exam 1

Question 1

Answer 1

Woman from Willendorf,

Austria,

Paleolithic,

Question 1

Answer 1

Spotted Horses and Human Hands,

Pech-Merle, France,

Paleolithic,

used natural surroundings as part of the “artwork”

Question 1

Answer 1

Hall of Bulls,

Lascaux, France,

Paleolithic, p. 10

Chapter 1: Prehistoric Art

Question 2

Answer 2

Stonehenge,

England,

Neolithic,

burial grounds and healing and calendar/farming

Question 3

Answer 3

Carved Vase,

Sumerian,

Iraq,

levels of importance: bottom = least important, high = important; scale of importance in society

Question 4

Answer 4

Great Lyre with Bull’s Head and Front Panel,

Sumerian,

Iraq,

Question 5

Answer 5

Ziggurat dedicated to Moon God,

Sumerian,

Iraq,

artificial/metaphorically a mountain (life support: natural falls/springs)

Question 6

Answer 6

Stele of Naram-Sin,

Akkadian,

Iraq,

importance of mountain and overall stele as a mountain (mountain = life, waterfalls, springs)

Question 7

Answer 7

Stele of Hammurabi,

Babylonian,

Iraq,

importance of scriptures

Question 8

Answer 8

Assurbanipal and His Queen in the Garden,

Assyrian,

Iraq,

celebrating victory, placed in his palace, speaks of leadership and military of his

Question 9

Answer 9

Palette of Narmer,

Early Dynastic Egypt,

upper and lower egypt combined

Question 10

Answer 10

Step Pyramid and Funerary Complex of Djoser by Imhotep,

Old Kingdom Egypt,

Question 11

Answer 11

Pyramids of Giza,

Old Kingdom Egypt,

Question 12

Answer 12

Menkaure and Queen,

Old Kingdom Egypt,

Question 13

Answer 13

Seated Scribe,

Old Kingdom Egypt,

Question 14

Answer 14

Hatshepsut Kneeling,

New Kingdom Egypt,

female (whom requested to preists to be called pharo), offering to gods, artificial beard

Question 15

Answer 15

Akhenaten and His Family,

New Kingdom Egypt,

during his reign he created a new religion of one god (which is the sun represented on the stone) instead of many, like the previous pharos did

Question 16

Answer 16

Funerary Mask of Tutankhamun,

New Kingdom Egypt,

Question 17

Answer 17

Temple of Ramses II,

Abu Simbel (in nubia),

New Kingdom Egypt,

political message of his conquers, most powerful of all pharos

Question 18

Answer 18

Last Judgement Before Osiris from a Book of the Dead,

New Kingdom Egypt,

Question 19

Answer 19

Mummy Wrapping of a Young Boy,

Egypt,

Roman period,

Question 20

Answer 20

Figure of a Woman,

Cycladic,

mediterannian located, funerary context

Question 21

Answer 21

Reconstruction, “Palace” Complex,

Knossos, Crete, Minoan,

more about trades than warefare according to structure

Question 22

Answer 22

Young Girl Gathering Saffron, wall painting (fresco),

Minoan,

saffron for her cramps, changes into adulthood

Question 23

Answer 23

Bull Leaping (fresco), Palace of Knossos, Crete, Minoan,

Question 24

Answer 24

Woman or Goddess with Snakes from the "Palace" Complex, Knossos, Crete, faience, **Minoan,** maybe representing fertility cause of the seashells used

Question 25

Answer 25

“Mask of Agamemnon,” Funerary Mask from the Royal Tombs at Mycenae,

Question 26

Answer 26

Warrior Vase (Krater), Mycenae, appealed to war (ooposed to micinoans)

Question 27

Answer 27

Funerary Vase (Krater), Greek Geometric,

Question 28

Answer 28

Exekias, Ajax and Achilles Playing a Game (Amphora; Black Figure Painting), Greek Archaic,

Question 29

Answer 29

Death of Sarpedon (Krater; Red Figure Painting) by Euphronios, Greek Archaic, god of sleep and death are present, Sarpedon was humilated on the battlefield

Question 30

Answer 30

Dying Warriors from the Temple of Aphaia, Greek Archaic, the better and more believable one was redone about 10 years later

Question 31

Answer 31

Berlin Kore, Greek Archaic, "archaic smile," to honor a young woman, dedicated to god of spring (as symbolize w pomergranant in hand)

Question 32

Answer 32

Standing Youth (Anavysos Kouros), Greek Archaic, "archaic smile," to celebrate/comerate soldiers