ethics Flashcards

(65 cards)

1
Q

a form of melodramatic serialized fiction and aired in the Philippines

A

Teleserye or Telenovela

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2
Q

soap operas in the in the Philippines originates in radio, then it expanded into television in early 1960s.

A

Timeline

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3
Q

genre of teleserye which mixes soap opera, fantasy, myth, magic and enchantment.

A

Fantaserye

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4
Q

a popular plot of a teleserye is a love story between two different individuals,

A

Storyline

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5
Q

usually focus on love, betrayal, jealousy, social status, and revenge between characters.

A

Teleserye

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6
Q

among the most common twists in the romance between couples is that they will find out that they were brothers and sisters, but in the end they will also find out that they were not siblings because one of them is an adopted child.

A

Twist

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7
Q

are created to make the life of the protagonists especially miserable.

A

Villains

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8
Q

the story usually ends, with the villains meeting spectacularly violent, gruesome, painful, and gory end.

A

Ending

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9
Q

common love stories were renovated like having son or daughter to make the protagonist easier to return their past.

A

Storyline

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10
Q

is a form of art comes from the Greek word mousike by way of Latin musica.

A

Music

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11
Q

the datus and rich people sit together. The going bands start to perform in front of them. Wooden percussion sound the whole room while a Tagalog jingle is sung.

A

Prehistoric Music

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12
Q

first gained popularity in the early part of the Spanish period. Its influence from folk music of Spain and the Mariachi sounds of Mexico.

A

Harana

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13
Q

Traditional form of courtship music in which a man woos a woman by singing underneath her window at night.

A

Harana

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14
Q

is a genre of melodramatic and sentimental songs which are fit for serenades.

A

Kundiman

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15
Q

consists of the pear-shaped piccolo bandurria, bandurria, and la-ud, and the guitara shaped octavina and mandola, guitara, and bajo de unas (which has been supplanted by the
double bass)

A

Rondalla

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16
Q

The United States occupied the islands in 1898 until 1935 and introduced American blues, folk. R&B and rock and roll became popular.

A

North American Influence

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17
Q

is one of the most diverse type of music genre.

A

Rock

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18
Q

is often characterized and associated with rebellious behavior. And because of this mostly the patronizes of this type of music genre are the younger generations and those that were young during the first emergence of rock here in the Philippines.

A

Rock

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19
Q

most notable achievement in Filipino rock was the hit song “Killer Joe,” which propelled the group “Rocky Fellers” to Number 16 on the American radio charts

A

1960

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20
Q

rock music began to be written using local languages, bands like the Juan de la Cruz Band being among the first popular bands in the Philippines.
- Mixing Tagalog and English lyrics were also popularly used written the same song

A

1970

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21
Q

Filipino rock musicians added folk music and breakthrough success Of Freddie Aguilar’s “Anak”, his debut recording.

A

1978

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22
Q

Rock music became the music of Filipino protesters, and Aguilar “Bayan KO” became especially popular as an anthem during the 1986 EDSA Revolution. In Manila,

A

1980

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23
Q

saw the emergence of superstar pop rock group Eraserheads, considered many as the greatest Filipino artist of all time.

A

1990

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24
Q

broad genre of literature that is written in paragraph
-expression that does not have a regular rhythmic pattern.

A

Pros

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25
refers to the time and locale of the story
Setting
26
the characters are categorized into principal and supporting characters.
Characters
27
characters that change their traits as the story progresses
dynamic
28
characters that remain the same throughout the story
static
29
or the hero is the main character around whom the story revolves. A good hero or heroine
Protagonist
30
or the villain is the main or the supporting character who opposes the protagonist.
Antagonist
31
supporting character who serves as a contrast to the hero but does not necessarily oppose him.
Foil
32
is the supporting character upon whom the protagonist confides. - He is the sidekick of the hero; he is a constant companion of the hero and knows almost everything about the hero.
Confidant/e- or confidante
33
are those characters who provide reality to the story by their mere presence.
Background Character
34
is an absent character even in his absence, affects the development of the story.
Unseen Character
35
idea or concept of the author expressed in a concise statement.
Theme
36
is the chronological sequence of events in the story.
Plot
37
the first part of the plot, the exposition introduces the setting and the characters of the story. It is also called the introduction or status quo.
Exposition
38
are those incidents that lead to the complication.
Rising Incidents
39
the longest part of the narrative, in which the conflict develops.
Compilation
40
the problem of the Story
Crisis
41
the highest point of the story, during which the readers know how the conflict will be resolved
Climax
42
part of the plot in which the conflict is resolved.
Denouement or Resolution
43
incidents that lead to the conclusion. Shorter than the rising action, the falling action may still have some suspenseful moments
Falling Incident
44
last part of the story's plot. It gives the story some finality.
conclusion
45
the motivating, driving force that involves both characters and readers in the narrative.
conflict
46
exists when the protagonist and the antagonist are opposed to each other- Known as "man versus man conflict
social conflict
47
occurs when the protagonist struggles against physical forces such as natural calamities, illnesses
Physical Conflict
48
exist when the protagonist fights super natural beings such as gods and goddesses, vampires, werewolves, elves, fairies and the like. Man vs Supernatural beings
Metaphysical conflict
49
Personal of internal conflict occurs when the character experiences a dilemma.
Personal or Internal of Psychological Conflict
50
is the a of narration. The frame of reference the author takes in telling the story is either first person or third person (omniscient. objective. or selective).
Point of view
51
is the first person or the “l" point of view. The narrator is either the principal character of any of the supporting characters who reports his experiences to the reader.
Autobiographical Point of View
52
is employed by the author when the narrator does not take part in the story, but as an all-knowing (omniscient) observer,
Omniscient Third-Person Point of View
53
used by the 'writer when the narrator does not take part in the story. but reports objectively the events in the story. He states only what he observes, that is, the speech and actions of the characters, and not their thoughts and emotions.
Objective Third-Person Point of View
54
narrator does not take part in the Story, but he knows the speech, actions, thoughts, and emotions of some characters and reports them
Selective Third-Person Point of View
55
the emotional climate inherent in the story. It can be tragic, angry, humorous, pathetic, condemning, condescending, accusing, satirical, cynical, romantic, sympathetic, etc.
Tone
56
is either the psychological environment of the predominant tone or mood of literary piece.
Atmosphere
57
works are classified into fiction, drama, and essay.
Prose
58
the counterpart of narrative poetry, fiction includes prose works that tell a story. It is classified into short stories, novels, and novelettes.
Fiction
59
is a narrative prose that has about 50 pages or more, multiple setting, many characters (20 or more) a plurality Of themes, and a complicated plot.
Novel
60
is a short novel. It is a narrative prose intermediate between a novel and a short story.
Novelette
61
the counterpart of dramatic poetry, a drama or play is a narrative prose intended to be performed on stage.
Drama
62
is a drama that is intended to be read, not to be staged or performed
Closet Drama
63
the counterpart of lyric poetry, an essay is a prose work dealing with a single subject, usually representing the writer’s personal experience and outlook
Essay
64
an essay which has for its subject matter "highbrow" topics such as findings, societal problems, religious conflict, etc.
Formal Essay
65
an essay which has for its subject matter topics that are light or familiar such as pencils or waiting for a ride. Its language may be colloquial or even slangy.
Informal Essay