English Comp Test Flashcards

1
Q

Ambiguity


A

When a word, phrase, or statement has more than one meaning or interpretation. Example: “The bark was painful” could refer to the sound of a dog barking or the rough exterior of a tree

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2
Q

Analogy


A

A comparison between two things, typically for the purpose of explanation or clarification. Example: “Life is like a box of chocolates; you never know what you’re gonna get.”

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3
Q

Anaphora


A

The repetition of a word or phrase at the beginning of successive clauses or sentences. Example: “We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets…”

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4
Q

Anastrophe


A

The inversion of the usual order of words for emphasis or poetic effect. Example: “Patience I lack” instead of “I lack patience.”

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5
Q

Antithesis


A

The contrast or opposition between two things. Example: “It was the best of times, it was the worst of times…”

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6
Q

Apostrophe


A

When a speaker addresses someone or something that isn’t present or alive. Example: “O Death, where is thy sting?”

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7
Q

Catalogue


A

A list of items or people, often used for poetic or rhetorical effect. Example: “She packed her bags: shoes, dresses, hats, scarves…”

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8
Q

Chiasmus


A

A reversal in the order of words in two otherwise parallel phrases. Example: “Ask not what your country can do for you, ask what you can do for your country.”

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9
Q

Conceit


A

An extended metaphor comparing two very dissimilar things. Example: “Love is a battlefield.”

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10
Q

Consonance


A

Repetition of consonant sounds within or at the end of nearby words. Example: “The boat floats on the moonlit moat.”

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11
Q

Diction


A

The choice and use of words and phrases in speech or writing. Example: The poet’s diction was simple yet powerful, using words like “gleaming” and “gentle.”

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12
Q

Dramatic Monologue


A

A poem in which a single character speaks to a silent listener, revealing their thoughts and feelings. Example: In the forest, the ancient oak whispered its secrets to the passing breeze.

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13
Q

Elegy


A

A poem mourning the loss of someone or something. Example: The sunset cast a solemn hue over the landscape, as if nature itself were mourning the passing of the day.

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14
Q

End rhyme, internal rhyme


A

End rhyme occurs at the end of lines, while internal rhyme occurs within lines. Example of end rhyme: The cat sat on the mat, wearing a hat. Example of internal rhyme: I wandered lonely as a cloud.

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14
Q

End-stopped lines


A

Lines of poetry that end with punctuation, creating a pause. Example: The river flowed gently, its waters clear and calm.

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15
Q

Enjambment


A

The continuation of a sentence or clause from one line of poetry to the next without a pause. Example: The sun set behind the mountains, painting the sky in shades of pink and gold.

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16
Q

Epigram


A

A short, witty poem or saying expressing a single thought or observation. Example: “I can resist everything except temptation.” - Oscar Wilde

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17
Q

Euphony


A

The quality of being pleasing to the ear, achieved through the use of harmonious sounds. Example: The gentle rustle of leaves in the breeze created a sense of euphony in the forest.

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18
Q

Free verse


A

Poetry that does not follow a regular meter or rhyme scheme. Example: The poet’s words flowed freely, unrestricted by the constraints of form or structure.

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19
Q

Heroic couplet


A

A pair of rhymed lines in iambic pentameter. Example: The knight rode forth into the fray, With sword in hand and heart so brave.

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19
Q

Image


A

A word or phrase that appeals to the senses, creating a mental picture. Example: The scent of roses filled the air, mingling with the sound of distant laughter.

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20
Q

Imagery


A

The use of vivid language to create mental images or sensory experiences. Example: The waves crashed against the shore, their foam sparkling in the sunlight.

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21
Q

Line length


A

The number of metrical feet or syllables in a line of poetry, such as monometer, dimeter, trimeter, tetrameter, pentameter, hexameter, etc.

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22
Q

Masculine rhyme

A

When the rhyme falls on a single stressed syllable. Example: “light” and “night.”

23
Q

Iamb (iambic)


A

A metrical foot consisting of one unstressed syllable followed by one stressed syllable. Example: “To-DAY.”

24
Q

Feminine rhyme


A

when the rhyme falls on the last two or more syllables, with the stress on the penultimate syllable. Example: “ending” and “bending.”

24
Q

Anapest (anapestic)


A

A metrical foot consisting of two unstressed syllables followed by one stressed syllable. Example: “un-der-STAND.”

25
Q

Trochee (trochaic)


A

A metrical foot consisting of one stressed syllable followed by one unstressed syllable. Example: “WIN-ter.”

26
Q

Pyrrhic


A

A metrical foot consisting of two unstressed syllables. Example: “to the.”

