exam paper 1: section a: reading non-fiction Flashcards

(83 cards)

1
Q

alterity

A

the state if being other, or different; otherness

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2
Q

nuanced

A

characterised by subtely or shades of meaning

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3
Q

polemic

A

a strong verbal or written cirticism which seeks to undermine the opposite position in a controversial debate

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4
Q

polyphony

A

an array of sounds (or voices) that are each as strong as eachother

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5
Q

hegemony

A

a group of people in a position of power or dominance.

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6
Q

western canon

A

the body of art, literature and music valued in the west.

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7
Q

metanarrative

A

a narrative account that experiments with or exlpores the idea of storytelling, often by drawing attention to itself

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8
Q

synthetic personalisation

A

addressing audiences as though they were individuals

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9
Q

epiphany

A

a sudden moment of realisation or revelation

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10
Q

lambast

A

criticize something harshly

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11
Q

how does morris use structure in the title of ‘Explorers or boys messing about? Either way,
taxpayer gets rescue bill’

A

it encapsulates the tone of the piece: unlike other
more objective accounts of the incident published elsewhere, there is a scathing
sarcasm in the rhetorical question which infantilises [makes them out to be children]
the two men.
it also quotes brook’s wife, and the minister of defence

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12
Q

what type of structure does article, ‘Explorers or boys messing about? Either way,
taxpayer gets rescue bill’ have

A

non-linear

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13
Q

passive case def

A

putting the object first in the sentence

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14
Q

example of the passive case in ‘Explorers or boys messing about? Either way,
taxpayer gets rescue bill’,

A

‘there was also some confusion about what exactly the men were trying to achieve

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15
Q

example of ironic distance in explorers or boys

A

’ ‘trusty helicopter’ ‘ - line 18

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16
Q

pejorative def

A

used as an insult

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17
Q

give three things of brooks’ wife

A

she gives the title of the text, she is referred to in the last line and they spent their honeymoon flying from alaska to chile

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18
Q

describe the title in the danger of a single story

A

‘danger’ foreshadows main argument in a cautionary tone, the danger of one narrative can lead to a cultural misunderstanding

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19
Q

danger of a single story: personal pronouns to plural

A

trying to create a sense of unity, inspiring, inclusive.

synthetic personalisation

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20
Q

danger of a single story: rhetorical devices

A

ethos, pathos, logos, persuasive and informative

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21
Q

how does adichie use ethos

A

to establish credibility and be modest or honest

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22
Q

antithesis def

A

a person or thing that is the direct opposite of someone or something else.

