Duffy and Larkin Context Flashcards

(64 cards)

1
Q

What about Duffy’s life may explain her preoccupation with identity?

A

Three- quaters Irish, Born in scotland and brought up predominately in England - which may explain her concern with identity

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2
Q

What happened when Duffy was 6?

A

She moved to stafford and much of her concern with childhood alienation derived from her experience of being uprooted from and moving to a very different culture

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3
Q

What is the significance of the mean time anthology name?

A
  • echo of greenwhich mean time - a universal measure of time -> themes of the poem have universal relevance
  • simply linking all of her poems to the passage of time.
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4
Q

When was Mean time Published?

A

1993

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5
Q

What changes were occurring to education in Duffy’s youth?

A

British state schools had been divided into grammar school which can an academic education to children who passed 11+ and comprehensive schools.

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6
Q

Duffy as a feminist rewrites stories that had deeply embedded anti-female prejudices?

A

Duffy rewrites Havisham, giving a sense of agency and power of her story

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7
Q

What does Zeitgeist mean?

A

Zeitgeist is the spirit , mood or atmosphere of a period of time.
> Cultural References to the 1960s and through capturing the grammar school culture and meritocracy ideal of the 60 Captain could be described as zeitgeist poem.

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8
Q

What is 1960’s Britain associated with ?

A

1960s Britain is associated with a rise in youth , and popular culture , as well as civil rights and protest movements. The 2nd wave of feminism broke out during the 1960s , and was associated with Sexual liberation and freedom.

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9
Q

What are some examples of Duffy’s dramatic monologues ?

A

Havisham , and The Captain of the 1964 Top of the Form team

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10
Q

Did Duffy go to a convent school?

A

St Josephs Convent School and Duffy was raised as a Roman Catholic

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11
Q

What has it been stated that Duffy does to her life and poetry?

A

It has been stated that Duffy uses most of her own life within poetry

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12
Q

Where was Larkin born?

A

In coventry

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13
Q

What was Larkin’s mother and Father like?

A

Father was a more dominant influence, with Eva being quite a nervous, passive person in comparison

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14
Q

What literary trend did Larkin become associated with

A

The Trend became known as ‘the movement’ and it’s desire was to return to traditional forms in verse and avoid the experimentation and obscurity of expression found in much pre-war British poetry.

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15
Q

Arundel Tomb context:

A

The inspiration for ‘An Arundel Tomb’ came during a New Year holiday in early 1956, when Larkin visited Chichester Cathedral with his long-term partner, Monica Jones.

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16
Q

Love songs in age context:

A

the poem was written after a Christmas visit to his widowed mother 10 years this point - his father died when he was young.

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17
Q

Home is so sad context

A

1958, Larkin returned to visit Mum.

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18
Q

Wild oats context

A

Larkin met a woman called Jane Exall (the ‘bosomy English rose’) and her friend, Ruth Bowman (‘her friend in specs ).

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19
Q

Monica Jones

A

when working univeristy leciester her met - lasted until his death. got in a relationship with maeve and mackereth simultaneously with monica jones

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20
Q

what did Amis Larkins friend say about larkin’s perspective?

A

he was one who found the universe a black and hostile and recognised very clearly the disagreeable realities of human life.

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21
Q

Nostalgia in Captain poem

A

Then, he ‘lived in a kind of fizzing hope’, the past-tense phrasing suggesting excitement that was never truly realised. Indeed, his crystal clear recall of the songs, tastes, smells and vivid sights of the past (‘pink pavements/that girls chalked on, in a blue evening’) all contribute to the sense that his present is a flat and nebulous disappointment in comparison.

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22
Q

Unhappiness in captain and miss havisham

A

While the captain of the Top of the Form team and Miss Havisham are made miserable by ‘mean time’ moving on without them,

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23
Q

What was Larkin’s religious belief?

A

Aethist

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24
Q

post war context (larkin)

A

> Increasing urbanisation and the increasing number of industrial centres (due to the new towns act 1946) resulted in the loss of rural England
Larkin used his poetry to portray the changing social climate of the 1950s and elicit a sense of regret/tragedy/lament for the lost countryside