27
Q

Dactyl (dactylic)


A

A metrical foot consisting of one stressed syllable followed by two unstressed syllables. Example: “MER-ri-ly.”

28
Q

Spondee (spondaic)


A

A metrical foot consisting of two stressed syllables. Example: “HEART-BEAT.”

29
Q

Common meter


A

A hymn meter consisting of alternating lines of iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), usually in a rhyming pattern of ABAB or ABCB.

30
Q

Short meter


A

A hymn meter similar to common meter but with the second and fourth lines in iambic trimeter, creating a rhyming pattern of ABAB.

31
Q

Long meter


A

A hymn meter in which all lines are in iambic tetrameter, typically with a rhyming pattern of ABAB.

32
Q

Ode


A

A lyrical poem typically expressing praise or celebration of a person, event, or object. Example: “Ode to Joy” by Friedrich Schiller.

33
Q

Onomatopoeia


A

Words that imitate or suggest the sound they describe. Example: “Buzz” and “hiss.”

34
Q

Ottava rima


A

A stanza of eight lines in iambic pentameter, typically used in epic poetry. Example: Lord Byron’s “Don Juan.”

35
Q

Prosody


A

The study of meter, rhythm, and intonation in poetry. Example: The prosody of Shakespeare’s sonnets is known for its iambic pentameter.

36
Q

Persona


A

The voice or character speaking in a poem, separate from the poet. Example: Robert Browning’s “My Last Duchess.”

37
Q

Refrain


A

A repeated line or phrase in a poem, typically at the end of each stanza. Example: “Quoth the Raven, ‘Nevermore’” in Edgar Allan Poe’s “The Raven.”

38
Q

Rhyme royal


A

A seven-line stanza in iambic pentameter with a rhyme scheme of ABABBCC. Example: Chaucer’s “Troilus and Criseyde.”

39
Q

Riddle


A

A puzzling question or statement requiring thought or creativity to solve. Example: “What has keys but can’t open locks? A piano.”

40
Q

Satire


A

A literary work that uses humor, irony, or exaggeration to criticize or mock society. Example: Jonathan Swift’s “A Modest Proposal.”

41
Q

Sestina


A

A complex poetic form consisting of six six-line stanzas followed by a three-line stanza, all using the same six end words in different order. Example: Elizabeth Bishop’s “Sestina.”

42
Q

Sonnet (English or Shakespearean)


A

A 14-line poem with a specific rhyme scheme, typically iambic pentameter. Example: Shakespeare’s Sonnet 18, “Shall I compare thee to a summer’s day?”

43
Q

Stichic Verse

A

Continuous verse, with lines following one after another without stanza breaks. Example: Paradise Lost by Milton

44
Q

Sonnet (Italian or Petrarchan)


A

A 14-line poem with a specific rhyme scheme and two parts: an octave followed by a sestet. Example: Petrarch’s Sonnet 18, “Chiare, fresche et dolci acque.”

45
Q

Strophic verse

A

Organized verse into stanzas. Example: Hymns.

46
Q

Stress


A

The emphasis placed on a syllable in pronunciation. Example: In “banana,” the stress falls on the second syllable.

47
Q

Stanza


A

A group of lines forming the basic recurring metrical unit in a poem. Example: A quatrain is a stanza of four lines.

48
Q

Synaeresis


A

The merging of two adjacent vowels or syllables into one. Example: “Fire” pronounced as one syllable instead of two.

48
Q

Substitution


A

The replacement of one metrical foot with another in a line of poetry. Example: Trochee substitution in iambic pentameter.

49
Q

Syncope


A

The omission of one or more sounds or letters from the middle of a word. Example: “Ne’er” instead of “never.”

50
Q

Terza Rima


A

A verse form consisting of tercets in iambic pentameter with an interlocking rhyme scheme. Example: Dante’s “Divine Comedy.”

51
Q

Tone


A

The attitude or mood conveyed by a literary work. Example: The tone of Edgar Allan Poe’s “The Tell-Tale Heart” is dark and suspenseful.

52
Q

Villanelle


A

A 19-line poem with a specific rhyme scheme and repeating lines. Example: Dylan Thomas’s “Do not go gentle into that good night.”

53
Q

Voice


A

The distinctive style or personality of a writer or narrator in a literary work. Example: The voice of Holden Caulfield in J.D. Salinger’s “The Catcher in the Rye.”

54
Q

Wit


A

Cleverness and humor in writing, often involving wordplay or unexpected connections. Example: Oscar Wilde’s “The Importance of Being Earnest” is known for its witty dialogue.