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23
Q

purpose of listing in danger of a single story

A

monotony, uninspiring

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24
Q

how does adichie use juxtaposition

A

to highlight the difference between her and the characters

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25
how does adichie use pathos
humour "finish your food! dont you know? people like fide's family have nothing."
26
logos
shared experience
27
pathos
invoking pity
28
ethos
atmosphere, philosophy, ideaology
29
why does adichie include her own anecdotes and analogies
to show everyone can follow the narrative, and make those mistakes. she is trying to acoid being accusational/vindicative/patronizing and include herself
30
anaphora def
rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses
31
where does adichie use parallel structures
"no possibility of Africans being similar to her in any way, no possibiliy of feelings more complex than pity, no possibility of a connection as human equals."
32
"stories can break the diginity of a people, but they can also repair that broken dignity"
juxtaposition | antithesis
33
stories can be empowering | theme
juxtaposition of great possibilites (line 75-77) contrast - "paradise" optimistic tone collective pronouns use of colon (line 27) to emphasise the importance that African stories saved adichie.
34
sterotyping is dangerous theme
cautionary tone 'the danger' juxtaposition and antithesis of stories and realities repition of "over and over" parallel structure "a single story of catastophe"
35
all guilty of sterotyping theme
collective pronoun 'we' language choice, "unintended", and "well-meaning", empathetic tone personal anecdotes ethos - self critique establishes credibility
36
how does alagiah remind us and keep us intriegued
by hinting and reminding us of the face, three times.
37
what are the purpose of line 3-32
establishing context
38
why does alagiah use written indtructions to describe the remoteness
emphasises the lack of map, uniqueness of this report and story as comapred to others
39
apologia def
formal written defence of one's opinions or conduct.
40
apathetic def
showing or feeling no interest, enthusiasm, or concern.
41
how does alagiah use tricolons
"simple, frictionless, motionless" | for emphasis of the death being commonplace
42
deontic mood def
what ought to be
43
example of parallesim in passage to africa
"it was rotting; she was rotting"
44
effect of the one sentence reminder of the face
it keeps the reader interested, why doesnt he go into more depth like he did with the others.
45
describe how alagiah feels in the feeding centre
pity and revulsion, the conflict of emotions. we would probably react the same way, so this gives him credibility
46
describe the effect of the disjointed sentece strucutre when alagiah describes the face
it shows his altered mindset, and complex degree of embarrassment. (internal conflict of journalist)
47
rhetorical quesiton in passage to africa
"how should i feel to be standing there so strong and confident" invokes guilt and encourages the reader to reflect
48
internal rhyme in passage to africa
"fleeting meeting", shows the swift connection
49
effect of parallelisms used in passage to africa
shows his attempt to remain detattched as he feels that is the professional thing to do
50
"and then it clicked"
shows clarity and lepihany
51
what 'fact of life'/journalist ideology/relationshop with subject does alagiah rethink?
"the journalist observes, the subject is observed. the journalist is active, the subject is passive."
52
what does alagiah resolve to do
be more active and interact with the subjects
53
why does alagiah consider the man his friend
because he taught him something
54
explain "so my nameless friend, if you are still alive, i owe you one"
nameless friend: oxymoron if you are still alive: emphasises desperation of war/ weakness and failure of the report, and is a reminder that death is commonplace whilst life is precious and rare i owe you one: reverses usual basis of relationship as journalists belive they are providing a service
55
how does alagiah describe journalists
"ghoulish manner" | like you enjoy dark/sinister things, newsworthy journalists feed off death
56
where is passage to africa set
village in somalia
57
"pictures that stun the editors one day are written off as the same old stuff the next."
reflects the media industry. dismissive, dehumanizes the subjects of these images the same quality ceases to be satisfying, need more - addictive desensitised, greedy
58
describe the title "chinese cinderella"
connotations of neglect, foreshadows the rest of the story
59
describe the opening few sentences in chinese cinderella
``` "should have had" implies the opposite "and left there." unusual, abandonment "despised by her..." negative diction "autobiography" personal experience "went home" makes it seem unordinary ```
60
use of pathetic fallacy in chinese cinderella
"outside it was hot and there was wind blowing" increased tension = dread
61
"the thought of leaving school throbbed at the back of my mind like a persistent toothache"
simile, painful thought
62
why does adeline yen mah run downstairs so distressed
she was "wondering who had died this time"
63
effect of the chaffeur picking up adeline
shows the disconenction from her family - "during the short drive home" also shows their lack of care for her
64
"where are we?" I asked foolishly
shows her self-depreciation, and how its her first time there
65
"perhaps the end of school forever"
conscious of time, melodramatic, likes school/hates home
66
describe the biblical allusion
"holy of holies" increases the anticipation and irregularity
67
does the chaffeur treat her nciely
no wierd beacuase she is the daughter of his employer so her father must not care.
68
does adeline go to boarding school for practicality
no its a short drive home
69
"summoned by father"
increases formality, anticipation and reinforces god-like hierachy
70
does adeline have a good relationship with father
no, lots of distrust and fear "dare i let my guard down?"
71
whats wierd about "is the winner adeline jun-ling yen related to you?"
theyre friends but he doesnt know his daughters name
72
does adeline believe she has won at first
no, "is it possible? am i dreaming? me, the winner?" it shows her disbelief and doubt in her abilities
73
"for once"
adverbial
74
metaphor that shows the effect of her fathers pride
"i only had to stretch out my hand to reach the stars"
75
does her father approve of her self depreciatiopn
yes he encourages it
76
describe adelines reaction at the possibliy of uni abroad
disbelief, so happy to leave and study whatver, desire to leave hong kong
77
is her father encouraging of wriitng
no, he is belittling and implies she is emotionally unintelligent
78
what does her father want her to do
medicine, become an obstetrics because "women will always be having babies. women patients prefer women doctors".
79
does he kindly suggest medicine
no he repeats a list of modal verbs, he is very commanding
80
"dont you agree"
leading quesiton, closed
81
what is the art of diplomacy
conversation
82
why is the ending of chinese cinderella ironic
she is over the moon but hasnt gotten what she really wants
83
structure in chinese cinderella
hyperbole, rhetorical questions, adverbs