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25
James Naremore - Larkin often comments on contemporary life. #faith healing #sunny prestayn
'Larkin presents himself as a skeptical, less deceived observer of contemporary life'
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Philip Larkin in his diary - Bitter views on marriage. #whitsun wedding #self's the man #talking in bed #love songs in age #afternoons
'Let me remember that the only married state I know (i.e that of my parents) is bloody hell. Never must it be forgotten'
27
Motion - views on deat #ambulances #nothing to be said #take one home for the kiddies #days
"Death, in Larkin's view, is an utterly comfortless blank.
28
Motion - views on Love #love songs in age #wild oats #self's the man #whitsun weddings #talking in bed #arundel tomb
"none of Larkin's poems registers the achievement of complete calm success in love"
29
Martin Amis: views on life
Larkin is anti-life
30
Larkin - Bryan Appleyard
"Larkin is a hopeless and inflexible pessimist"
31
Larkin - on love being stronger than death
" love being stronger than death is a sentiment ... only justifiable if love can stop dying, which, of course, it cannot.
32
Jody Allen-Randolph - Differences between Larkin and Duffy.
'She has an optimistic side that Larkin did not, most visible in her many love poems'
33
Calvin Tomkins - Duffy's aim is to communicate
"With a lot of artists, the mystique is to baffle their readership. She never does that. Her aim is to communicate'
34
Deryn Reese-Jones - Duffy is not a straightforward feminist poet.
Duffy moves beyond 'a straightforward feminist poet' and shows 'the difficulties that patriarchy present to both men and women'
35
Duffy suffering + joy in love #first love #crush #Havisham #disgrace #adultery
"there's a persistent sense in her work that love involves as much suffering as it does joy"
36
Duffy on love poems #first love #crush #Havisham #disgrace #adultery
"challenges and alters power relationships by making women both the subject and object of love poems"
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Duffy - Kathrine Viner #first love #crush #Havisham #disgrace #adultery # pluto #beachcomber #captain
"Duffy's poetry was filled with lost loves and yearning for the past"
38
British council
"writes in everyday conversational language"
39
Rees-Jones / Duffy / Catholicism #Good teachers
"The effects of her Catholic upbringing have been of obvious importance"
40
Booth / Larkin / religion #water #arundel tomb #faith healer
"the laureate of a post-Christian, secular England"
41
McEwan, Duffy - voice #havisham
voice to previously marginalised or silenced figures"
42
Duffy - loss #first love #pluto #havisham
"Tender treatment of the theme of loss"
43
Gordon Brown, Duffy - emotions
stretched our imaginations by putting the whole range of human experience into lines that capture the emotions perfectly"
44
There is a nostalgia for childhood that runs through her poetry
Forbes
45
Woods - Duffy - Time - #havisham #Pluto #Captain?
Duffy explores how time is inevitably cruel
46
Carol Ann Duffy
“The poems in Mean Time are about the different ways in which time brings about change or loss... The effects of time can be mean.”
47
Jane Dowson
“At the heart of Carol Ann Duffy’s poetry is the continual acknowledgment and exploration of the limits of language.”
48
Fowler - Duffy delves into the complexities of infidelity and emotional turmoil. #adultery
“Duffy is openly controversial.
49
Larkin political views:
Larkin held conservative, traditionalist views and was skeptical of social progress, Opposed to radical social change; he mourned the loss of traditional structures and certainties.
50
Larkin views on marriage:
While not overtly critical, Larkin is quietly ironic about modern marriage, viewing it as a loss of individuality and a product of social conformity.
51
How do larkin's political views link to sunny prestatyn?
Implies a disdain for permissive culture and sexual liberalisation
52
How do Larkin's political views link to Mr bleaney?
Mr Bleaney: Could be read as a quiet despair at what post-war modern life and industrialisation has reduced people to,
53
What are Duffy's political views?
Duffy is openly left-wing, feminist, and supports social equality. As the first female and openly LGBTQ+ Poet Laureate, she often uses poetry to challenge power structures.
54
Afternoons context:
> Larkin presents a bleak view of domestic life after the surface-level progress of the post-war welfare state, depicting women are trapped by domestic demands > Larkin’s belief that modern society robs people of agency. > Larkin’s skepticism toward marriage as a traditional institution reflects his disillusionment with the post-war trend of family-first ideology.
55
Self's the man context:
> post-war consumerism was rising, marriage -> a social expectation > colloquial, conversational language and a regular metre to mirror everyday speech. > The poem critiques how life becomes about providing and consuming, rather than real emotional connection. > Larkin’s skepticism toward marriage as a traditional institution reflects his disillusionment with the post-war trend of family-first ideology.
56
Faith healing context:
> even as religious revival movements gained popularity - rise of American-style evangelism and the commodification of emotional experiences > Larkin’s melancholic humanism: he doesn't believe in God, but he knows people desperately want to and find comfort doing so.
57
larkin and death:
> Larkin is often haunted by the inevitability of death — not just as a personal end, but as the erasure of meaning.
58
existential nihilism
The belief that life has no inherent meaning and that death renders all efforts ultimately pointless.
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Larkin's views - existentialism:
Heavily influenced by existentialism, particularly the idea that time exposes the emptiness of human pretensions.
60
How did post war changes affect Larkin's poetry?
> Britain’s post-war government introduced welfare reforms. -> Young mothers benefit from modern comforts and housing, but are depicted as trapped in domesticity. >1950s and early 60s: rise in advertising, mass-produced goods. Larkin critiques this shift as superficial, vulgar, and spiritually hollow. > Though many believed in a better, fairer Britain, Larkin’s tone is often quietly bleak, suggesting that real emotional or spiritual fulfilment remains elusive
61
duffy is openly left-wing, feminist, and supports social equality - how does this relate to love poems
- makes women and their experiences and sexuality the subject of poems, significant in a society with presents female sexuality as taboo - seen as a reclamation of female desire - feminist: give voice to female desire, sexual agency, and emotional complexity. - delves into unconventional forms of love, such as infatuation, crush - presenting female emotional turmoil - psychological realism, portrays love as multi-dimensional - gendered expectations in love and desire, often presenting women who are sexually assertive and emotionally independent,
62
adultery context
could be linked to unfaithfulness she experienced during her relationship with Adrien Henry
63
Duffy and philosphy
Duffy studied philosophy and became particularly interested in Ludwig Wittgenstein. He believed the purpose of philosophy was to find explanations that allowed people to picture the world.
64