Exam 2 Flashcards

(53 cards)

1
Q

Focused on drawings and prints-etchings and woodcuts early on; lithographs when her eyesight grew weaker. She was known for is a stone memorial she carved for the cemetery

A

Käthe Kollwitz

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2
Q

July 28, 1914-November 11, 1918

A

World War I

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3
Q

Permanent image

A

1826

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4
Q

Photo of a person

A

1839

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5
Q

When did the first process for photomechanical reproduction-high speed printing of photographs along with type-came into being, and with it a new concept, photojournalism

A

1900

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6
Q

Is a black crumbly drawing material made of carbon and often used for sketching and under drawings for paintings, although can also be used to create more finished drawings

A

Charcoal

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7
Q

A spray of shellac or plastic polymer used in charcoal and pastel drawings to ensure a permanent bond to the paper

A

Fixative

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8
Q

Is a soft powdery white or off-white writing or drawing material in crayon form, generally used on blackboard or other dark surface

A

Chalk

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9
Q

Colored chalks in sticks that are a combination of loose dry pigment and a binder of paste or methylcellulose

Edgar Degas used this for the singer in green

A

Pastels

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10
Q

A glue-like substance that holds pigment together, the type of which determines the nature of the medium; for example, oil is the binder in oil paint. Used in all the colored media

A

Binder

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11
Q

A colored drawing medium with a waxy or oily binder that adheres to paper; does not require fixative

A

Crayons

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12
Q

A versatile drawing crayon developed in the late 1700s. It comes in a variety of degrees of hardness and can be used to create both subtle tones and dense blacks

Bill Ward used this for surprises at Dinner

A

Conté Crayons

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13
Q

Descendants of the stylus of classical times and ancestor of the modern pencil, a small, sharpened metal rod used for drawing precise compositions on paper or parchment. Also known as Silverpoint

Filippino Lippi used this

A

Metal point

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14
Q

Collage describes both the technique and the resulting work of art in which pieces of paper, photographs, fabric and other ephemera are arranged and stuck down onto a supporting surface

Romare Bearden Mysteries

A

Collage

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15
Q

Is the coloring component of paint. Derived from either natural or synthetic sources. When mixed with binders it becomes paint, ink, or crayon, etc

A

Pigment

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16
Q

The visual Plane where art elements or figures are organized. When elements are added to the ground, it becomes, and it’s self, a shape called the negative form, and must be consciously dealt with. The surface of a two dimensional work apart. A wax coating that resist acid use an etching

A

Ground

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17
Q

Is a painting medium that is at least 7000 years old. It is created by mixing color pigments with hot beeswax and then painting the mixture on a surface before it cools. After it hardens, the wax service is remarkably permanent, and the painted Colors can retain their brilliance for thousands of years

Young women with gold pectoral

A

Encaustic

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18
Q

A permanent wall painting technique in use since ancient times. Pigment water is brushed directly into fresh, wet plaster. As a plaster dries, the pigment is bound into it and literally becomes part of the wall itself

Raphael, school of Athens

A

Fresco

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19
Q

A painting medium in which pigments are mixed with egg yolks sometimes called egg tempera

Girolamo dai Libra used this

A

Tempera

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20
Q

A thick paste of gypsum and animal glue, it produces a bright white surface that paint adheres to

Andrew Wyeth

A

Gesso

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21
Q

Is a form of a slow drying pain that consist of particles of pigment suspended in a trying oil that forms a tough colored film on exposure to ai

Petrus Christus

A

Oil paint

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22
Q

Paint diluted and made transparent. Often built up in layers on top of underpainting to create the illusion of three-dimensional forms

23
Q

Thick paint that reveals the action of brushstrokes

JMW Turner

24
Q

Is an impression made by any method involving transfer from one surface to another

Käthe Kollwitz

25
Is a copy or replica of a work of art made from the master. A commonly refers to a series of identical impressions or prints made from the same printing surface Käthe Kollwitz
Edition
26
Means of making prints by creating a raised design on a flat surface. The design is inked or covered with color and stamped on paper or another surface
Relief Print
27
A method of relief printing from a block of wood cut along in the grain Käthe Wollitz
Woodcut
28
A printmaking method the state from wood cut in that the line is incised into the wood block rather than background being cut away to leave a line in relief José Guadalupe Posada
Wood Engraving
29
A linocut is a relief print produced in a manner similar to a wood cut but that uses linoleum as a surface into which the design is cut and printed from John Muafangejo
Linoleum cut
30
Describes any printmaking technique in which the image is produced by incising into the printing plate the incise line or area holds the ink and creates the image
Intaglio
31
Is a printmaking technique that involves making incisions into a metal plate which retain the ink in form the printed image Albert Dürer
Engraving
32
Is a print making process in which a design is John on a plate with a sharp pointed needle like instrument Käthe Wollitz
Drypoint
33
Is an engraving technique developed in the 17th century which allows for the creation of prince with soft creations of tone and rich and velvety blacks John Martin
Mezzotints
34
Is it print making a technique that uses chemical action to produce in size lines in a metal printing plate which then hold the applied ink and form the image Käthe Wollitz
Etching
35
Is a printmaking technique that produces tonal effects by using acid to eat into the printing plate creating sunken areas which hold the ink Francisco de Goya
Aquatint
36
Print making process in which a photographic negative is transferred onto a copper plate Alfred Stieglitz
Photogravure
37
Is a printing process that uses a flat stone or metal plate on which the image areas are worked using a greasy substance so that the ink would hear to them by while the non-image areas or made ink repellent Käthe Wollitz
Lithography
38
A variety of stencil printing using a screen made from fabric stretched highly over a frame Shepard Fairey
Screenprinting
39
Is a form of printmaking where the image can only be made once unlike most part making which allows from multiple originals Nichole Eisenman
Monotype
40
Is an object upon which a design has been formed in which is then used to make an impression on a piece of paper does creating a print
Matrix
41
Is the method of correlating overlapping colors on one single image. There are many different styles and types of registration, many of which employ the alignment of specific marks
Registration
42
“Silk-writing”
Serigraphy
43
Printing for my flat surface, as opposed to a raise surface or incised surface. Lithography and offset lithography or planographic processes that rely on the property that water will not mix with oil
Planographic
44
Refers to the process or practice of creating a photograph an image produced by the action of light on a light sensitive material The art or process of producing images by the action of radiant energy and especially light on a sensitive surface Ansel Adams
Photography
45
- Latin for dark room - an optical device that projects an image of its surroundings - One of the inventions that led to photography - Consist of a box or a room with a hole in one side light from an external seen passes through the hole and strikes the surface inside where it is reproduced upside down
Camera Obscura
46
Took the first permanent image
Joseph Nicéphore Niépce
47
Created Daguerreotype
Louis Daguerre
48
Took the first selfie
Robert Cornelius
49
Took the Migrant Mother
Dorothea Lange
50
Horse Galloping; calotype
Eadweard Muybridge
51
Who developed the brownie
George Eastman
52
Albumen print from glass negative
Emulsion Plates
53
Was the subject of the migrant mother
Florence Owens Thompson