Early Modern Literature – Drama & Theatre Flashcards

1
Q

The Playing Companies - Importance of Patronage for the theatre

A
  • secured the actors’ legal status
  • social esteem of the company
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2
Q

Elizabethan acting companies

A
  • usually consisting of 14-16 men
  • all the roles played by men
  • plays were sold to the companies which then hold the play rights → not much money made out of writing plays → Shakespeare made his money of being a shareholder of its company and theatre
  • huge repertoire
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3
Q

Public Theatres

A
  • e.g. The Theatre → first
    permanent theatre; The Globe
  • Inn-yard theatres
  • stage was surrounded by the
    audience
  • Plays performed during the
    afternoon
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4
Q

Private Theatres

A
  • Blackfriars
  • Indoor theatre, forms of illusion, scenary
  • Prices were higher (starting
    with half a shilling)
  • Other forms of plays possible:
    masques
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5
Q

The Stage

A
  • not relying on theatrical illusions, no stage props, scenery made through dialogue, audience
    has to use their imagination
  • balcony → balcony scenes, orchestra
  • roof → heavens → symbolical roof, referring to Christian heaven
  • trapdoor in the middle of the stage → underworld
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6
Q

The “University Wits”

A
  • Christopher Marlowe, John Lyly, Thomas Lodge, George Peele, Robert Greene, Thomas
    Nashe, Thomas Kyd
  • Playwrights educated at the universities of Cambridge and Oxford who wrote for the
    Elizabethan popular stage
  • merged the traditional popular forms with traditional classical forms → merged popular with
    humanist education
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7
Q

William Shakespeare (1564-1616)

A

-playwright, actor, shareholder of his company

  • 42 plays (including
    collaborations)
  • The sonnets
  • Venus and Adonis
  • The Rape of Lucrece
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8
Q

Shakespeare: Comedy: Twelfth Night

A
  • last of the so-called happy comedies
  • on the verge of being a problem play → dark themes even though it’s a comedy

Main Themes:
* Confusion of identities
* Epiphany → manifestation and revelation of God in human form
* Deception and self-deception
* elements of tragedy

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9
Q

Tragedy: King Lear

A
  • concerned with transition and an ensuing crisis → transition can
    take many forms → political & social background → Early Modern period, still a transition from an old political system to a new one; from an old religion to a new one; from feudal
    system to new pragmatical order
  • once the catastrophe has occurred → completely disillusioned world → entire play can be seen as an expression of the fear and anxiety characterising this period / from the
    Elizabethan reign to a new reign
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