FICTION Flashcards

(78 cards)

1
Q

this is created in the imagination of its author

A

FICTION

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

in this, the author invents the story and makes up the characters, the plot or storyline, the dialogue and sometimes even the setting

A

FICTION

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

a literary genre in the form of prose, especially short stories and novels, that describes imaginary events and people

A

FICTION

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

according to LEO TOLSTOY, this is a lie told to tell the truth

A

ART (FICTION)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

although this is largely imaginary, a mere product of an author’s imagination, with characters who never really existed, events that never took place and situations and places invented by the author; it is none the less not totally divorced from truth

A

FICTION

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

6 ELEMENTS OF FICTION

A
CHARACTERIZATION
PLOT
POINT-OF-VIEW
SETTING
THEME
STYLE
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

an element of fiction; the ways individual characters are represented by the narrator or author of a test

A

CHARACTERIZATION

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

an element of fiction; this includes descriptions of the characters’ physical appearances, personalities, actions, interactions, and dialogue

A

CHARACTERIZATION

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

an element of fiction; the sequence of events that occur through a work to produce a coherent narrative or story

A

PLOT

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

an element of fiction; the perspective (visual, interpretive, bias, etc.) a text takes when presenting its plot and narrative

A

POINT-OF-VIEW

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

an element of fiction; the physical location (real or invented) and the social environment of the story (including chronology, culture, institutions, etc.)

A

SETTING

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

an element of fiction; time, place and atmosphere create the mood for a fictional story and situates it into a context

A

SETTING

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

an element of fiction; this may be defined as “a salient abstract idea that emerges from a literary work’s treatment of its subject-matter; or a topic recurring in a number or literary works” (Baldick, 258)

A

THEME

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

an element of fiction; in literature, these tend to differ depending on author, time period, genre, style, purpose, etc. It is the universal truth about life expressed in a story

A

THEME

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

an element of fiction; the way an author uses language to convey his or her ideas and purpose in writing

A

STYLE

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

an element of fiction; this includes an author’s diction, syntax, tone, characters, and other narrative techniques

A

STYLE

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

an element of fiction; this can also be associated to the genre or mode of writing the author adopts, such as in the case of a satire or elegy with would adopt a satirical or elegiac style of writing

A

STYLE

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

4 ELEMENTS OF FICTION:

CLASSIFYING CHARACTERS

A

MAJOR CHARACTERS
MINOR CHARACTERS
PROTAGONIST
ANTAGONIST

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

an element of fiction in classifying characters;

characters that are central to a story

A

MAJOR CHARACTERS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

an element of fiction in classifying characters;

characters that support the major characters throughout the story’s action, but they are not as highly developed

A

MINOR CHARACTERS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

an element of fiction in classifying characters;

this is a story’s central character who faces a major conflict that must be solved before the story’s end

A

PROTAGONIST

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

an element of fiction in classifying characters;

this character is often positioned as “good” or the character with whom readers are expected to identify

A

PROTAGONIST

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

an element of fiction in classifying characters;
this character opposes the protagonist and serves as an obstacle that the protagonist must overcome to resolve the conflict

