Regarding breathing and the voice, we must remember that everything is connected. We’re all aware that the systems of the body work together to make us function efficiently. When one system breaks down or malfunctions, it affects all the others. If the body is tense, the alignment, or the “building blocks” of the body, will not be in order. This means that some parts will start working harder or “tense up” in order to balance the body and keep it upright. This added tension restricts and puts stress on our ability to breathe freely, deeply, and in a centred, open way. There will not be enough fuel to support the voice to carry it across a distance. As a result, the voice will emerge breathy and weak, not expressive or energetic.

50
Q

Why is controlling our breath important

A

Controlling the breath is essential to the working actor. If we are able to keep our bodies aligned and released from tensions, we will then be able to breathe more fully and easily; the feelings and thoughts we experience as the character will be more freely expressed and present in our bodies and our voices.