Exam 3 Flashcards

1
Q

describe the Baroque period

A

after the renaissance.
from 1600 through 1750.

Misshapen pearl or crough or imperfect pearl.

barque pearls- not perfectly spherical during this time.

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2
Q

what are typically misshapen?

A

baroque pearls
unlike modern perfectly spherical pearls: uneven and ROUGH

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3
Q

what is unity of mood?

A

when a baroque piece would usually express one CONTINUOUS mood

meant to appease and balance the effectious
- involves emotional state

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4
Q

define rhythm

A

rhythm- unity is conveyed through a continuity of rhythm

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5
Q

describe terraced music

A
  • dynamic music
  • sudden leaps in volume

-fluctuation in dynamics ALTERS the MOOD
-too much fluctuation can make the audience “seasick”

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6
Q

Johann Sebastian Bach

A

1685-1750
master composer and improviser of the Baroque style
from Germany and stayed there
master pipe organist
Lutheran
Bach did whatever he wanted
married his first cousin… weirdo

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7
Q

equal temperament

A

created by Bach (or someone close to him)
allows fixed-pitched instruments to play in all keys
tuning system we use today

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8
Q

overature

A

orchestra composition that informs the audience of the overall dramatic mood

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9
Q

castrati

A

“Alessandro Moreschi”
extremly wealthy, paid more than composers
speaclizaed male singavs whose voice is produced by castration (no nut surgery = no puberty, but many died from it) of the singer before puberty
—> physical, large barrel chest, characteristics
successful castrato lived like a king, “rockstars”

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10
Q

describe cantatas

A
  • full congregation participates
  • many taken from folk songs and catholic hymns
  • instrumental accompaniment
  • steady rhythm & usually one note per syllable
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11
Q

opera

A
  • drama that is sung to orchestral accompaniment

began in Italy around 1600

entertainment for the UPPER class

***fusion of acting, music, poetry, dance, scenery, costumes, etc.

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12
Q

camerata (group of artisocrats)

A

began in Florance Italy
Camerata
-fellowship or society
-group of nobles and artists entertaining themselves
modeled after ancient Greek tragedy

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13
Q

greek tragedy

A

main influences of opera

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14
Q

librettist/dramatist

A

employs a composer & dramatist
person who writes the text
-the librettist WRITES the libretto

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15
Q

libretto

A

“the words”

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16
Q

voice types

A

opera employs speacial trained singers:

sopranos:
lyrics soprano- light voice, roles for grace & charm
dramatic soprano- full powerful voice
coloratura (soprano)- very high range, can execute rapid scales & trills and VIRTOUSTIC DISPLAY
tenors:
lyric tenor- same as a lyric soprano but in tenor range
dramatic tenor- smooth lryical voice
basso:
basso buffo- comic roles, can sng very fast, bouncy bass voice, “butler character”
basso profundo- very low range, pwerful, roles, calling for dignity —> father figure or GOD

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17
Q

opera seria

A

more serious

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18
Q

opera buffa

A

buffa- comic opera

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19
Q

aria

A

often the main attraction sung for solo voice
long-have a definite beginning, peak, and end

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20
Q

recitative

A

often lead into an aria vocal line that initiates the rhythms & pitch of speech/words are sung clearly & QUICKLY
—> carries the action forward & give information quickly

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21
Q

contratenor

A

male voice trained to sing on the range of a female contralto
used to replace roles of the castrati
—> new voice type

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22
Q

concerto

A

a composition for a solo instrument accompanied by an orchestra

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23
Q

concerto and concerto grosso

A

a concerto w/ more than one soloist
multiple movements
—> usually three: fast, slow, fast

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24
Q

cadenza

A

typically in last movement (of 3 or 4)
a solo passage the soloist plays during a concerto
rhythmically free
often virtuosic
improvised or notated
—> no orchestral background

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25
Q

Wagner

A

Richard Wagner

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26
Q

Leitmotif

A

a short musical idea (theme) that is associated w/ a person, object, or thought/emotion
can be altered in subtle ways to convey
—> hate “ low then high scoop” sound
—> villain
—>love of renunciation/death of love
—> jaws/dragons
—> alberioh’s
—> fate “high flat bar then low flat bar”

