Exam III Flashcards

(100 cards)

1
Q

Documentary photo; after effect of battle; dead confederate soldier staged; Realism

A

Timothy O’Sullivan, The Home of the Rebel Sharpshooter: Battle filed at Gettysburg, 1863, albumen print

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2
Q

of working poor; not an important event; could be seen every day; dingy color palette; revolt a year earlier by poor; Realism

A

Gustave Courbet, The Stone Breakers, 1849

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3
Q

Pavilion of Realism

A

temporary structure that Gustave erected next door to the official Salon-like Exposition Universelle.

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4
Q

first modernism nude; pokes fun at Venus of Urbino; Olypia = low-class prostitute; regects male gaze; Realism

A

Edouard Manet, Olympia, 1863

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5
Q

Professors name Gross; brutally real; “real” operation; could be seen everyday; Realism

A

Thomas Eakins, The Gross Clinic, 1875

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6
Q

Trusses, ballon frame

A

heavy timbers repalced with thin studs held together by nails

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7
Q

Impressionism

A

The experience of modernity

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8
Q

complimentary colors; daubing; focusing on color and feeling not subject; Impressionism

A

Claude Monet, Impression: Sunrise, 1872

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9
Q

popular gather place; open dance hall; blurred details to signify movement; viewer floating and looking down on scene; subjects off axis; disjointed scene; Impressionism

A

Pierre-Auguste Renoir, Le Moulin de la Galette, 1876

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10
Q

photo-realistic (because it is based from a photo), obilque angles, awkwardly cropped; subjects off axis and looking off into the distance (at we don’t know what) and ignoring other people; Impressionism

A

Qustave Caillebotte, Paris: A Rainy Day, 1877

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11
Q

not objective of scene but how it made him feel; scene reflects death and suicide; cypress trees (grave yards) and stars (final destination for souls); Post-Impressionism

A

Vincent van Gogh, Starry Night, 1899

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12
Q

uses pointilism; scientific method to art; colors created by certain mix on dots of different colors; figures fixed in palce in a classical style; Post-Impressionism

A

George Seurat, Sunday Afternoon on the Island of La Grande Jatte, 1884-86

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13
Q

pointillism/Divisionism

A

use of tiny dots of color; blend in eye

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14
Q

fireworks; used names related to music; not realistic landscape, evocation of magical mood; Symbolism

A

James Abbott McNeil Whistler, Nocturne in Black and Gold (The Falling Rocket), 1875

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15
Q

Symbolism

A

paintings of ideas, flight from modern life; escape into dream world

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16
Q

Femme fatale

A

sexual and dangerous woman

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17
Q

couples sleeping at night; shoruded figure straddles man; succubus; Frued: 2 human drives- eros (sexual) and thamatos (death); Symbolism

A

Ferdinard Hodler, Night, 1890

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18
Q

curved lines to show sound; Anxiety and angst expressed symbolically; sybolism

A

Edvard Munch, The Scream, 1893

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19
Q

assitant of Burghers- mistress/student; breakdown; spend last 30 years in mental hospital; dancing reminicent of sex; Symbolism

A

Camile Claudel, The Waltz, 1892-1905

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20
Q

avart-garde

A

before guard

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21
Q

Fauvism

A

beast like use of brushsrokes and colors; nonrepersenational

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22
Q

Fauvism; spirit of jouissance; break down Renaisance pictorial window; use medim for inherent qualities, not approximate photo

A

Henri Matisse, Le Bonheur do Vivre (The Joy of Life), 1905-06

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23
Q

Expressionism; prostitutes (distigusished by feathers and fur trimmed coats); titled perspcetive; guy on right pretending to not recognize smug prostitutes

A

Ernst Ludwig Kirchner, Street, Berlin, 1913

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24
Q

Primitivism; hard brushwork; Proto-Cubism; Analtic Cubism; prostitutes; spatio-temporal collapse- multiple angles occuring simultaneously

