Exam 3 final

Question 1

Answer 1

Diego Rivera, Detroit Industry, 1932–33

Question 2

Answer 2

Frida Kahlo, Henry Ford Hospital, 1932

ex-voto

Question 3

Answer 3

Willem de Kooning, Gotham News, 1955 (Abstract Expressionism)
action painting; Harold Rosenberg

Question 4

Answer 4

Jackson Pollock, Number 30, 1950 (Autumn Rhythm), 1950 (Abstract Expressionism)
Clement Greenberg

Question 5

Answer 5

Helen Frankenthaler, Mountains and Sea, 1952 (Abstract Expressionism)

soak-stain

Question 6

Answer 6

Mark Rothko, White Center (Yellow, Pink, and Lavender on Rose), 1950 (Color Field
Painting)

Question 7

Answer 7

Louise Nevelson, Dawn’s Wedding Chapel I, 1959

Question 8

Answer 8

Robert Rauschenberg, Canyon, 1959

“combine” painting; John Cage

Question 9

Answer 9

Jasper Johns, Flag, 1954–55
encaustic

Question 10

Answer 10

Richard Hamilton, Hommage à Chrysler Corp., 1957 (Pop Art)
Independent Group (IG)

Question 11

Answer 11

Roy Lichtenstein, Okay, Hot Shot, Okay! 1963 (Pop Art)
Ben Day

Question 12

Answer 12

Morris Louis, Iris, 1954 (Post-Painterly Abstraction)

Question 13

Answer 13

Frank Stella, Die Fahne Hoch! 1959

Question 14

Answer 14

Tony Smith, Amaryllis, 1965 (Minimalism)

Question 15

Answer 15

Robert Morris, Untitled (Tangle), 1967 (Process Art)

Question 16

Answer 16

Michael Heizer, Double Negative, 1969–70 (Land Art)

Question 17

Answer 17

Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California, 1972–76

Question 18

Answer 18

Bruce Nauman, Neon Templates of the Left Half of My Body Taken at Ten-Inch Intervals, 1966

(Conceptual Art)

Question 19

Answer 19

Yoko Ono, Cut Piece, 1965 (Fluxus)

Question 20

Answer 20

Nam June Paik and Charlotte Moorman, TV Bra for Living Sculpture, 1969 (Fluxus)

Question 21

Answer 21

Chris Burden, Trans-fixed, 1974 (Body Art)

Question 22

Answer 22

Wadsworth Jarrell, Revolutionary, 1971 (AfriCOBRA)

Question 23

Answer 23

Robert Colescott, Eat dem Taters, 1975

Question 24

Answer 24

Faith Ringgold, The Wake and Resurrection of the Bicentennial Negro, 1976
WSABAL (Women, Students, and Artists for Black Art Liberation), Where We At Black Women

Question 25

Answer 25

Sylvia Sleigh, Imperial Nude: Paul Rosano, 1973 (Feminism) Linda Nochlin

Question 26

Answer 26

Miriam Schapiro, Anatomy of a Kimono, 1975 (Feminism) femmage, Pattern & Decoration

Question 27

Answer 27

Louise Bourgeois, The Destruction of the Father, 1974 (Feminism)

Question 28

Answer 28

Sherrie Levine, Untitled (After Walker Evans #3, 1936), 1981 (Postmodernism) appropriation

Question 29

Answer 29

Robert Moskowitz, The Thinker, 1982 (New Image Art)