Exam 1 Flashcards

1
Q

Relief Printing

A
  • Flexographic or letterpress
  • raised rubber, plastic, wood or metal
  • Plastic Bags and six uses (separate card)
  • Johann Guttenberg, 1450
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2
Q

Intalgio Printing

A
  • Roto Gravure
  • Sunken Cylinder
  • More than one million impressions, high quality magazines, packaging, fake wood
  • Karl Kleach, 1875
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3
Q

Screen Printing

A
  • Silk Screen/Seriography
  • Stencil
  • T-shirts, irregularly shaped objects
  • Created in the orient, 1300’s
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4
Q

Lithographic

A
  • Offset/”Stone writing”
  • Uses a flat plate that one part like H2O and ink
  • Business cards, memo pads, textbooks
  • Alois Senefelder, 1798
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5
Q

Elctrostatic

A
  • Digital/non-impact
  • Drum that is positively charged, negatively charged ink
  • Xerox, quick copy
  • Chester Carlson, 1937
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6
Q

Sequence of all Print Jobs

A

1) Image Design
2) Image Generation
3) Image Conversation
4) Image Assembly
5) Image Carrier Preparation
6) Image Transfer
7) Finishing

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7
Q

Six Type Classifications

A
  • Roman (Serifs)
  • Sans Serif
  • Square Serif
  • Text (Old english, capital letters are hard to read)
  • Script (Cursive)
  • Occasional/Novelty
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8
Q

Letterpress Applications

A

1) Perforating
2) Creasing and Scoring
3) Embossing
4) Die Cutting
5) Hotfoil Stamping
6) Numbering

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9
Q

Process Colors

A

Red
Magenta
Yellow
Black

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10
Q

PMS Color

A

Pantone Matching System: a universal method for specifying and mixing colors.

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11
Q

Spot Color

A

The inks purchased or mixed for a certain job. ..mixed to match a color submitted specifically by the designer

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12
Q

Fake Color

A

A one-color reproduction printed on a color sheet.

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13
Q

Line Copy

A

Composed entirely of lines

ex. sketches

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14
Q

Continuous Tone Copy

A

Consists of images in a variety of tones

ex. photograph

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15
Q

Type Font

A

A collection of type of the same style and size

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16
Q

Type High

A

The distance from the feet of to the paper. .918 inch

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17
Q

Em Quad

A

The basic unit of spacing material in each font. Also known as a mutton quad. It is the point size squared.

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18
Q

En Quad

A

Two en quads, or nut quads, put together equal the dimension of one em quad.

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19
Q

Leading

A

Space between lines

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20
Q

GUI

A

Graphical User Interface: Released in 1983 through Apple’s Lisa and revolutionized the computer user’s experience

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21
Q

PDF

A

Portable Document Format

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22
Q

PPI

A

Pixels Per Inch

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23
Q

LPI

A

Lines Per Inch

24
Q

DPI

A

Dots Per Inch

25
ROM
Read-Only Memory
26
RAM
Random Access Memory
27
Subtractive Ink
CMY - Reflective (needs white paper) - Filters unwanted colors
28
Additive
RGB - Transmissive (needs active light) - On monitors
29
Vector
- An object oriented illustration - Made up of mathematically described paths - Resolution independent
30
Raster
- Created in paint like software - Picture based (pixels) - Resolution dependent (Will get fuzzy)
31
Type Allignment
Right Left Center Justified
32
Type Family
Made up of a letterform that have similarities - ex. Times New Roman - Bold, Italic, etc.
33
RIP
Rastor Image Processing
34
Printer's Measurements
72 Point = 1 Inch 6 Picas = 1 Inch 12 points = 1 Pica
35
Tint Screen
A tint that breaks solid areas into uniform series of dots. % of dotes for line copy.
36
Halftone Screen
Uses dpi, lpi, ppi. For continuous color
37
Surprint
Reproduced as solids | -AKA: Overprints
38
Reverse
Reproduced as open areas
39
Bleed
A design that extends the image to the end of a page
40
Rough
Provides all the necessary printing information
41
Final or Mechanical
A camera ready layout made from detailed information on the rough
42
Dummy
A blank press sheet that is identical in size to the paper that will be used for the job is folded in the order that it will be folded after the press run
43
Formal Balance
Places identical visual weight on the top, bottom and sides of the visual center
44
Informal Balance
Images that create a sense of visual balance around a visual center because of their sizes, weights and positions.
45
Subjective Balance
Designers have complete freedom with image positions, but they still strive for visual balance
46
Set Solid
Typeset without leading
47
2/3rds rule
The height of a typeset character is approximately two-thirds its specified point size.
48
Dominance
Refers to the main purpose of a printed piece, to communicate a message
49
Unity
Connects all of the design functions together
50
Proportion
Concerned with size relationships
51
Actual Center
Mathematical center
52
Optical Center
Just above the mathematical center
53
"x" height
The distance from the base line to the top of the lowercase letter x. -AKA Body height
54
Stroke
The thickness or weight of the lines that form a character
55
Stress
The slant of the character
56
Serif
The small strokes that project out from the top or bottom of main letter strokes