Exam III Flashcards
(100 cards)
Documentary photo; after effect of battle; dead confederate soldier staged; Realism

Timothy O’Sullivan, The Home of the Rebel Sharpshooter: Battle filed at Gettysburg, 1863, albumen print
of working poor; not an important event; could be seen every day; dingy color palette; revolt a year earlier by poor; Realism

Gustave Courbet, The Stone Breakers, 1849
Pavilion of Realism
temporary structure that Gustave erected next door to the official Salon-like Exposition Universelle.
first modernism nude; pokes fun at Venus of Urbino; Olypia = low-class prostitute; regects male gaze; Realism

Edouard Manet, Olympia, 1863
Professors name Gross; brutally real; “real” operation; could be seen everyday; Realism

Thomas Eakins, The Gross Clinic, 1875
Trusses, ballon frame
heavy timbers repalced with thin studs held together by nails
Impressionism
The experience of modernity
complimentary colors; daubing; focusing on color and feeling not subject; Impressionism

Claude Monet, Impression: Sunrise, 1872
popular gather place; open dance hall; blurred details to signify movement; viewer floating and looking down on scene; subjects off axis; disjointed scene; Impressionism

Pierre-Auguste Renoir, Le Moulin de la Galette, 1876
photo-realistic (because it is based from a photo), obilque angles, awkwardly cropped; subjects off axis and looking off into the distance (at we don’t know what) and ignoring other people; Impressionism

Qustave Caillebotte, Paris: A Rainy Day, 1877
not objective of scene but how it made him feel; scene reflects death and suicide; cypress trees (grave yards) and stars (final destination for souls); Post-Impressionism

Vincent van Gogh, Starry Night, 1899
uses pointilism; scientific method to art; colors created by certain mix on dots of different colors; figures fixed in palce in a classical style; Post-Impressionism

George Seurat, Sunday Afternoon on the Island of La Grande Jatte, 1884-86
pointillism/Divisionism
use of tiny dots of color; blend in eye
fireworks; used names related to music; not realistic landscape, evocation of magical mood; Symbolism

James Abbott McNeil Whistler, Nocturne in Black and Gold (The Falling Rocket), 1875
Symbolism
paintings of ideas, flight from modern life; escape into dream world
Femme fatale
sexual and dangerous woman
couples sleeping at night; shoruded figure straddles man; succubus; Frued: 2 human drives- eros (sexual) and thamatos (death); Symbolism

Ferdinard Hodler, Night, 1890
curved lines to show sound; Anxiety and angst expressed symbolically; sybolism

Edvard Munch, The Scream, 1893
assitant of Burghers- mistress/student; breakdown; spend last 30 years in mental hospital; dancing reminicent of sex; Symbolism

Camile Claudel, The Waltz, 1892-1905
avart-garde
before guard
Fauvism
beast like use of brushsrokes and colors; nonrepersenational
Fauvism; spirit of jouissance; break down Renaisance pictorial window; use medim for inherent qualities, not approximate photo

Henri Matisse, Le Bonheur do Vivre (The Joy of Life), 1905-06
Expressionism; prostitutes (distigusished by feathers and fur trimmed coats); titled perspcetive; guy on right pretending to not recognize smug prostitutes

Ernst Ludwig Kirchner, Street, Berlin, 1913
Primitivism; hard brushwork; Proto-Cubism; Analtic Cubism; prostitutes; spatio-temporal collapse- multiple angles occuring simultaneously

Pablo Picasso, Les Demoiselles d’Avignon, 1907






