A

ANTAGONIST

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

4 ELEMENTS OF FICTION:

TERMS FOR INTERPRETING CHARACTERS

A

ANTI-HERO
ARCHETYPE
EPITHET
PERSONIFICATION

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
an element of fiction (term for interpreting characters); | a protagonist of a story who embodies none of the qualities typically assigned to traditional heroes and heroines
ANTI-HERO
26
an element of fiction (term for interpreting characters); not to be confused with the antagonist of a story, this is a protagonist whose failings are typically used to humanize him or her and convey a message about the reality of human existence
ANTI-HERO
27
an element of fiction (term for interpreting characters); “a resonant figure or mythic importance, whether a personality, place, or situation, found in diverse cultures and different historical periods” (Mickics, 24)
ARCHETYPE
28
an element of fiction (term for interpreting characters); these characters tend to reference broader or commonplace (often termed “stock”) character types, plot points, and literary conventions
ARCHETYPE
29
an element of fiction (term for interpreting characters); paying attention to these can help readers identify what an author may posit as “universal truths” about life, society, human interaction, etc. based on what other authors or participants in a culture may have said about them
ARCHETYPE
30
an element of fiction (term for interpreting characters); “an adjective, noun, or phase expressing some characteristic quality of a thing or person or a descriptive name applied to a person, as Richard the Lion-Hearted” (Taafe, 58)
EPITHET
31
an element of fiction (term for interpreting characters); this usually indicates some notable quality about the individual with whom it addresses, but it can also be used ironically to emphasize qualities that individual might actually lack
EPITHET
32
an element of fiction (term for interpreting characters); | this is the use of a person to represent a concept, quality, or object
PERSONIFICATION
33
an element of fiction (term for interpreting characters); this can also refer to “a person who is considered a representative type of a particular quality or concept” (Taafe, 120)
PERSONIFICATION
34
4 ELEMENTS OF FICTION: | TERMS FOR INTERPRETING PLOT
FREYTAG'S PLOT PYRAMID DEUS EX MACHINA IN MEDIA RES FRAME NARRATIVE
35
an element of fiction (term for interpreting plot); | the structure of a dramatic work such as a play or film, from its inciting incident to its resolution
FREYTAG'S PLOT PYRAMID
36
7 stages of the FREYTAG'S PLOT PYRAMID
``` exposition, inciting incident, rising action, climax, falling action, resolution, denouement ```
37
DEUS EX MACHINA means what in Latin?
"god from the machine"
38
in LATIN, the ‘god from the machine’ means what?
DEUS EX MACHINA
39
an element of fiction (term for interpreting plot); | a deity in Greek and Roman drama who was brought in by stage machinery to intervene in the action
DEUS EX MACHINA
40
an element of fiction (term for interpreting plot); | any character, event, or device suddenly introduce to resolve the conflict” (Taafe, 43)
DEUS EX MACHINA
41
an element of fiction (term for interpreting plot); | beginning in “the middle of things,” or when an author begins a text in the midst of action
IN MEDIA RES
42
an element of fiction (term for interpreting plot); this often functions as a way to both incorporate the reader directly into the narrative and secure his or her interest in the narrative that follows
IN MEDIA RES
43
an element of fiction (term for interpreting plot); | a story that an author encloses around the central narrative in order to provide background information and context
FRAME NARRATIVE
44
an element of fiction (term for interpreting plot); | this is typically referred to as a “story within a story” or a “tale within a tale”
FRAME NARRATIVE
45
an element of fiction (term for interpreting plot); | these are stories usually located in a distinct place and time from the narratives they surround
FRAME NARRATIVE
46
3 ELEMENTS OF FICTION: | TYPES OF NARRATIVE (POINT OF VIEW)
FIRST PERSON SECOND PERSON THIRD PERSON
47
an element of fiction (types of narrative/pov); a story told from the perspective of one or several characters, each of whom typically uses the word “I.” This means that readers “see” or experience events in the story through the narrator’s eyes
FIRST PERSON
48
an element of fiction (types of narrative/pov); | a narrative perspective that typically addresses that audience using “you”
SECOND PERSON
49
an element of fiction (types of narrative/pov); | this mode can help authors address readers and invest them in the story
SECOND PERSON
50
an element of fiction (types of narrative/pov); | a narrative told from the perspective of an outside figure who does not participate directly in the events of a story
THIRD PERSON
