Exam 3 week 1 Flashcards

(28 cards)

1
Q

who had a hands off policy when it came to music in world war 2 soviet union

A

Anatoly Lunacharsky

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2
Q

who had a new atitude towards the arts and minimized jazz and modernism

A

Joseph Stalin

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3
Q

year of soviet realism

A

1933

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4
Q

What was the party resolution

A

nationalizing all artistic, literary and musical groups (Soviet Composer’s Union)

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5
Q

What is Socialist Realism in Music?

A

Proletarian, typical, realistic, and partisan

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6
Q

What was so daring about Shostakovich’s Lady Macbeth of Mtsensk 1934

A

It depicted officials and police as villains, squalid expressionism, vice, rape, and decadence

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7
Q

What are the two possible interpretations of shostakovich’s symphony number 5

A
  1. The soviet state rescues the people from capitalist oppression
  2. the joy of overthrowing Soviet oppression (sonata form) No transition in exposition
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8
Q

Which composer primarily performed abroad during the beginning of the 1920s but moved back going from modern music to more simplistic styles

A

Sergei Prokofiev

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9
Q

What are the two possible interpretations of music in the Soviet Union

A

genuinely celebrates the Soviet Union (pro-regime) or celebrates the Soviet Union under duress (anti-regime)

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10
Q

Who was absent from Russia at the beginning of the Bolshevik Revolution

A

Stravinsky and Sergei

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11
Q

ASM verses RAPM

A

Association for Contemporary Musicians (progressive, modernist, internationalist) Russian Association of Proletarian Musicians (political propagandistic)

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12
Q

Score with much writing, begins moderato instrumentation, tempo instructions, arrows, tied eighth notes, many rests

A

Dmitri Shostakovich Symphony No. 5 Op. 47 1937. This piece was written with two possible interpretation, anti-regime or pro regime. It has no transition in the exposition and uses sonata form.

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13
Q

Begins alleghetto, more fortes

A

movement 2

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14
Q

Densely scored, more woodwinds, many quarter notes and rests, begins with unison between first five voices, 8 solists, huge orchestra

A

Carl Orff “Fortuna Imperatrix Mundi” from Carmina Burana (1935-36) This piece was neo-medieval, stravinsky model,

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15
Q

Ser langsam, begins in four four, three middle voices in unison

A

Paul Hindemith Symphony Mathis der Maler movement 2 (1933-34) withdraw into art, clear form, coninuous flow

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16
Q

Why did music in the Weimar Culture thrive

A

Culture and free expression thrived because there was no point in saving money for tomorrow

17
Q

First president of the Reichsmusikkammer

A

Richard Strauss

18
Q

What was the Reichmusikammer tasks…

A

Lionize composers as a part of German culture, hijack extant music, create musico-political propaganda, suppress “degenerate” music

19
Q

Frequently Performed composers in the thrid Reich

A

Joseph Haydn, W.A. Mozart, Ludwig van Beethoven, Anton Bruckner, Richard Wagner

20
Q

What kind of music and artists were banned in Nazi Germany

A

Gershwin, anything jazz, many jewish composers such as Stravinsky

21
Q

Composers who immigrated

A

Schoenberg, Weill

22
Q

stayed

A

Strauss, Schwarzkopf

23
Q

Who wrote music about the peasant’s rebellion of Matthias Grunewald

A

Paul Hindemith

24
Q

Why was Mathias written?

A

Hindemith wanted to withdraw into contemplative art and the need for all art to withdraw from political manipulation

25
Which composer was partially jewish and this was ignored
Carl Orff
26
What was the original writing of Carmina burana
13th century German Manuscript with secular poems by students
27
Two views of Hindemith and Orff
Hindemith could be a hero or Nazi wannabe turned exile, Orff could be a complicit sympathizer or an opportunist
28
Who's music was eventually banned in Nazi Germany
Paul Hindemith