Exam 1 Flashcards
(137 cards)
What is a telephoto lens?
A lens that greatly magnifies the distant objects. Tighter frame
In relation to subject camera distance what is, an extreme close up?
A shot on the detail of a subject
What is a close up?
Shoulders up. A shot that isolates the onject of image
What is a medium close up?
Chest up
What is a medoum shit?
from waste up
What is a three quarter shot?
From knees up
What is a full shot?
Full figure
What is an extreme long shot?
Caners is very far away from the subject
What is a two shot?
Two figures
What is a three shot?
Three figures, greater subject camera disance
What is a Master-shoit?
All charecters are taken in
What is another way to provide expressive content i addition to subject camera distance
Camera angle
What is an eye level shot?
A shot where the camera i sparrele l to the eyes of the actgor. They are on ithe same horizontal plane
What is a low angle shot?
A shot where the angle is low, giving the charecter a towering persona making them larger than life or scarier in a way
Curiosity for general film culture: the low-angle shot was widely in use by German and Scandinavian directors of silent cinema. They applied it especially to shadows projected against a wall, to convey a sense of fear.
What is a high angle shot?
Shot on top of charecter, diminishing or velittling charecter
What is a birds eye view?
High up, think hitchcock
What is a dutch tilt?
Diagonal camera angle used to portray uneasiness. think german expressionism
Cinema is both _____ and ____
Space and time
What is fps?
Franes persecond.
What is the standard fps for camera and projector
24 fps
In early days of cinema what would undercranking do to the footage when projected?
Speed up motion
In early days of cinema when caera technicians would overcrank this would make the film ____ when projected?
slower
With synchronized sound film image tracks and soundtrack.. “
had to be both recorded and projected at the same time
What s the difference between real and reel time?R
Real time is the time we expereience in daily life unmoderated by the medium of an outside force say cinema. But when cinema cuts, edits, and constructs a story itbhn diffeent framesn in varying ways, they are construcgting reel time