A

Pablo Picasso, Les Demoiselles d’Avignon, 1907

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25
Primitivism; cubism
Braque, Violin and Palette, 1909-10
26
Futurism; man running; focusing on movement; no arms!!
Umberto Boccioni, Unique Forms of Continuity in Space, 1913
27
Dada
"hobby horse"; mocked authority; dada is the way they make poetry, which is completelty nonsenseical
28
-anti-art art; reject traditional art forms; purposely childish; rejects old masters; "eelle a chaud au cul" = "she's got a hot ass"; Dada
Marchel Duchamp, L. H. O. O. Q., 1919
29
idea is what matters; literally a urinal; readymade, found object; Dada
Marcel Duchamp, Fountian, 1917
30
readymade, found object
mass produced; stripped of function but reintroduced as art
31
political and feminist concerns; using dada to attack; photomontage; Dada
Hanna Höch, Cut with a Kitchen Knife Dada, 1919
32
International style
modern architecture
33
reduses elements to geometric; no floursihes, oly functional; everything is essential; purism
Le Corbusier, Villa Savoye, 1929-1930
34
Purism
stripping down basics; geometric essentials
35
Domino construction system
6 suporting steel beam; no wall needed
36
cutain walls
funcionalist
37
masonry; brick; overlapping goemetric shapes; long roof; inspired by japanese style; uninterested in machine aesthetic; Purism
Frank Lloyd Wright, Frederick C. Robie House, 1906-1909
38
Prairie Style
low horizontal house
39
Neo-Plasticism
rejected decorative expressess of pre war and emotionally laden complexity of contemporary Expressionism
40
Primary colors, horizontal and verticals; so Dutch; suggestive of harmony of universe; Neo-Plasticism; non-objective art; De Stijl
Piet Mondrian, Compostion with Red, Blue, and Yellow, 1930
41
Non-objective art
nothing from reality
42
domino contruction; no walls; have portable sliding walls; machine aeshetic; form follows function; Neo-Plasticism
Walter Gropius, Bauhaus, 1925-1926
43
Surrealism
true and human; subconsicious mind; replaced Dada
44
Psychic automatism
revealing psyche
45
most common type of surrealism; used psychic automatism; Biomorphic Surrealsim
Joan Miró, Composition, 1933
46
Biomorphic surrealsim
uses biomorphic shapes
47
paranoiac-critcal method; Naturalist Surrealism; themes: sexuality, violence, putrefication; not supposed to know what is happening; HOLES ARE SEXY
Salvador Dali, Birth of Liquid Desires, 1931-1932
48
paranoiac-critical method
make inner world concrete
49
cup stripped of original function; oral sex between women; Surrealism
Meret Oppenheim, Object (Luncheon in Fur), 1936
50
based off of Spanish Civil War; how we view the world; black, white, gray; 1st to express horrors of WWII; remind you of news footage; Surrealism
Pablo Picasso, Guernica, 1937
51
Existentialism
philosophy should question man's condition of existence
52
Formalism
Modernism; emhasis on visual elements instead of subject matter; form over context
53
archetype of woman; always recognizable; gorgon like face and posture; repainted 200 times; psychic automatism; Formalism
Willem de Kooning, Woman I, 1950-52
54
darker to lighter; just flung paint on the canvas; gestural abstraction; action painting; Formalism
Jackson Pollock, Autumn Rhythm (Number 30), 1950
55
action painting
painting caused by making gestures (dancing, etc)
56
shapes as "ideas" (supernatural/sublime); color is conveying a meaning; Chromatic abstraction; Color Field Painting; Formalism
Mark Rothko, Lavender and Mulberry, 1959
57
Chromatic abstraction
color!
58
Color field painting
fields of color
59
uses masking tape; "herois sublime man"; based on Native American woven blankets; Formalist; Post-Painterly Abstraction, hard-edge abstraction
Barnett Newman, Vir Heroicus Sublimis, 1950-51
60
Neo-Dada
new Dada
61
bull's eye; doors open to reveal casts of body parts; reintroduced; behind the surface/process is human involvement/subject; Neo Dada
Jasper Johns, Target with Plaster Casts, 1955
62
taken from mass produced advertisements; consumer culture, social satire; New Adam and Eve; opposite of Formalism; Neo-Dada; collage
Ricahrd Hamilton, Just What Is It That Makes Today's Homes So Different, So Appealing, 1955
63
meaasge is what matter; ambivilance in women' women want independence; Benday dots; Pop Art
