Exam 1 (ch1.1-1.8) Flashcards

(75 cards)

1
Q

Principles of art are comparable to…

A

Grammar rules of a language

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2
Q

Elements of art are comparable to…

A

Vocabulary of a language

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3
Q

Name the 3 different kinds of lines

A

1) Regular
2) Expressive
3) implied lines

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4
Q

expound on regular lines

A

reflect planning and control. Used to create emphasis. Do not have to be straight but must reflect stability.

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5
Q

expound on expressive lines

A

Used in more emotional paintings. Used to express feelings or ideas that are otherwise difficult to express: chaos, nature, passion, etc.

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6
Q

what is an implied line?

A

a series of marks in a line formation

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7
Q

what is a line

A

a mark connecting 2 points

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8
Q

what is a shape?

A

2 dimensional boundaries of area defined by lines or color change

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9
Q

name 2 kinds of shapes

A

geometric and organic

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10
Q

define vanishing point

A

point on the horizon to which all lines are pointing towards (linear perspective is based on this)

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11
Q

vantage point

A

direction of viewing

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12
Q

contrast

A

strong difference in elements to emphasize a principle

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13
Q

volume

A

amount of space a form occupies

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14
Q

mass

A

expression as solid and occupying space

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15
Q

texture

A

describes or conveys information about a surface

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16
Q

form

A

describes any 3D work

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17
Q

describes the different kinds of form

A

1) organic: derived from living things; irregular lines
2) geometric: definable by #’s; regular lines
3) relief: projected from a flat surface- one sided
4) in the round: seen from all sides

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18
Q

describe something that has volume but not mass

A

……

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19
Q

actual texture

A

if you touched it, it would feel like what it looks like

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20
Q

implied texture

A

appearance conveys an expression of texture, but it would feel different than it looks

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21
Q

value

A

light and dark. Used to create emphasis or 3d illusion

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22
Q

hatching

A

a series of lines, close to and parallel to each other (used to express value)

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23
Q

cross hatching

A

variant of hatching in which the lines overlap to create the impression that something is darker and darker.

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24
Q

size

A

the size of one shape compared to another suggests that the larger object is closer

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25
overlapping
the shape that overlaps in front suggests the front object is closer
26
position
a shape lower in the plane looks closer (illusion- things can be smaller in the picture but we know by position that it is bigger but farther away)
27
how does changing the brightness of a color help with the portrayal of space?
the darker the color the farther away it is; can give a sense of depth
28
atmospheric perspective
distant objects lack contrast, detail and sharpness because air that surrounds us is not completely transparent.
29
isometric perspective
usage of parallel lines to convey depth-no vanishing point
30
linear perspective
mathematical system that uses lines to create a feeling of depth- illusion of receding space
31
multi-point perspective
looking at a scene from somewhere other than ground level, we need more than one vanishing point; vanishing point can be out of frame
32
2 point perspective
portrays 2 different sensations of depth and needs more than one vanishing point
33
foreshortening
results when the rules of perspective are applied to represent unusual points of view. especially applies to figures. if looked at scientifically you would know it is not proportional
34
what gives art it's emotional quality?
color
35
which colors can not be mixed from any other colors? name them
primary colors: red, yellow, blue
36
which colors can be mixed from the primary colors? name them
secondary colors: green, purple, orange
37
there are 2 ways of working with mixtures. what are they?
subtractive and additive
38
what is the pure form of a color?
Hue
39
What happens if you darken a hue?
you create a shade of that color
40
What happens if you lighten a hue?
you create a tint of that color
41
what is op-art?
Art that is based on optical illusions; make use of discordant positive-negative relationships
42
a color at it's purest state is at it's ______
highest saturation
43
because classic pieces of art are static and motionless, artist must imply or create the illusion of ______
time
44
what are some clues an artist might use to imply motion?
diagonal lines for hair, clothing, limbs, etc.
45
what is unity?
provides a piece with a cohesiveness and helps communicate it's visual idea. links elements together to create a wholeness
46
what happens if there is too much variety in a piece?
lack of structure and absence of central idea
47
what is implied motion?
indicates by visual cues that motion is happening or has just happened.
48
what happens if there is too much similarity?
monotonous and viewer looses interest
49
distribution of elements whether unified or varied. Element on one side of a piece are offset by what is on the other side.
Balance
50
creation of illusion through visual tricks that deceive our eyes into believing there is motion as time passes.
Illusion of Motion
51
Variety
collection of different ideas and elements fused into a whole. compliment of unity- uniqueness and diversity
52
when we see 2 or more repeated images in quick succession they tend to visually fuse together
Stroboscopic Motion
53
Actual Motion
when something actually changes in space over time
54
Name the 3 types of unity
1) Compositional 2) Conceptual 3) Gestalt
55
Name the 3 types of balance
1) Symmetrical 2) Asymmetrical 3) Radial
56
how does an artist achieve compositional unity?
Arranging fo all elements whether similar or different- Limit the number of elements they work with
57
describe asymmetrical balance
Both sides of the art piece are balanced though not the same.
58
asymmetrical balance is also called
dynamic balance
59
describe conceptual unity
though elements are different in appearance, they are unified in the concept or idea they are representing.
60
describe symmetrical balance
if a work can be cut in half and both sides are exactly or nearly exactly the same.
61
describe radial balance
all elements are equid-distant from a central point and repeat in a symmetrical way form side to side and top to bottom
62
True or false: radial balance can only be achieved in a circular design
false
63
he whole is greater than the sum of its parts; an awakened understanding of the whole- the goal of any artwork
gestalt unity
64
what are the different types of scale an artist can use?
human, monumental, small, hierarchal, or distorted
65
what is scale?
the size of an object or artwork relative to another object or art work, or to a system of measurement.
66
what is emphasis?
principles of art that draw attention to specific locations in a work
67
what is subordination?
opposite of emphasis. draws our attention away from certain areas of work.
68
What is the center of interest or activity in a work of art?
Focal Point
69
What are some elements used to create a Focal Point?
Lines, implied lines, value, color, placement, etc.
70
What controls rhythm and creates multiple focal points?
placement
71
Ancient Egyptians used the _______ as a unit of measurement called the ________.
palm of the hand; cubit
72
what is the "golden section"
a ration of "perfect proportions used much by the greeks in sculpture and architecture. !:1.6
73
Why is scale important?
causes us to have different relationships with the piece of art depending on it's scale
74
how does the small scale of a piece of art effect the viewers experience?
small pieces invite the viewer to come closer to see the details- intimate personal experience
75
how does a large scale object effect the viewers experience
large scale is a less personal experience. usually the purpose of the art is a broad message for a wide audience