51
an element of fiction (types of narrative/pov); | this mode uses “he,” “she,” and “it” to describe events and characters
THIRD PERSON
52
3 SUBCATEGORIES OF THE THIRD PERSON POV
OBJECTIVE THIRD PERSON LIMITED THIRD PERSON OMNISCIENT THIRD PERSON
53
the third person pov in which the narrator knows or reveals nothing about the characters' internal thoughts, feelings, and motivations, but sticks to the external facts of the story
OBJECTIVE THIRD PERSON
54
the third person pov in which the narrator describes the internal thoughts, feelings, and motivations of one character, usually the main character
LIMITED THIRD PERSON
55
the third person pov in which the narrator knows and at least partially reveals the internal thoughts, feelings, and motivations of all the characters
OMNISCIENT THIRD PERSON
56
4 ELEMENTS OF FICTION: | TERMS FOR INTERPRETING AUTHORIAL VOICE
APOLOGY IRONY SATIRE STREAM-OF-CONSCIOUSNESS
57
an element of fiction (terms for interpreting authorial voice); this is often at the beginning or conclusion of a text, the term “apology” refers to an instance in which the author or narrator justifies his or her goals in producing the text
APOLOGY
58
an element of fiction (terms for interpreting authorial voice); this typically refers to saying one thing and meaning the opposite, often to shock audiences and emphasize the importance of the truth
IRONY
59
an element of fiction (terms for interpreting authorial voice); a style of writing that mocks, ridicules, or pokes fun at a person, belief, or group of people in order to challenge them
SATIRE
60
an element of fiction (terms for interpreting authorial voice); often, texts employing this use sarcasm, irony, or exaggeration to assert their perspective
SATIRE
61
an element of fiction (terms for interpreting authorial voice); a mode of writing in which the author traces his or her thoughts verbatim into the text
STREAM-OF-CONSCIOUSNESS
62
an element of fiction (terms for interpreting authorial voice); typically, this style offers a representation of the author’s exact thoughts throughout the writing process and can be used to convey a variety of different emotions or as a form of pre-writing
STREAM-OF-CONSCIOUSNESS
63
important terms: | these are spoken exchanges between characters in a dramatic or literary work, usually between two or more speakers
DIALOGUE
64
important terms: | this is an object or element incorporated into a narrative to represent another concept or concern
SYMBOL/ISM
65
important terms: these typically recur throughout a narrative and offer critical, though often overlooked, information about events, characters, and the author’s primary concerns in telling the story
SYMBOL/ISM
66
important terms: | this is the way of communicating information (in writing, images, or sound) that conveys an attitude
TONE
67
authors convey these through a combination of word-choice, imagery, perspective, style, and subject matter
TONE
68
important terms: | by adopting a specific ____, authors can help readers accurately interpret meaning in a text
TONE
69
important terms: this refers to an author’s use of vivid descriptions “that evoke sense-impressions by literal or figurative reference to perceptible or ‘concrete’ objects, scenes, actions, or states” (Baldick, 121)
IMAGERY
70
important terms: this can refer to the literal landscape or characters described in a narrative or the theoretical concepts an author employs
IMAGERY
71
important terms: | this refers to a kind of literary text
GENRE
72
important terms: | texts frequently draw elements from multiple ____s to create dynamic narratives
GENRE
73
important terms: ALASTAIR FOWLER uses the following elements to define these such as organizational features (chapters, acts, scenes, stanzas), length, mood, writing style, the reader’s role, and the author’s reason for writing (Mickics, 132-3)
GENRE
74
important terms: this literary mode attempts to convert abstract concepts, values, beliefs, or historical events into characters or other tangible elements in a narrative
ALLEGORY
75
important terms: this is a literary text that references, incorporates, or responds to an earlier piece including literature, art, music, film, event, etc.
ALLUSION
76
important terms: according to BALDICK, “the technique of ______ is an economical means of calling upon the history or the literary tradition that author and reader are assumed to share” (7)
ALLUSION
77
important terms: a narrative work or writing style that mocks or mimics another genre or work and emphasize/exaggerate elements from the original work in order to ridicule, comment on, or criticize their message
PARODY
78
which person uses the following elements to define these such as organizational features (chapters, acts, scenes, stanzas), length, mood, writing style, the reader’s role, and the author’s reason for writing (Mickics, 132-3)
ALASTAIR FOWLER