Fall Final Flashcards

1
Q

Describe the different augmented 6 chords.

A

Italian 6, German 6/5, French 6/3. The Italian has only 3 notes, the German has to go I 6/4 then V.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

explain what secondary fifths and sevenths are.

A

Is a dominant of a different key. In this example it would be in the key of the dominant or seventh of the tonic key.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is a N6 chord.

A

A Neapolitan sixth is a lowered second of the tonic key.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What ways do composers develop motives?

A

Repetition, Sequence, Inversion, fragmentation, imitation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What is a key part of inventions?

A

invertible counterpoint.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What is invertible counterpoint?

A

Where the motives in each part switch and repeat or imitate.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What is the structure of a fugue?

A

Start with the exposition, then have a series of episodes and middle entries that eventually bring you to the final ending.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

explain the structure of the exposition of a fugue.

A

First voice starts, then answer in the dominant with countersubject, then subject repeats with counter subject and free part. There is sometimes a bridge between the answer and the final voice entering. Often the bridge is used to modulate.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What is an episode? fugue

A

Subject is absent in compelete form and modulates.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

What is a middle entry?

A

entrance of subject in any voice, usually in foreign key.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

How do middle entries transform the subject and what do they do?

A

Inversion, flip the motive around so its opposite direction.
Augmentation, twice as slow.
Stretto, overlapping imitation, so before melody is done the imitation has started.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What is the structure of a sonata form?

A

Exposition, Development, recapitulation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

What are the parts of an exposition in sonata form?

A

Theme 1 in tonic
Theme 2 in V
Transition with 1/2 cadence ending
Closing thme/section in V

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What are the parts of a development?

A

material from exposition
goes through many keys
ends on V prep or semi cadence

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Parts of the recapitulation in sonata form?

A

Theme 1, 2 and closing section in tonic key. might be a transition but with no modulation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What are the parts of sonata concerto form?

A

Ep. 1 Tutti= Theme 1,2 and closing section in tonic key.
Ep.2 Soloist = Theme 1 in tonic, Theme 2 in V, closing section in V
then have normal development and recapitulation. Usually the development secion has more virutosity and less thematically developed. Recap = Theme 1, 2 and closing in tonic. usually a cadenza between theme 2 and closing section.

17
Q

What is a false entry?

A

3 voices where a voice jumps to a different register that suggests a different voice.