E - neu Flashcards

1
Q

Briefing Agencies

Constructing a creative Brief

(Questions to consider)

A
  • background of the job, the strategy
  • the task on this job
  • corporate brand or positioning and the client’s objective for this job
  • target audience: who? what do they feel currently and what do we want them to feel?
  • what is the single-minded proposition and why should the target audience believe it?
  • how should we speak to them?
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2
Q

Briefing Agencies

Process of working with agencies

A
  • company briefs an agency
  • the agency codes a message and delivers it via media to the consumer
  • the consumer decodes the message, a behavior results and the communication success will be delivered to the company
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3
Q

Briefing Agencies

Copy Strategy

A

Positioning:
how should the brand be positioned in the perception room of the consumer?

Consumer Benefit:
why should consumers buy this brand?

Reason why:
which attributes of the product fulfill the promise?

Target audience:
Which target group should be addressed?

Tonality:
Which atmosphere should be transported?

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4
Q

Positioning, Consumer Benefit, and means-end-chains

Type of positioning

A
  • informative (basic benefit; e.g. new products, high involvement)
  • emotional (additional benefit; exchangeable products)
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5
Q

Positioning, Consumer Benefit, and means-end-chains

Trigger of positioning

A
  • new positioning

- re-positioning

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6
Q

Positioning, Consumer Benefit, and means-end-chains

Strategy of positioning

A
  • differentiation

- me too

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7
Q

Positioning, Consumer Benefit, and means-end-chains

Consumer Benefit

Benefits

A
  • Product = bundle of attributes
  • expected value: benefit = sum of partial value of attributes * likelihood
  • purchase intention: maximize the expected value
  • benefit -> degree of need fulfillment
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8
Q

Positioning, Consumer Benefit, and means-end-chains

Maslows Hierarchy of need’s

A
  • Physiological needs (water, food, sleep, …)
  • safety and security (safety in all aspects of life)
  • social needs (friendship, family)
  • esteem (self-esteem, confidence, achievement)
  • self actualization (creativity, problem solving, authenticity, spontaneity)
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9
Q

Positioning, Consumer Benefit, and means-end-chains

Ladder of benefits

A

Benefit

  • > functional (basic benefit) and symbolic benefit (additional benefit)
  • > symbolic benefit: social (prestige benefit) and individual (emotional benefit)
  • > individual benefit: performance (achievement benefit) and value (confidence)
  • > …
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10
Q

Positioning, Consumer Benefit, and means-end-chains

Means End Theory

Means End chaining
+ components of this theory

A

The attributes (means) of a product create consequences (means) and the consequences satisfy the needs and values of the customer (ends).

Attributes: The features or aspects of the advertised brands

Consequences: What consumers hope to receive (benefits) or avoid (detriments) when consuming brands

Values/Needs: Represent those enduring beliefs people have about what is important in their life

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11
Q

Positioning, Consumer Benefit, and means-end-chains

MECCAS Model

Components

A
Value Orientation
Brand Consequences
Brand attributes
Creative Strategy
Leverage point
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12
Q

Positioning, Consumer Benefit, and means-end-chains

MECCAS Model

Value Orientation
Brand Consequences
Brand attributes
Creative Strategy
Leverage point
A

Value Orientation:
- end level (value) to be focused on in the advertising

Brand Consequences:
- positive consequences or benefits of using this brand, that the ad visually/verbally communicates to consumers

Brand attributes:
- the brand’s specific attributes/features that are communicated as a means of supporting the consequences of the brand

Creative Strategy:
- overall scenario for communicating the brand

Leverage point:
-value orientation and the manner (leverage point) by which the ad will tap into/reach/activate the key value that serves as the ad’s driving force

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13
Q

Positioning, Consumer Benefit, and means-end-chains

Laddering Method for determining means end chains

A
  • Objective: identifying the relations between attributes, consequences (the means) and values (the end)
  • Assumption: Hierarchy of relations; lower levels imply presence of higher levels
  • Method: in-depth, one-to-one interviews using „why“-questions
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14
Q

Alternative Styles of creative Advertising

Functional Orientation

Unique Selling Proposition

A
  • advertiser claims are based on the superiority of a product attribute. This attribute is unique and represents a meaningful and distinctive consumer benefit
  • this strategy is most useful when the point of difference cannot be readily matched by competitors
  • it may force competitors to imitate or choose a more aggressive strategy
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15
Q

Alternative Styles of creative Advertising

Symbolic/Experiential Orientation:

Brand Image Strategy

A
  • claims are based on psychosocial differentiation and symbolic association
  • a brand is given a distinct identity or personality, particularly in homogeneous product categories
  • most often prestige claims; rarely challenges competition directly
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16
Q

Alternative Styles of creative Advertising

Symbolic/Experiential Orientation:

Transformational Advertising

A

= brand image advertising

  • associates the brand with unique set of psychosocial characteristics with which it would not be typically associated to the same degree without the ad
  • causes brand usage with particular experience that differs from similar brands
17
Q

Alternative Styles of creative Advertising

Symbolic/Experiential Orientation:

Resonance Strategy

A
  • campaign that resonates/reflects the audience’s life experiences and dominant consumer values and lifestyle orientation
  • attempts to match „patterns“ in an ad with the target audience’s stored experiences
18
Q

Alternative Styles of creative Advertising

Symbolic/Experiential Orientation:

Emotional Strategy

A
  • tries to reach consumers at visceral level (deep level)
  • plays on both positive and negative emotions (e.g. romance, nostalgia, compassion, fear, …)
  • especially for product categories naturally associated with emotions (cosmetics, fashion, …)
19
Q

Alternative Styles of creative Advertising

Category-dominance Orientation

Generic Strategy

A
  • straight product/benefit claim with no statement of superiority or differentiation
  • most appropriate for brands that dominate or wish to be synonymous with a product category
20
Q

Alternative Styles of creative Advertising

Category-dominance orientation

Pre-emptive Strategy

A
  • generic claim with assertion of superiority

- used in product categories with few functional differences among brands