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27
Q

film score

A

Wagner set foundation

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28
Q

symphony No. 1 I. Allegro

A

Chevalier Saint-Georges

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29
Q

string quartet No. 3

A

Chevalier Saint-Georges

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30
Q

Adagio in F minor

A

Chevalier Saint-Georges

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31
Q

Brandenburg concerto No. 5 I. Allegro

A

J.S. Bach

32
Q

Brandenburg concerto No. 5 III. Allegro

A

J.S. Bach

33
Q

cell suite No 1 IV Sarabande

A

Bach

34
Q

Golberg Variations

A

Variation 1 - J.S Bach

35
Q

Golberg Variations - Aria

A

J.S. Bach

36
Q

Vedro con mio Diletto

A

Vivaldi

37
Q

four seasons

A

vivaldi

38
Q

define melody

A

melody- CONTINUOUS, elaborate and ornamented

39
Q

dynamics are _____?

A

terraced

40
Q

MELODY is ________ and ________ .

A

continuous and ornamented

41
Q

Johann Sebastian Bach was a master what?

A

pipe organist

42
Q

who created EQUAL TEMPERAMENT?

A

Bach or someone near him

43
Q

describe chorales

A

a hymn tune usually sung

44
Q

opera was a fusion of what?

A

acting, music, poetry, dance, scenery, and costumes.

45
Q

what were the camerata?

A

group of aristocrats

46
Q

camerata’s were modeled after what?

A

ancient greek tragedy

47
Q

the librettist writes ?

A

the libretto

48
Q

describe the lyric soprano voice type

A

light voice, roles for GRACE AND CHARM

49
Q

describe the dramatic soprano voice type

A

full powerful voice

50
Q

what can the coloratura do?

A

can ex evite rapid scales and trills and VIRTUOSIC DISPLAY, have very high range

51
Q

describe the lyric tenor voice type

A

light voice for roles of grace and charm, but in TENOR RANGE.

52
Q

describe the basso buffo voice type

A

bouncy bass voice (butler character), used for comic roles.

can sing very fast

53
Q

describe the basso profundo voice type

A

very LOW range, powerful roles calling for dignity —> FATHER figure or GOD

54
Q

opera seria is more?

A

more serious

55
Q

what is a buffa?

A

a comic opera

56
Q

an aria is?

A

often the main attraction sung for a SOLO VOICE and ORCHESTRAL accompaniment

(have definite beginning, peak, and end)

57
Q

what is often lead into an Aria vocal line?

A

recitative

58
Q

recitatives are often?

A

often lead into an ARIA vocal line that imitates the rhythms and pitch of SPEECH/WORDS and are sung clearly and quickly!

—> carrie’s action forward and gives information QUICKLY

59
Q

what is an overature?

A

orchestral composition that informs the audience of the overall DRAMATIC MOOD

60
Q

castrati aimed for what characteristics?

A

large barrel chests, with castration done

61
Q

how did castrati live?

A

successful castrati lived like kings or rockstars.

62
Q

what is a contratenor?

A

male voice trained to sing in the range of a FEMALE CONTRALTO

—> used to replace roles of castrati “new voice type”

63
Q

what is a concerto?

A

a composition for a SOLO instrument accompanied by an orchestra

64
Q

what is a concerto GROSSO?

A

a concerto with MORE than ONE soloist

65
Q

concertos typically have how many movements?

A

3

66
Q

when is a cadenza typically played?

A

in the LAST MOVEMENT

67
Q

describe a cadenza

A

a SOLO passage the SOLIST plays during a CONCERTO

rhythmically free, often virtuosic and improvised or notated.

68
Q

what is a leitmotif?

A

a short musical idea (theme) associated with a person, object, or thought/emotion

69
Q

what’s special about film score?

A

richard wagoner set the foundation for the FILM SCORE

70
Q

what is the classical symphony pattern?

A
  1. fast
  2. slow
  3. dance
  4. fast
71
Q

where was saint georges born?

A

guadeloupe, an island in the Caribbean

72
Q

the first chair (soloist) violin is often considered what?

A

the SECOND IN COMMAND from the conductor

73
Q

what song sounds emo like the corpse bride?

A

ADAGIO IN F MINOR - by the fav CHEVALIER SAINT GEORGES

74
Q

what song has only a cello soloist in it?

A

cello suite no. 1 IV. BT SARABANDE (BACH)

75
Q

what song was a piano solo?

A

goldberg variations - ARIA - by JS BACH!!!!

76
Q

which song was hype as hell?

A

four seasons by vivaldi