Exam 2 Flashcards

(41 cards)

1
Q

Fry’s Definition of Algorithm

A

“Algorithms rule the days. They are mathematical models that track individual browsing and sharing. They determine the ads and information in one’s personal feed. They are what search engines, social media sites, and advertisers all rely on to reach target markets. They are the financial foundation of the web.”

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2
Q

Media Ecology

A

suggests every communication technology has key physical, psychological, and societal features that are relatively distinct and fixed, and these features shape how users of that medium process information and make sense of the world
- tells use every communication medium trains our consciousness in particular ways

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3
Q

Characteristics of Twitter

A
  • narcissistic
  • demands simplicity
  • promotes implusivity
  • fosters incivility
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4
Q

Parasocial Relationships

A

one-sided relationships, where one person extends emotional energy, interest and time, and the other party, the persona, is completely unaware of the other’s existence

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5
Q

Basic Meme Forms

A
  • image macro meme
  • reaction photoshop meme
  • meta meme/meme inception
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6
Q

How are memes rhetorical?

A
  • Memes function through juxtaposition between text and image, or different images, and the association among them that forms the meme’s argument
  • Visual arguments
  • Intertextuality
  • Visual enthymeme
  • Synecdoche
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7
Q

Intertextuality

A

the relationship between common texts in a particular culture

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8
Q

Incongruity

A

when a persons non verbal messages do not support their spoken word

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9
Q

Synecdoche

A

part of the whole

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10
Q

Visual Enthymemes

A

an argument with assumed cultural knowledge that helps them make connections between the original and the remix

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11
Q

Conspicuous Consumption

A

consumption designed to signify one’s social status; rich and famous are the marker of the good life

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12
Q

Hyper Commericalism

A
  • consumerism in overdrive
  • more is better, Americans living with so much credit card debt, we live in a society where there is a commercial answers to all problems
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13
Q

Scripting of Reality

A

contriving situations for contestants, pre-screening contestants, re-shoots to get the “right story”

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14
Q

Rags-to-Riches

A
  • Draws attention away from economic exploitation and financial precarity
  • The ideological function is to prove that the class system is permeable, that people who have wealth earned it through hard work alone, and individuals are exclusively to blame praise for their circumstances
  • Structural inequality is a myth, all based on individual work ethic
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15
Q

Reality Charity

A
  • Reality TV poorly represents the realities of poverty
  • Proposed solutions: cutting a check, building a dream home, undercover boss posing as one of his employees for a day
  • Shows individualized solutions to cases of poverty and class oppression rather than real, systemic solutions
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16
Q

Pasquale Definition of Algorithms

A

It’s a computer program, or calculations encoded into computer software to assimilate information so as to predict future behavior or risk. They are often called “Black Box” techniques, data is collected in secret to be used to make critical judgments about people. The evidence might be wrong or discriminatory

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17
Q

Alt-Right

A

this collection of lots of separate tendencies that grew semi-independently but which were joined under the banner of a burst forth of anti-PC cultural politics through the culture wars of recent years

18
Q

Cyberutopia

A

a naive optimism focusing on the Internet’s positive political potential for participatory democracy and freedom (a leveler of hierarchies, blurring the roles of producers and users, and fostering collaboration), downplaying its use for surveillance, manipulation, (and promotion of consumerism)

19
Q

Cyberdystopia

A
  • The alt-right’s anti-PC taboo-breaking culture is not just “for the lulz”
  • Spontaneous leaderless Internet-centric network is a form not a messiah
  • The online environment has undoubtedly allowed fringe ideas and movements to grow rapidly in influence
20
Q

GamerGate

A

understood as a war over “ethics in games journalism” or as an excuse to attack feminists and women entering the gamer world

21
Q

Media Cultivation Theory

A

long-term exposure to media shapes how the consumers of media perceive the world and conduct themselves. The cultivation hypothesis states that the more television people watch, the more likely they are to hold a view of reality that is closer to television’s depiction of reality

22
Q

Mean World Syndrome

A

the theory that if you watch enough brutal violence and crime on TV and in the movies, you come to believe that you are living in a cruel, gloomy, and scary world, in which you feel more vulnerable, insecure, and in danger

23
Q

Visual Rhetoric

A

rhetorical forms that are other than language, or that include more than language, are typically referred to as “visual rhetoric”

24
Q

Visual Culture

A

a culture distinguished by the ubiquity of visual forms of communication that appear in multiple media outlets at the same time (TV, Internet, cell phones, print media)

25
Rhetoric of Display
a rhetoric that makes ideas present through visual display has become the dominant mode of communication in visual culture
26
Presence
- Images create a sense of presence by making something visible and immediate within an audience’s conscious - Acts directly on our sensibility; can create a virtual experience; and makes things that are distant feel closer
27
Absence
- Visual rhetoric draws our attention to some things and away from others - Selects and deflects reality - Lacks immediacy - Just like narratives, images are selective and exclusionary
28
Iconic Photographs
photographic images produced in print, electronic, or digitial media are: - Widely recognized by everyone within a public culture - Understood as representations of historically significant events - Objects of strong emotional identification and response - Regularly reproduced access a range of media, genres, and topics
29
Dominant Audience Readings
critic reads with the hegemonic grain of a text, this is the easiest reading to perform because dominant culture gives us the codes to access the preferred reading
30
Negotiated Audience Readings
this position is located between dominant and oppositional reading positions; here the critic might read with and against the preferred meaning of a text
31
Oppositional
the critic reads against the grain and resists the preferred meaning and its ideological commitments (values, beliefs, attitudes)
32
Body Rhetoric
rhetoric that foregrounds the body as part of the symbolic act - often used by people who are denied access to more traditional forms of verbal address
33
Circulation
encourages critics to study the manner in which a visual movies through space and time, sometimes unmoored from its original location of production, and how the meaning of the artifact changes in the movement
34
Image Events
staged acts designed for media dissemination - Combine visual and verbal rhetoric - Structures to elicit media attention - Operate holistically often relying on disidentification - Attempt to alter perception
35
Entactment
occurs when the person engaging in symbolic action functions as proof of the argument they are advancing – they can be the argument
36
Memorials & Monuments
- Physical space position those who view and enter the space in particular ways - Play important roles in the creation of public memory - What is remembered has less to do with what happened in the past than with the needs of the present - The process of remembering always involves an act of forgetting as well, creating both presence and absence
37
How we are bought and sold
- Newspapers are more in the business of selling audiences than in the business of giving people news, especially as more and more newspapers are owned by fewer and fewer chains - Magazines, perhaps more than any other media demonstrate this point: they are essentially catalogs of goods with less than half of their pages devoted to editorial content
38
Goals of Advertising
one aspect of the culture advertisers create is our worship of: - Celebrity - Affluence - Consumerism
39
Why is advertising not targeted at the poor?
the poor can't always afford unnecessary products; the rich can
40
Ethnic Marketing Campaigns
the multiculturalism that we see in advertising is about money not about social justice
41
How do Advertisers get inside our minds?
advertisement directed for children's gaze