Roy Lichtenstein, Oh Jeff...I Love You, too...But, 1964
64
Benday Dots
commercial technique; saves money on color printing
65
commercialized; desensitized through repetition; gold background implies she's a saint; stencil; silkscreening; Pop Art
Andy Warhol, Marilyn Monroe Diptych, 1962
66
Silkscreening
stencil over screen
67
movement to Second America Revolution; Vietnam; Birth control invented; gender and racial equality; "make love, not war"; POP ART
Cales Oldenburg, Lipstick (ascending) On Caterpillar Tracks, reworked, 1974
68
dematerialization
taking away material value
69
minimalism
rejected handcrafted objects; industrial material
70
comprehend art object without focal point; shapes without hierarchy; 12 identical units (iron); avoid allusion to subject; objects are aggressively themselves; minimalism
Don Judd, Unititled, 1967
71
objecthood
no more intersting than objects
72
Happenings
what was happening at the time
73
Performance Art
act of making art the significant part
74
destroyed works after; making it the art; performance art
Shozo Shimamoto, Hurling Colors, 1956
75
New Realism
art now takes form from real world
76
Conceptual Art
"idea" seperable from "form"; literal "dematerialization" of art
77
Conceptual Art; surrounded by his drawings; walking around exhibition with dead rabbit; rational and spiritual; meaning cannot be explained fully in syntax
Joseph Beuys, How to Explain Pictures to a Dead Hare, 1965
78
Semiotics
signifier-sound or visula image signified- mental concept or idea
79
Feminism; ladies role as homemaker; places set for famous women; "last Supper"; conceptual art
Judy Chicago, The Dinner Party, 1974-1979
80
Semiotices; study of signs; conceptual art
Kosuth, One and Three Chairs, 1965
81
commentary of stereotype of black women; conceptual art
Betye Saar, The Liberation of Aunt Jemina, 1972
82
appropriation
material from one source reintroduced in another context
83
Post modernism
questions patriarchy; stadegy of making art not style; rejects seriousness
84
mimic international style; unclustered skin; pastiche (looks like combination of phone booth and dresser); pluralism; Post Modernism
Phillip Johnson, AT&T Headquarters, New York, 1984
85
pastiche
hodge-podge; combining two things
86
pluralism
social and cultural diversity
87
second wave feminism; questions gender construction and male gaze; artfull in concept not medium; words make eyes travel down; Post Modernism
Barbara Kruger, Untitled (Your Gaze Hits the Side of my Face), 1981
88
different hairstyles; hair as indicator of race, gender, cless; defying system of stereotypes; Post Modernism; Pluralism
Lorna Simpson, Stereo Styles, 1988
89
Photo of crucifix suspened in blood and pee; people overlook Christ's physicality;Post Modernism
Andres Serrano, Piss Christ, 1989
90
dead animals; mother and child divided from each other and cut in half; supsended; forced to confront actuallity of death; Post Modernism
Damein Hirst, Mother and Child Divided, 1993
91
Globalism
unification of world's economic order "Americanization"
92
Postcoloniaism
discourse of the reactions to and effects of the cultural legacy of Western colonization
93
Iranian Artist; "woman of Allah"; Farsi witten on face with weapon; criticizes Westernizatio; TERRORISM; Western feel threatened; Postcolonialism
Shirin Neshat, Rebellious Silence, 1994
94
The Other
Middle East opposite of U.S
95
CAD; assymetrical design, orgainic sculpture; color of skin changes; form changes as you walk around; Postcolonialism; Deconstructiontivist Architecture
Frank O. Gehry, Guggenheim Museum, 1993-1997
96
Deconstructivist Architecture
theory-based, deliberately disturb traditional architecture
97
video specific to style playing in each monitor specific for each state; Postcolonialism; Video Art
Nam June Paik, Electronic Superhighway:Continental U.S, 1995
98
"body dismorfia"; caught looking; control taken from user; 10 in bikinis and heels; 5 heels; Postcolonialism
Vanessa Beecroft, VB35, 1998
99
Play on Lego Land; cultural colonization; bandit with weapon in field of drugs: Postcolonialism
Nadin Ospina, Columbia Land, 2004
100
postcolonial identity complicated;
Yinka Shonibare, MBE, How to Blow up two heads at once (Ladies), 2006