Exam 1 Flashcards

1
Q

Boethius characterized music the human body and soul as

A

Musica Humana

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2
Q

In Ancient Greece only the elite high society would participate in Music Competitions

A

False

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3
Q

The Treatise by Martinus Capella puts music in the Quadrivium with Math and Science

A

True

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4
Q

The instrument that is linked to Apollo, God of Light, Learning and the Arts

A

Lyre

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5
Q

Greek Philosopher that believed that music should be part of music education due to the power of Ethos

A

Aristotle

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6
Q

The first known composer was a female

A

True

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7
Q

The Greek Double Reed Instrument linked to Dionysus, God of fertility and wine (and that makes the performer look like a Walrus)

A

Aulos

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8
Q

What is the Roman Name of the Greek Aulos

A

Tibia

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9
Q

Choose the 4-5th Century Church Father that FEARED the Power of Music had over him

A

St. Augustine

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10
Q

The belief that music could alter a person’s behavior is called

A

Ethos

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11
Q

Pythagoras is the Greek Mathematician Responsible for noting the numeral Relationships on Intervals

A

True

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12
Q

The Greek Philosopher that believed that too much music makes one weak and irritable

A

Plato

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13
Q

The Harmony of the Spheres is the belief that the Planets in the Solar System create unheard music in their Rotations

A

True

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14
Q

The Bull Lyre is used for SECULAR Activities

A

False

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15
Q

Which Type of Chant includes Iconographic Images of a Pope being Visited by a Dove (God) and Transcribing the Music

A

Gregorian Chant

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16
Q

Diastemic

A

intervallic

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17
Q

Tetrachord

A

diatonic, chromatic, enharmonic

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18
Q

Ancient Rome Instruments

A

Tibia, Tiba, Cornu and Buccina

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19
Q

What are the four types of chant?

A

Byzantine, Ambrosian (Milan), Gregorian, Old Roman

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20
Q

What are neumes?

A

Early note heads

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21
Q

Tenor means?

A

to hold

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22
Q

Motet

A

word; 13th century

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23
Q

Polyphony was a part of the

A

12-13th century

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24
Q

Cantus Firmus

A

pre-existing melody

25
Q

What country is the birth of Polyphony?

A

France

26
Q

When is the first time we see Time Signature?

A

14th Century

27
Q

Harmony of the spheres

A

the unheard music created by the planets and heavenly bodies, from Plato- Modern Astronomy

28
Q

Conjunct

A

the tetrachords share a note

29
Q

Disjunct

A

the tetrachords are separated by a whole tone

30
Q

Mese

A

the middle note

31
Q

Proslanbanemenos

A

extra note at the bottom

32
Q

Synagogues

A

center for reading and homilies

33
Q

Sacrifice

A

Ritual sacrifice of an animal (lamb) accompanied by psalms, such by priests

34
Q

Psalms

A

sung poems of praise from the Hebrew Book of Psalms

35
Q

Cantillation

A

melodic formulas for sacred text

36
Q

Insturments

A

trumpets and cymbals

37
Q

Musica Mundana

A

music of the universe: stars, planets, seasons

38
Q

Music Humana

A

human body and soul

39
Q

Musica Instrumentalis

A

instrumental and vocal music, outside the body

40
Q

Who are the church fathers?

A

St. Basil, St. Augustine, St. Jerome, and St. John Chrysostom

41
Q

What are some of the Medieval Instruments?

A

Vielle (fiddle), Hurdy-gurdy, Psaltery, Transverse flute, Shawm, Medieval Trumpet, Pipe and tabor, Organ

42
Q

Carole

A

Circle Dance from France (12th-14th Centuries)

43
Q

Estampie

A

French Dance in triple meter, popular in the 13th-14th centuries

44
Q

What musicians are at Court (Secular)?

A

Bards, Jongleur, Minstrel, Troubador, Trouvere, Minnesinger

45
Q

Organum

A

2 (or more) voices singing different notes

46
Q

Parallel Organum

A

voice move in parallel motion, avoid the tritone

47
Q

Mixed/Oblique Organum

A

avoid the tritone (DRONE)

48
Q

Free Organum

A

“note against note”; organal voice is above P4, P5, or P8ve

49
Q

Aquitanian Polyphony

A

Florid; organal voice is florid 1-3 note for each lower note

50
Q

Notre Dame Polyphony

A

Longs and Breves, Modal rhythm (Discant)

51
Q

Pure Organum

A

Organum Duplum

52
Q

Triplum

A

3 voice

53
Q

Quadruplum

A

4 voice

54
Q

Substitute clasulae

A

sections of organum, in discant style replace old sections to create coherence to an extended passage

55
Q

Hocket

A

“hiccup” two voices alternate, trade figures, while the other rests

56
Q

Musica Ficta

A

“feigned music”, unwritten accidentals, avoids tritone, at cadences

57
Q

Virelais

A

A bba A bba A bba A; monophonic

58
Q

Rondeaux

A

AbaAabAB; polyphonic; 4 voice: triplum with cantus (text), tenor and contratenor

59
Q

Ballades

A

aabC, polyphonic